Wood Figurative Sculptures

Life-size draped classical male ship's figurehead of English 19th century origin. The carving is quite similar to that of the figurehead rescued from the HMS...

Pair of Six-Foot High Topiary Spiral Shaped Cedar Plants with painted wood planters. We have used these and similar Topiaries in our showrooms for decades and there are currently 2-p...

Head of a woman, wood sculpture, Art Deco, 1930 Carved wood sculpture, in the taste of the renaissance, beautiful quality of work, 1930, Art Deco style. H: 36 cm, W: 18 cm, D: 17 c...

Fantastic large Mid Century Brutalist Figurative Sculpture in Steel with circular glass inserts, on a wood base. Patinated welded steel with red and yellow stained glass depicting a ...

Pair of Folk Art lamps - Hand carved African Figures on a black base - A decorative brass rod extend to the top with two custom made Lamp Shades...

A quality late 19th century artist Lay figure made from pine. These were made to be used by artists to paint the human form.

Vintage monumental bunch of Italian alabaster stone yellow grapes on wood branch.

Unique hand-carved folk art-style wood gazing ball. A friend of bookshelves and coffee tables. A lovely garden accent. An organic doorstop. A compliment to any room-- great suppo...

Beautifully stylized formally dressed male figurine with a great balance of harmony stood, portraying the beauty of the inner world through pure beauty. This Valuable unique art piece is a great chance to bring your office or home decor and interior an artistic characteristic. He was signed by EF in 1934, one of the recognized Swedish masters of 20th-century woodcarving, most famous for the Scandinavian flat-plane style of woodcarving. EF generally carved solo figures from basswood or pine and mounted them on a base. He had a stylized execution with clean cuts, working from a single piece of wood. A highlight of Trygg's carvings is his use of vibrant paint. He often painted his character's clothing in plaid. Wooden Carving...

Purchased in Rome in the 1980's, the well-carved chubby winged putti in opposing stances and poised on one foot over a rock-work base; depicting the grape harvest also known as the a...

Stunning wooden boot sculpture mold, measures 14.25 in H, 11 in deep, 5.75 in wide. Great piece for your home decor. Please be sure to check our storefront for more wonderful decorat...

Margaret Foley (American, 1827-1877) Marble Bust "Head of Prophet Zephaniah" A rare and important marble bust head relief portrait on The Prophet Zepha...

Robert Brady was born and raised in Reno, Nevada. Upon graduation from high school he attended the California College of The Arts in Oakland, Ca. receiving his Bachelor of Fine Arts degree in 1969. Later he attended University of California, Davis, receiving a Masters of Fine art in 1975. Recently retired Emeritus, he served as Professor of Art from 1975-2013 at California State University, Sacramento. Trained as a potter, Brady’s interest quickly steered toward a path of ceramic object making and sculpture, ultimately gaining national and international recognition. Approximately 24 years later, Brady, fortuitously discovered the beauty and merits of wood as a sculptural medium. Since then, Robert has produced work in both clay and wood, with an emphasis on wood. Mixed media, bronzes, works on paper and functional pottery are also part of his output. Brady has had over 50 solo exhibits and participated in many group exhibitions throughout the United States, and Europe, both in private galleries and public Museums. His works can be found in permanent collections in galleries and museums such as The Smithsonian (Renwick), The Fine Arts Museums of San Francisco, the San Francisco Museum of Modern Art, the Arkansas Art Center, Little Rock, and the Stedelijik Museum in Amsterdam, Holland, as well as others. Lastly, his work is found in private collections too numerous to mention. He has received three National Endowment Individual Artist...

A Mid Century Modern painted wood figurative sculpture by Fred Berger.Fred Berger (American, 1923-2006) Fred Berger’s work can be found in Private Collections and The Art Institu...

Majestic 18th century Italian baroque polychrome Santos icon sculpture of a young man. The carved icon is depicted standing and wearing a flowing robe with graceful movement. He has ...

This pair of Antique Chinese Emperor and Empress Statues are 100% hand made and hand carved with paint and gilt on them. Some of the paint and gilt has been worn off but overall they are in good condition. Look at the pictures, you can see that they are in many years history with some age wear. Now you can have them on your collection shelf. Size: 6in H x 2 3/4in W x 2in D each Origin: China Circa: Late Qing era Material: Wood Condition: Hand made, hand painted, normal age wear. Disclaimer: Due to differences in monitor/screen settings, product colors may differ slightly between product photos...

This extraordinary museum piece Enthroned Virgin Mary/Madonna with child on her lap comes from the Rhone region in France. The saint symbol and protec...

Set of six decorative Ionic and Corinthian columns made of carved wood that has been accentuated with bronze colored leaf. These were used as merchandising display props at Boston’s ...

FRENCH SCULPTOR 17TH CENTURY, Sculpture "Saint Mary Magdalene" Sculpture from the Louis XIV era in carved wood with a contemporary base 45 x 35 ...

Sandro's INRI is a stunning contemporary minimalist sculpture that's sure to impress and inspire. Created by the talented artist Sandro in 2017, this sculpture is an objet trouvé that has been masterfully intervened to give it new meaning and purpose. This incredible objet trouvé is a masterpiece of visual poetry, taking a vintage double bass case...

18th century Italian gold leaf angel wing with gold-plated kyanite on natural-forming aragonite. The angel wing originally came from a church in Liguria. It was once used as part of a decorative motif in angelic depictions in a historic Italian church. The gold-plated kyanite perfectly coordinates with the gold leaf of the artifact and looks as though it grew from the feather-like carvings of the wing. It is mounted onto the white aragonite...

Antique Japanese Meiji Period Lacquer & Giltwood Zushi Shrine, Traveling Alter Made of fine quality black lacquered case, internally gold leafed and ha...

1920-1930 three Hindu deities of the Siam, hand-carved exotic hardwood n. 1 measures cm: H 150, W 35, D 25 n.2 measure cm: H 102, W 35, D 25.

A very fine and Monumental French 19th century patinated bronze group Titled "The Abduction of the Sabine Women" after a model by Pierre Loison (French, 1816-1886), depicting a young scantily maiden being carried away on the arms of a Roman soldier, raised on circular ebonized wood and brass revolving pedestal stand. Signed at the base: P. Loison, circa: Paris, 1870-1880. Overall height (Sculpture and Pedestal): 91 inches (231.2 cm). Sculpture height: 54 3/4 inches (139.1 cm). Sculpture width: 24 inches (61 cm). Pedestal height: 36 inches (91.5 cm). Pedestal width (Widest): 25 1/2 inches (64.8 cm). Pierre Loison was a French sculptor of the 19th century born in the seaside town of Loir-et-Cher on July 5, 1816 and died in Cannes on February 3, 1886. In 1841, he joined the Pierre-Jean David d'Angers workshop where he became one of his favorite pupils. A year later he attended the School of Fine Arts in Paris. He exhibited for the first time at the Salon des artistes Français where in 1845 he was awarded third-class medal. In 1853 he was awarded First Place medal and at the Universal Exhibition of 1955 he received an honorable mention and another medal award in 1859. On 12 July 1859 and by decree, he was made "Chevalier de la Légion d’Honneur". Pierre Loison is buried at The Montparnasse Cemetery in Paris. Works by Pierre Loison "Femme assise": Terre cuite (1843) au musée Gustave-Moreau à Paris "Jeune fille portant un vase": Statue en marbre blanc, (h. 1,25 m) datée de 1857 et présentée au Salon de 1859 ; la statue fut d’abord placée au Palais-Royal (appartements du prince Napoléon) ; elle est actuellement au musée des Beaux-arts de Dole ; une réplique de taille réduite est au Musée des arts décoratifs de Paris. "La Halle aux grains de Mer": Chaque façade de ce bâtiment, classé à l’inventaire supplémentaire des monuments historiques, comporte un fronton triangulaire et celui de la façade ouest représentant « L’Agriculture distribuant des couronnes aux enfants de Beauce et de Sologne » a été sculpté gracieusement par P. Loison, natif de la commune. "La Justice assise": Allégorie de la Justice au fronton du Palais de justice de Blois (1847). "Buste d’Achille Fould": Au musée du Château de Blois 8; "Nausicaa": Statue en plâtre présentée au Salon de 1874, au musée des Beaux-arts de Vendôme. "Statue de J-B. Pigalle sur la façade de l’hôtel de ville de Paris "Sculptures extérieures du Palais du Louvre": Pierre Loison est l’auteur de neuf statues qui décorent les façades du Louvre "Figure" (1878) au deuxième étage du Pavillon Marsan10; "La Navigation" (1868) sur la balustrade du premier étage du Pavillon des États11; "Pandore" (1861) sur l’aile Est12; « Vénus » (1865) Aile Marsan13; "l’Histoire et la Vérité" (1857)14; "La Poésie et la Philosophie" (1857)15 deux oculi du Pavillon Mollien, coté cour Napoléon ; "Concordet" (1857) sur la balustarde du premier étage de la Rotonde de Beauvais, coté cour Napoléon. "Statue de Sappho sur le rocher de Leucade : datée de 1859, (h. 1,85 m) sur la façade nord de la cour carrée du Palais du Louvre à Paris ; le modèle en plâtre, offert par Mme Loison, est au musée des Beaux-arts de Blois. "Vierge à l’enfant": Statue en marbre en l’église Saint-Pierre de Dampierre-en-Yvelines. "Jeune romain enlevant une Sabine": Groupe présenté au Salon de 1863 qui a été reproduit en bronze par la fonderie d’art Raingo frères. "Sépulture de la famille Hautoy : Au cimetière du Père-Lachaise, deux bas-reliefs en marbre représentant l’un "La vie de Famille," l’autre 'Le chantier," datés de 1880. "Demoiselle d’honneur de la Cour de François Ier": Statue en pierre exposée au Salon des artistes vivants en 1870 ; acquise par l’État à ce Salon, elle a été déposée en 1891, devant la mairie d’Aubin. "La Paix distribuant des palmes aux génies des Beaux-arts": Fronton du Château de Compiègne (1866). "Daphnis et Naïs": Groupe en marbre (1869) au musée de Picardie à Amiens. "Jean-Baptiste Pigalle": Statue en pierre (1881) sur la façade principale, au rez-de-chaussée de l’Hôtel de ville de Paris. "Gisant de Ferdinand-Philippe d'Orléans: dans la chapelle royale de Dreux en collaboration avec Ary Scheffer. "La Grace": Statue en marbre (1875) dans le grand foyer de l’opéra Garnier. The Abduction of the Sabine Women The Abduction of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. The Abduction is supposed to have occurred in the early history of Rome, shortly after its founding by Romulus and his mostly male followers. Seeking wives in order to found families, the Romans negotiated unsuccessfully with the Sabines, who populated the area. Fearing the emergence of a rival society, the Sabines refused to allow their women to marry the Romans. Consequently, the Romans planned to abduct Sabine women, during a festival of Neptune Equester and proclaimed the festival among Rome's neighbours. According to Livy, many people from Rome's neighbours including folk from the Caeninenses, Crustumini, and Antemnates, and many of the Sabines attended. At the festival Romulus gave a Signal, at which the Romans grabbed the Sabine women and fought off the Sabine men. The indignant abductees were soon implored by Romulus to accept Roman husbands. Livy says Romulus offered them free choice and promised civic and property rights to women. According to Livy, Romulus spoke to them each in person, declaring "that what was done was owing to the pride of their fathers, who had refused to grant the privilege of marriage to their neighbours; but notwithstanding, they should be joined in lawful wedlock, participate in all their possessions and civil privileges, and, than which nothing can be dearer to the human heart, in their common children." Responsibility of the men for meeting the needs of the children thus conceived was not included. War with the Sabines and other tribes Outraged at the occurrence, the King of the Caeninenses entered upon Roman territory with his army. Romulus and the Romans met the Caeninenses in battle, killed their king, and routed their army. Romulus later attacked Caenina and took it upon the first assault. Returning to Rome, he dedicated a temple to Jupiter Feretrius (according to Livy, the first temple dedicated in Rome) and offered the spoils of the enemy king as spolia opima. According to the Fasti Triumphales, Romulus celebrated a triumph over the Caeninenses on 1 March 752 BC. At the same time, the army of the Antemnates invaded Roman territory. The Romans retaliated, and the Antemnates were defeated in battle and their town captured. According to the Fasti Triumphales, Romulus celebrated a second triumph in 752 BC over the Antemnates. The Crustumini also started a war, but they too were defeated and their town captured. Roman colonists subsequently were sent to Antemnae and Crustumerium by Romulus, and many citizens of those towns also migrated to Rome (particularly the families of the captured women). The Sabines themselves finally declared war, led into battle by their king, Titus Tatius. Tatius almost succeeded in capturing Rome, thanks to the treason of Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for "what they bore on their arms", thinking she would receive their golden bracelets. Instead, the Sabines crushed her to death with their shields, and her body was thrown from a rock known ever since by her name, the Tarpeian Rock. The Romans attacked the Sabines, who now held the citadel. The Roman advance was led by Hostus Hostilius, the Sabine defence by Mettus Curtius. Hostus fell in battle, and the Roman line gave way, They retreated to the gate of the Palatium. Romulus rallied his men by promising to build a temple to Jupiter Stator on the site. He then led them back into battle. Mettus Curtius was unhorsed and fled on foot, and the Romans appeared to be winning. At this point, however, the Sabine women intervened: [They], from the outrage on whom the war originated, with hair dishevelled and garments rent, the timidity of their sex being overcome by such dreadful scenes, had the courage to throw themselves amid the flying weapons, and making a rush across, to part the incensed armies, and assuage their fury; imploring their fathers on the one side, their husbands on the other, "that as fathers-in-law and sons-in-law they would not contaminate each other with impious blood, nor stain their offspring with parricide, the one their grandchildren, the other their children. If you are dissatisfied with the affinity between you, if with our marriages, turn your resentment against us; we are the cause of war, we of wounds and of bloodshed to our husbands and parents. It were better that we perish than live widowed or fatherless without one or other of you." The battle came to an end, and the Sabines agreed to unite in one nation with the Romans. Titus Tatius jointly ruled with Romulus until Tatius's death five years later. The new Sabine residents of Rome settled on the Capitoline Hill, which they had captured in the battle. Artistic representations: The Rape of the Sabine Women by Johann Heinrich Schönfeld The subject was popular during the Renaissance as symbolising the importance of marriage for the continuity of families and cultures. It was also an example of a battle subject in which the artist could demonstrate his skill in depicting female as well as male figures in extreme poses, with the added advantage of a sexual theme. It was depicted regularly on 15th-century Italian cassoni and later in larger paintings. A comparable opportunity from the New Testament was afforded by the theme of the Massacre of the Innocents. Giambologna The sculpture by Giambologna (1579–1583) that was reinterpreted as expressing this theme depicts three figures (a man lifting a woman into the air while a second man crouches) and was carved from a single block of marble. This sculpture is considered Giambologna's masterpiece. Originally intended as nothing more than a demonstration of the artist's ability to create a complex sculptural group, its subject matter, the legendary rape of the Sabines, had to be invented after Francesco I de' Medici, Grand Duke of Tuscany, decreed that it be put on public display in the Loggia dei Lanzi in Piazza della Signoria, Florence. True to mannerist densely packed, intertwined figural compositions and ambitious overinclusive efforts, the statue renders a dynamic panoply of emotions, in poses that offer multiple viewpoints. When contrasted with the serene single-viewpoint pose of the nearby Michelangelo's David, finished nearly 80 years before, this statue is infused with the dynamics that lead towards Baroque, but the tight, uncomfortable, verticality— self-imposed by the author's virtuosic restriction to a composition that could be carved from a single block of marble— lacks the diagonal thrusts that Bernini would achieve forty years later with his Rape of Proserpina and Apollo and Daphne, both at the Galleria Borghese, Rome. The proposed site for the sculpture, opposite Benvenuto Cellini's statue of Perseus, prompted suggestions that the group should illustrate a theme related to the former work, such as the rape of Andromeda by Phineus. The respective rapes of Proserpina and Helen were also mooted as possible themes. It was eventually decided that the sculpture was to be identified as one of the Sabine virgins. The work is signed OPVS IOANNIS BOLONII FLANDRI MDLXXXII ("The work of Johannes of Boulogne of Flanders, 1582"). An early preparatory bronze featuring only two figures is in the Museo Nazionale di Capodimonte in Naples. Giambologna then revised the scheme, this time with a third figure, in two wax models now in the Victoria and Albert Museum, London. The artist's full-scale gesso for the finished sculpture, executed in 1582, is on display at the Accademia Gallery in Florence. Bronze reductions of the sculpture, produced in Giambologna's own studio and imitated by others, were a staple of connoisseurs' collections into the 19th century. Nicolas Poussin Nicolas Poussin produced two major versions of this subject, which enabled him to display to the full his unsurpassed antiquarian knowledge, together with his mastery of complicated relations of figures in dramatic encounter. One, now at the Metropolitan Museum of Art, was executed in Rome, 1634–35. It depicts Romulus at the left giving the Signal for the abduction. The second version, of 1636–37, now at the Louvre Museum, shows that, though some of the principal figures are similar, he had not exhausted the subject. The architectural setting is more developed. Peter Paul Rubens Peter Paul Rubens painted a version of the subject about 1635–40. It is at the National Gallery, London. Jacques-Louis David Jacques-Louis David painted the other end of the story, when the women intervene to reconcile the warring parties. The Sabine Women Enforcing Peace by Running Between the Combatants (also known as The Intervention of the Sabine Women ) was completed in 1799. It is in the Louvre Museum. David had worked on it from 1796, when France was at war with other European nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David himself had been imprisoned as a supporter of Robespierre. After David’s estranged wife visited him in jail, he conceived the IDEA of telling the story, to honor his wife, with the theme being love prevailing over conflict. The painting was also seen as a plea for the people to reunite after the bloodshed of the revolution. The painting depicts Romulus's wife Hersilia — the daughter of Titus Tatius, leader of the Sabines — rushing between her husband and her father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates. Other soldiers are already sheathing their swords. The rocky outcrop in the background is the Tarpeian Rock. John Leech The English 19th century satirical painter John Leech included in his Comic History of Rome a depiction of the Rape of the Sabine Women, where the women are portrayed, with a deliberate anachronism, in Victorian costume...

Pair of French (19th Cent) white painted monumental figures of a Duke & Duchess on square bases. (att. to be patron saints of a provincial French town & used in an annual parade)

An impressively large & well cast pair of Orientalist figures depicting a pair of Middle Eastern male & female musicians attired in traditional costume. Both figures are modelled ‘co...

"Mycelium" is a captivating sculpture by Alexey Krupinin, inspired by mushrooms and fungi. It symbolizes the interconnectedness of all living things. Constructed with wood, urethane,...

This large work of art molded during the early 1900's is signed by the artist. The winged bearded man is in good condition for its age, and on a solid wood structure. The sculpture...

Truly stunning pair of hand-carved wood Japanese buddha statues / sculptures that sit serenely atop their lotus petal thrones. The intricately c...

Striking, stylized carved head in white stone mounted to a wood block on an iron pole by Jose Luis Martinez Gomez (signed).

I Primera sculpture by Joel Escalona. Dimensions: D 45 x W 45 x H 190 cm. Materials: oak wood, metal. Also available in natural o...

Japanese Edo Period Okimono Carving of a Mythological Figure of Kirin, Ca. 1860 (Edo Period 1603-1868) 19th Century DIMENSIONS: Height: 13 i...

An early and fully three dimensional sculpture by Edwin Scheier exhibiting a symbolic or mythological representation that represents the circle of life. The bent wood, carving, piercing and rope work are all manifest at a high level in this quixotic almost whimsical work of 1964. Edwin (and Mary) spent over a decade in the 1960's and 70's in Oaxaca, Mexico where he often worked with Guanacaste wood and local fibers, to great success. A perfect compliment to a mid century modern interior and a must have go along with any major mid century and/or Scheier ceramics...

Beautiful vintage angel or cherub playing a harp, decorative object made of solid light wood and a fine layer of gesso, completely hand-painted, circa mid-20th century or earlier, Be...

Every so often we encounter figures such as this sculpture, of a man holding a fishing net, that simply command our attention. The sculpture shows evidence of the wood giving way to ...

Religious sculpture representing the nativity, carved wood from the 16th century. Carved wood sculpture, walnut wood and oak wood base, sculpture representing the nativity, circa 16...

Likely Italian, but possibly German origin - 19th century A pair of finely carved wood figures of Spanish Conquistadors or German Landsknecht. Each modeled in the Renaissance attire...

Fabulous hand carved & painted 40 inch tall wooden Buddha. Polychrome decorations with Gilt. Brightly colored and in prayer. Heavy and well executed. In excellent vintage condition ...

Art Brut Head Sculpture, Folk Art Male Profile in Carved Wood and Steel 1980s Impressive Head / Male Profile sculpture carved in oak wood. Hand-carved with a gouge, the piece showc...

Immerse yourself in the poignant beauty of this significant carved wood and polychrome sculpture depicting the iconic scene of the Pieta. Crafted possibly in Spain during the 19th century, this artwork stands as a striking testament to sacred art and artistic mastery of the era. The sculpture, executed with exceptional quality, captures the delicacy and devotion of the Pieta scene, where the Virgin Mary cradles the body of Jesus Christ after the crucifixion. Despite some minor losses, as shown in the accompanying photos, these do not significantly diminish the value or beauty of the piece. Measuring 108x60x55 cm, including the wooden base, this sculpture possesses an imposing presence that will command attention in any space. The expressiveness of the figures and the meticulous attention to detail attest to the sculptor's talent and deep understanding of the religious theme. Whether as the centerpiece of a sacred art collection or as a standout element in a devotional space, this Pieta sculpture...

Carved wooden sculpture of Mary Magdalene, circa 1500. Large limewood sculpture with traces of polychromy representing Mary Magdalene, German work, circa 1500. H: 80cm. W: 35cm, D: ...

OUR LADY WITH THE BOY JESUS Indo-Portuguese sculpture, !7th Century in polychrome, upholstered and gilded wood. The figure is represented standing, holding the Baby Jesus with his l...

This is a Burmese Buddha Sculpture. It depicts a gilt wood Mandalay Buddha standing over a lotus flower with very expressive eyes. His head is adorned w...

A Sicilian Marionette head depicting a Saracene, it's a part of " Opera dei Pupi " inspired by The French poem " La Chanson de Roland ". This one it's in original condition with consistent signs of use and age, original fabric and natural hair. A Late 19th Century Hand-Carved Wood Sicilian Head...

An antique Indian early 20th century hand carved architectural temple carving from Gujarat, depicting a smiling woman. Originating from Gujarat, India, this antique early 20th-century hand-carved architectural temple carving is a captivating depiction of a smiling woman. This exquisite sculpture captures the essence of traditional Indian artistry, with the woman carved in a frontal position while her legs are delicately portrayed in profile. Her serene expression, enhanced by a slight tilt of her head, radiates a sense of calm and contentment. The intricate details of her headdress, attire, and jewelry highlight the craftsmanship and cultural richness of the region. The woman's features are beautifully rendered, showcasing a blend of grace and elegance. The carving, with its weathered appearance, speaks to its historical significance and journey through time. The back of the sculpture remains unfinished, adding an authentic touch to its architectural origins, as it was likely meant to be a part of a larger structure or placed against a wall. This temple carving serves as a striking decorative piece, perfect for adding an exotic and cultural element to any interior space. Whether displayed in a living room, hallway, or study, it brings a sense of history and artistry to the environment. Its craftsmanship and evocative presence make it a conversation piece, inviting viewers to appreciate the skill and cultural significance embedded in this work of art. This early 20th-century Indian temple carving...

This unique work of folk art is a spirited profession of solidarity and resistance. Hand-carved from a solid piece of wood revealing the bust of a man. His right arm is raised, beari...

Ferdinando Codognotto Wooden Hand Sculpture, Roma, 2015. Expertly carved from what we gather as Swiss Pine. The hand sits upon a dowel on the...

Walking stick: silver knob milord shape handle, depicting six soldiers, representing six European states involved in the First World War conflict. Ebony m...

A wonderful and unique 19th Century black forest carving of an elderly man sitting on a tree trunk holding a newspaper, the front of the tree trunk encased behind a circular glass wi...

A very Decorative Carved and Pierced African Tribal Panel depicting a Female Ancestor. The powerful Female Figure supports a multitude of Stylized Carved Animals carved in three Band...

Koi Fish installation figure by Southern California Artist Robert "Bob" Matheny. This piece was acquired at Robert Matheny’s estate. The piece is 16” in...

A beautifully stylized old rustic lady-dressed female figurine with a great balance of harmony stood, portraying the beauty of the inner world through pure beauty. This Valuable uniq...

An 18th-century Italian sculpture of a draped Madonna, masterfully carved in polychrome and gilded wood. The Virgin, gracefully veiled, holding the infant Jesus on her lap with a st...

Antique mid-19th century Spanish hand carved painted wooden sculpture of Virgin Mary of the Sacred Heart with glass eyes.

A tall antique Balinese hand-carved and painted wooden statue from the 19th century on black base. Hand-made on the island of Bali, Southern Indonesia during the 19th century, this w...

A very fun pair of hand carved wooden folk art masks circa 1940s. The set is in very good vintage condition and has a hanger on the reverse side; the larger mask...

A Black Forest hand-carved limewood figure portrays a young man from the medieval period dressed in a cloaked tunic and open-toed boots playing a set of traditional Swiss bagpipes ca...

Akan, Ghana, shrine figure, a standing female figure with black hair and details, remains of white pigment, with arms out holding a bottle, includes custom metal base. Probably a fig...

This striking abstract wooden sculpture titled "FAMILJEBILD" (Family Portrait) showcases the remarkable craftsmanship of Swedish artist Jean-Maurice Steiner. Created in 2007, this pi...

The poupées de Malines —Mechelen dolls— are small sculptures, generally of medium bulk (with minimally worked backs), produced in the small Belgian city, situated north of Flanders b...