Giltwood Figurative Sculptures

An unusual and striking giltwood sculpture of a reclining Buddha with head on one bent arm, lovely from every angle. Small glass beads are a decorative embellishment. A custom froste...

These unusual hand-sculpted polychrome wax figurines on giltwood base depicting two Arabs relaxing on a sofa perfectly captures late 19th century Europe's perspective and aesthetic f...

From the esteemed former collection of Baron Nathaniel de Rothschild, this exquisite early 16th-century polychromed carved wood figure of St. Florian stands as a rare example of late...

Pair of Italian Giltwood & Tole Violet Topiary Sculptures  Italy, circa 1950s A stunning pair of Italian giltwood and tole violet topiary sculptures, dating back to the 1950s. Each s...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

18th century Carved Wood Buddha. Chinese antique Buddha Statue of carved wood. Gesso like coating to wooden surface, with pigments and gilding. ...

A sculptural work created from an 18th century Italian hand-carved arm of Christ, 18th century foot, crystal nail, aquamarine, and a red crystal cluster. The arm and foot were origin...

Carved gilt-wood sunflower finial ornament. Gilt carved and gesso sunflower decoration issuing from round neoclassical base. Europe, early 20th century...

Gold stat­ue of the young Bud­dha “Bodhisattvas” Standing on a lotus blos­som pedestal. Elaborately carved with the eyes in finely made glass stones and more stones adorning the fore...

Italian, 20th century. Introducing a captivating pair of Vintage Chinoiserie & Partial Gilt Wood Decorated Obelisks, each a testament to timeless elegance and artistic finesse. Stan...

Capture the expressive spirit of the Mid-Century era with this compelling 1957 figural sculpture by artist Walt Haynes. This unique piece showcases a contemplative male figure, rende...

22kt gold leaf woodcarving depicting a single rose in a pot in exquisite detail by master woodworker Carlos Villegas.

Crafted around 1890, the 19th-century Burmese Seated Mandalay Buddha stands as an exquisite embodiment of spiritual devotion and artistic finesse. Carved from gilded wood and adorned...

One of a kind Set of two pieces belonging to a monumental Baroque altarpiece made in the 18th century. These are two magnificent carvings of large dimensions, which together make a semicircular piece with a profuse decoration also of monumental proportions of plant forms. Decoration with elaborate carved rolls, which stand out from the general structure. It comes from a Spanish church that housed an imposing altarpiece made in the second half of the 18th century. The entire visible surface is gilded with original gold leaf, with imperceptible subsequent touch-ups. The back is reinforced, which makes the pieces very strong and heavy. In the photographs you can see the approach of its collectors: they placed it as a headboard, it looked impressive! But these exclusive pieces can be presented in many possible ways, either as part of the wall or as a work of art. Due to its enormous size, the configuration chosen for transport is "the buyer picks up the piece" but if, once awarded, you want to contract transport, we will provide it (we have a team of experts). Total measurements: 450 cm (width) x 160cm (height) x 25cm (depth) Measurements of each piece (2): 225cm (width) x 160cm (height) x 25cm (depth) It is a unique opportunity to acquire two exclusive pieces in the world of antiques.

PAIR of Asian Chinese style gilt carved foo dog figures holding a open design ball

19th century giltwood polychrome statue of Madonna is a superbly artistic rendition of the Mother of Jesus, uncharacteristically holding our both han...

Golden wooden sphere sculpture formed with a bright golden sphere at the top supported with a gray wooden base. Baroque style from late 20th century. *The item is sold as a unique...

Pair of Italian Rococo (18th Cent) gold painted life size hanging cupid figures.

Large Gilded Carved Wood Laughing Buddha Sculpture on Lotus Base Origin: Late 20th Century Materials: Hand-carved wood, gold leaf Dimensions: H 109 cm x W 57 cm x D 43 cm Condition: ...

Pair of Italian gilt carved wood, gesso, and painted hanging wall cherubs . Early 19th Century.

This beautiful, antique sculpture of the Virgin Mary in prayers was created in Pyrenees of France, circa 1860. Embellished with gold leaf and polychrome finish, the Classic religious...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

Bas-relief in sculpted and gilded wood portraying the Ascension of Christ. By ascending to heaven, Jesus fulfils the meaning of his resurrection: to join, with his body, in the glor...

An important bas-relief in carved wood with traces of gilding, in an architectural frame with two cherubs in the spandrels, representing Saint Roch. He is considered to be the patro...

Used to support chandeliers or flowers. They represent personages of de New World, very in vogue in that time.  

18th century handmade giltwood decorative element representing a basket surrounded by flowering branches. France, circa 1790.

We are delighted to offer for sale this lovely circa 1880 hand carved giltwood Caryatid statue A truly stunning piece, very decorative, its nicely ...

Terracotta Putti Statue Resting on Conforming Raised oval Base Signed " R. Rod " Late 19th Century To Early 20th Centurty MEASUREMENTS: 19" H x 20" W x 10" D

A handsome true pair of French 19th century Louis XVI st. Giltwood and Terra Cotta dog statues. Each statue is raised by an oval shaped Giltwood pedestal with mottled edges and a den...

An elegant and extremely decorative Italian 17th century Baroque period Giltwood and patinated wood Putti statue. The statue is raised by a Giltwood plinth with a Coeur-de-Rai carved...

Presenting an extraordinary 18th-century Italian carved wood and polychromed figure, capturing the tender image of baby Jesus in a standing posture, gracefully perched upon an intric...

In excellent condition considering his age. She is very beautiful. From a significant home in Santa Barbara. Base is 9.5" x 10".

Beautifully carved and painted. Nice patina. From a beautiful house in Santa Barbara. They do hold candles on a spike.

Nice pair of Italian carved wood Putti that hold candles. The base is 7" x 7". The wing spread is 12". From a beautiful home in Santa Barbara.

A high quality and most charming French 19th century Louis XVI st. patinated bronze, giltwood, and Rouge du Languedoc marble statue. The statue is r...

A charming and finely detailed true pair of Italian 19th century Louis XVI st. terra cotta and giltwood statues. Each statue is raised by an elegant circular mottled base where each ...