'Le Génie de la Danse, n°2', a Patinated Bronze Figure by Carpeaux, Dated 1872
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'Le Génie de la Danse, n°2', a Patinated Bronze Figure by Carpeaux, Dated 1872
About the Item
- Creator:Jean-Baptiste Carpeaux (Sculptor)
- Dimensions:Height: 33.47 in (85 cm)Width: 13.39 in (34 cm)Depth: 9.85 in (25 cm)
- Style:Napoleon III (Of the Period)
- Materials and Techniques:Bronze,Patinated
- Place of Origin:
- Period:
- Date of Manufacture:Dated 1872
- Condition:
- Seller Location:Brighton, GB
- Reference Number:Seller: B740501stDibs: LU1028014642772
Jean-Baptiste Carpeaux
Jean-Baptiste Carpeaux was born on 11 May, 1827 at Valenciennes, France the son of a mason. He initially studied at the Valenciennes art academy before the family moved to Paris. In 1844, Carpeaux entered the École des Beaux-Arts and also studied under François Rude and Francisque Duret. He started exhibiting at the Paris Salon in 1853 and won the Prix de Rome in 1854. Soon after, Carpeaux traveled to Italy, where he spent time in Rome studying at the French Academy. There, he produced several sculptures, which he exhibited at the Paris Salon in 1858. The critical acclaim Carpeaux received led to several important state and private commissions, helping him to achieve success and establishing his reputation. He returned to Paris in 1861 and went on to found his atelier in 1866, casting bronze editions of his sculptures. In the same year, Carpeaux received the chevalier of the Legion of Honour. He won first prize at the Exposition Universelle of 1867 in Paris. Carpeaux died on 12th October 1875, at George Barbu Știrbei's château in Bécon-les-Bruyères, outside Courbevoie near Paris. Examples of his work can be found at the National Museum, Warsaw, Metropolitan Museum of Art, New York and the Orsay Museum, Paris, France. Some of his public and architectural works can still be found at the Louvre Palace, Opera Garnier, Valenciennes and the Jardin du Luxemburg.
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The compositional daring of the group must be admired for balancing two figures on the minimal support of one foot, wings spread in the moment before taking flight. Mercié was a student at the French Academy of Rome when the Prussians invaded France in 1870. Shortly after the war had begun, he executed a group depicting the figure of Fame supporting a victorious soldier. When news reached Mercié in Rome that the French had surrendered, he decided to alter his group, replacing the victorious soldier with a defeated casualty, thus transforming an allegory of ‘Glory to the Victors’ into one of ‘Glory to the Vanquished’. Completed in 1872, a year after the defeat of French soldiers against the Prussian army, the statue personifies a defeated but heroic France. The title is also a reversal of the famous formula, ‘Vae Victis’ (Death to the Vanquished), which the Gallic general Brennus exclaimed upon defeating the Romans in 390 BC. The figure of the fallen soldier was thought to represent Henri Regnault, a fellow sculptor of Mercié who was killed on the last day of fighting. Measuring 317 cm. high the original group of ‘Gloria Victis’ was unveiled in plaster at the Salon of 1872. It was bought by the City of Paris for the sum of twelve thousand francs and then cast in bronze by Victor Thiébaut for eight thousand five hundred francs. The bronze was exhibited at the Salon in 1875 and first placed in Montholon Square in the 8th arrondissement. In 1884 it was transferred to the courtyard of the Hôtel de Ville and in 1930, it entered the collection of the Musée du Petit Palais, where it can be seen to this day. The Thiébaut Frères foundry also cast Gloria Victis bronzes for the cities of Niort (requested 1881) Bordeaux (requested 1883), Châlons-sur-Marne (today, Châlons-en-Champagne; requested 1890), and Cholet (requested 1901). 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