Metal Figurative Sculptures

Large Bronze southern Gentleman sculpture in original paint. This sculpture depicts that of a man smoking a cigar sitting on a high stool or bench with a cane in the other hand. Ther...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Large Grand Tour circa 1860s patinated bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae...

This is a beautifully detailed antique Italian Grand Tour bronze sculpture of Hermes, dating from Circa 1880. Hermes is cast after the original held at the Museo Nazionale in Naples...

After Etienne-Maurice Falconet (French 1716 - 1791) La Baigneuse (Bathing Woman, The Bather) Patinated Spelter sculpture of Diana at the well. Signed and dated 1765 Measures 6" in w...

Khadim Diop, the Senegalese artist renowned for his bronze sculptures that adorn many private collections worldwide, has crafted two captivating and expressive pieces that showcase his mastery of the medium, a rare find in the market outside Africa! The first sculpture portrays a dynamic figure playing the Djembe drum...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Vienna Cold Painted Bronze Ten Piece Devil Orchestra, Attributed Franz Bergman Austria, circa 1925, attributed to Franz Bergman, unmarked Embark on a whimsical journey with this rare and delightful Vienna Cold Painted Bronze Ten Piece Devil Orchestra, made circa 1925 and attributed to the renowned Franz Bergman, though unmarked. This charming ensemble features ten individually cast and hand-painted bronze figures, each devil bearing its own instrument and unique action. From the authoritative Conductor Devil to the playful Flute Devil, every character in this orchestra exudes personality and mischief. The ensemble includes the Piano Devil, Cello Devil, Drum Devil, Heraldic Trumpet...

'Hoop Girl' Art Deco Bronze Sculpture Signed Ferdinand Preiss (1882-1943) Germany, Circa 1920's We are pleased to offer the 'Hoop Girl' Art Deco Bronze Sculpture, a signed work by...

A charming antique Viennese bronze sculpture of a young Dutch boy pulling in a fishing net by Peter Tereszczuk dating from circa 1910. The f...

American bronze cowboy sculpture resting on oval molded marble base depicting cowboys on horses coming in to town from cattle drive. Bronze sc...

This whimsical pair of Art Deco Bronze and Copper Sculptures of Seated Women by Ferdinando De Luca originate from Italy during the dawn of the 20th Century. Featuring a pair of women...

This is an eye-catching Vintage Art Deco Revival bronze dancing girl dating from the mid 20th century. This beautiful piece is a 20th Century recast of a sculpture created by the famous Romanian sculptor Demetre Chiparus. Made by the classical lost wax, or 'cire perdue', method, the stautue stands on a black marble base. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 50 x Width 22 x Depth 16 & Weight 6 kg Dimensions in inches: Height 1 foot, 8 inches x Width 9 inches x Depth 6 inches & Weight 13.2 lbs Lost Wax Method sometimes called by the French name of cire perdue or the Latin, cera perduta is the process by which a bronze or brass is cast from an artists sculpture. In industrial uses, the modern process is called investment casting. An ancient practice, the process today varies from foundry to foundry, but the steps which are usually used in casting small bronze sculptures in a modern bronze foundry are generally quite standardised. Demetre H. Chiparus was born in Romania in 1886, attended school in Italy, then, shortly before World War I moved to Paris. He attended school at the Ecole des Beaux Arts under two talented sculptors Anonin Mercier and Jean Boucher, who provided him the opportunity to learn the trade. He later began to experiment with small bronze sculptures and produce small bronze works, exhibiting his small sculptures and, in 1914, was awarded an honorable mention at the Salon of the Societe des Artistes Francais. Many of Paris’ most affluent began to take notice of his work after World War One and the demand for his sculptures quickly increased. Chiparus was captivated by dancers, in particular influenced by Diaghiley’s Ballets Russes and Leon Bakst’s stage designs. A few of his famous sculptures were Starfish Dancer...

Antoine-Louis Barye (French, 1796-1875) "Guerrier du Caucase" cast bronze sculpture depicting a Caucasian warrior in full armor rendered in fine detail riding on his horse. Cast ci...

**Magnificent Late 19th-Century Neo-Renaissance Figural Nef, ca. 1880s-1890s** This exquisitely crafted table vessel embodies the grandeur of Renaissance-inspired artistry, reinte...

Eugene Provost (1836-1885) France, 19th century, a charming gilt and silvered bronze sculpture depicting two putti moving a chariot with grapes and vines, on a rectangle shaped base.

Vienna cold painted bronze 'Carmen' attributed to Bergman, Brilliantly enameled, of a gypsy girl with tambourine standing on a oriental rug, mount...

An attractive early 20th Century Art Deco cold painted bronze figure of a young energetic beauty in a dancing pose, exhibiting excellent colour and very fine hand chased surface deta...

This is a bronze sculpture, which may have been done by Frederic Weinberg. It is an incredibly stylized Roman Chariot and has a patina finish. Italian-made and great for any Mid-Cent...

Charles Masse (French, 1855-1913) Nude Woman Patinated Bronze Sculpture, late 19th century, the standing figure draped with Gingko leaves, on a green serpentine plinth, signed to bas...

19th Century Fernando De Luca, After Furietti, Bronze Centaur Sculpture is a fine example of the Grand Tour tradition. Furietti, an Italian sculptor, was known for his skill in creat...

Unusual vintage African bronze sculpture. A sitting drummer - drumplayer. It was brought from Africa in the 1970s. Naive - primitive styling and a strong patina. This piece is not si...

This exquisite 19th-century French bronze sculpture captures the essence of rural life through the figure of a young peasant boy. The boy is depicted with a charming, rustic appeal,...

Beautifully sculpted, cast and finished, this 1920s Swedish Grace relief sculpture is made from bronze and has an amazing patina. It was made in Sweden by an unknown artist. Art Deco...

Art Deco sculpture bronze panther signed by Charles Conrad. Foundry seal of Deroyaume fondeur. Model designed ca. 1935. Cast in 2008. Bronze with black patina. Literature: Dictio...

Lady and the Bee From our Bronze Sculpture collection, we are delighted to offer this beautiful French Bronze Sculpture by Eutrope Bouret. The Sculpture modelled in bronze with a su...

Large Modernist Etruscan brass horse sculpture. Stunning large Gio Ponti inspired Modernist Etruscan brass horse sculpture. Our Mid-Century Modern...

A striking mixed-media sculpture by Mexican artist Emilia Castillo for the renowned Los Castillo workshop in Taxco. This stylized figure—reminiscent of a Madonna or cloaked female fi...

Eleanora & M. Magdalena Dei Medici Wax Portraits on Slate Measures: 4.5" DA 18th Century or Earlier Wax Portraits of Eleonora de' Medici and Maria Magdalena de' Medici in Ormolu F...

Bronze male sculpture signed. Fonderia Giorgio Sommer Calabritto Napoli Thomas, sculptor, lived and worked in the Naples area, and especially on Capri, from 1889 to 1906. Given this ...

A really cool child flying kite bronze on volcanic rock sculpture by Malcolm Moran, circa 1970s. The piece is in very good vintage condition an...

An August Moreau bronze table sculpture. This lovely art nouveau table sculpture features a full cast bronze construction, sitting atop a beautiful tapered marble base. This vase dep...

Carl Auböck model #3603L large brass and leather bell. Designed in the 1950s, this incredibly refined and sculptural bell is executed in polished brass an...

Italian ceramic terracotta sculpture Depicting Madonna , Virgin & Child religiousstatue Material: Earthenware terracotta, tin glaze and partially gilded Modeled and painted by h...

A Rome 1960s Souvenir sculpture. Some wear with a nice patina, but this is old-age. Made of metal on a marble base. This was bought as a souvenir in Italy. A beautiful nice desktop item or just a display item...

Art Deco bronze sculpture of a panther signed Rulas. Bronze gold patina, on a Belgian Black base. Signed and marked Bronze. Ca. 1930

A super cool pair of patinated bronze figurative sculptures in the style of renowned South African sculptor/ artist Sydney Kumalo, circa 1960s. The minim...

After Francois Rude (French, 1784-1855) "The Education of Achilles by the Centaur Chiron" Patinated Bronze Sculpture, late 19th century, unsigned, elements missing. 17" H x 17.5" W x...

For your consideration a pair of pull handles by Los Castillo. Abstract Fish with malachite and silver. Mexico Circa the 1950s. Dimensions: 3.75 w x 3 h x .75 D Please visit take a...

Patinated Spelter sculpture on oval marble base depicting the Birth of Pegasus after the original model by Emile Picault (1833-1922) exhibited at the Salon des Beaux Arts in Paris. ...

This bronze standing Buddha mounted on a turned wood base has his right palm held outward in the abhaya mudra position, a gesture of fearlessness and reassurance.

Wonderful set of 6 handmade teapots, carefully realized by an italian artist with love and passion. Unique and exclusive pieces. The set includes only teapots. Cups and plates a...

Incredibly chic necklace from the Autumn-Winter 1996 Chanel collection. This beautiful goldtone chain with six faux baroque pearls in white and grey is simply irresistible. This nec...

Very Large French Patinated Bronze Figural Sculpture Apollo After Picault French, Late 19th Century Height 167cm, width 66cm, depth 40cm This late 19th century bronze figure is cra...

Miguel Ortiz Berrocal 1969 Portrait de Michèle Puzzle Sculpture Offered for sale is a 1969 Miguel Ortiz Berrocal limited edition nickel-plated puzzle sculpture titled, "Portrait de ...

The beautiful bronze sculpture is of The Tibetan Amitayus, the Bodhissatva/Buddha of infinite life. Adorned with necklaces, crown and sashes decorated with rosettes, pearls and medal...

Ornate cast bronze bookend depicting Indian Chief in full headdress. It was made in the US or continental Europe circa 1930-60. Measurements: H: 14.5 cm, W: 12 cm, Dept: 8 cm.

A very cool and well detailed solid cast brass medieval armored knight on horse sculpture, circa 1970s. The piece is in very good vintage condition and...

Art Deco dancer by Fritz Paul Zimmer, Germany, ca 1920 A bronze dancer in Art Deco style on wooden base by Fritz Paul Zimmer. Marked left in front Fritz Paul Zimmer (1895-1975 Germa...

A very cool set of three large (9.75" tall) iron Japanese geisha figurines, circa 1970s. The cast iron with gold gilt pieces are very heavy and solid a...

Carl Aubo¨ck Model #4867 'Egg' brass paperweight. Designed in the 1950s, this incredibly clean and refined Viennese paperweight is hand fabricated in polished brass by Werkstätte Car...

Large Italian Grand Tour Bronze Sculpture "Dying Galata"/Dying Gaul, C. 1875, Attributed to Naples Foundry  A remarkable large Italian Grand Tour bronze sculpture titled "Dying Galata" or "Dying Gaul," dating circa 1875 and attributed to the renowned Naples Foundry. This exquisite piece, an expertly cast bronze, retains its original black-brown patina and boasts a substantial size, standing 12 inches high, 26.5 inches wide, and 13.5 inches deep. It is a distinguished example of the iconic Grand Tour sculptures, which were popular souvenirs for affluent travelers during the 19th century. The sculpture is a faithful rendition of the ancient Roman marble statue "The Dying Gaul," also known as "The Dying Galatian" or "The Dying Gladiator." The original marble, now housed in the Capitoline Museums in Rome, is a Roman copy of a lost Greek bronze sculpture...

This is a tall antique decorative figure. A Chinese, bronze statue of a water carrier, dating to the late Victorian period, circa 1900. Classic figure of a rural water carrier Di...

Sculpture of Venus in resin and metal base, medium-sized model. Venus is the goddess of love, seduction and beauty in Roman mythology. She is the equivalent of the Greek goddess Aph...

A group of three fruit sculptures by Monique Gerber, French sculptor, ca' 1970's. Done is solid patinated bronze. Each one signed with engraving.

A unique and highly decorative pair of Brutalist style swan statues in bronze both in a takeoff position. The wings are finely. Carved displaying amazing d...

Large (39 inch tall) bronze sculpture with exceptional light brown patina by the French artist, Françoise Abraham (1962- ), entitled l'Aube des sens (Dawn of the Senses), from a limi...

1970s metal sculpture of acrobat or gymnast.

Incredible vintage necklace by Anne Klein. This is a true burst of color in a rare piece that is sculptural and unique. Created with artistry and detail, resin and brass combine to...

A fine quality therapeutic musical automaton clown toy in wonderful vintage condition. Features porcelain head, hands and feet. Made in France during the ...