Wood Figurative Sculptures

Vollplastisch geschnitzte Heiligenfigur des frühen 17. Jahrhunderts, polychrome originale Farbfassung. Höhe 83cm, Farbe bereichsweise stark blättrig bzw. fehlend. Ausdrucksstarker G...

Sculpture “Mermaid” by Johnny Mattsson, Sweden, 1950s. Pine with teak base. Dimensions: H: 28 cm/ 11" D: 7 cm/ 2 3/4" Johnny Mattsson was one of Sweden’s leading wood artists in t...

Head-in-Hand 1990s Short Black and Silver Sculpture This sleek black and sliver painted wood sculpture depicts an arm with a stretched out hand on either end. A head balances on the...

Head-in-Hand 1990s Tall White Sculpture This white painted wood sculpture depicts an arm with a stretched out hand on either end. A head balances on the hand’s fingertips. The head ...

Oriental sculpture from the mid-20th century. Nicely carved and worked exotic wooden object depicting a character with an animal on a chain of good quality. Sculpture made from a sin...

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

ABOUT A large late 19th c. painted, hand carved wooden French Monk with brown robe and rope belt holding a crucifix from the turn of the century. Shown with life size hand model. ...

"Figure with Instrument" by Joseph J. Greenberg Jr. American, circa 1950. Plaster sculpture with a bronzed green patina on a blackened wood stand by Sculptor Joseph J. Greenberg Jr....

Great oriental sculpture from 20th century. Pleasantly carved wood artwork depicting angler with fishing net from great measure and charm. Object for antique dealers and collectors i...

A stunning modernist ceramic sculpture titled "The Searcher" created by David Fisher for Austin Productions. A dramatic female prof...

Rare 1970’s find! Made of metal and wood they make the perfect accompaniment to any stylish room. Put the finishing touch on a bookcase, etagere, or coffee table. These chic accessor...

Skulptur, Holz, mit Feuer geschwärzt Jems Robert Koko Bi, geboren 1966 in Sinfra an der Elfenbeinküste, kam nach seinem Studium in Abidjan nach Deutschland. Er arbeitete von 1992-19...

Beautiful and very rare hand carved wooden coat of arms with a crowned lion standing on the water reaching to a star. The Netherlands, circa 1650- 1750. Weathered, small losses and...

Hand-Carved Bird Jadeite Sculpture with Flowers and Wooden Base

Antique Thai Carved Seated Buddha Playing a Flute This is an Antique Thai Buddha, with a triangular base to match his seated lotus position, and h...

Early large organic mid-century modern hand sculpted wood nude female sculpture by artist / sculptor William Conrad Severson, (1924-1999). A beautiful early piece of work, signed Wm....

Art Déco Holzfigur sitzender Mann. Hervorragend expressive Darstellung eines muskulösen, nackten, augenscheinlich zutiefst verzweifelten Mannes.

1980s Italian Bronze Riace Warrior Sculpture Statue Signed Pintoneilo Offered for sale is a circa 1980s bronze statue of the older Riace Warrior sculpture. This bronze is extremely ...

Abstract Figural Sculpture on Signed Wood Stand by Hedrik Hause. Germany, 1989

A mid 20th Century pair of hand carved and hand painted wedding figures from Java, Indonesia. These are known as Loro Blonyo, the "inseparable couple." They were placed in the livi...

Abstract Figural Sculpture on Signed Wood Stand by Hedrik Hause. Germany, 1989.

Sculptural 'Sacred Heart' - 18th century Italian gilded angel mounted on a polished red hematoid quartz heart and adorned with a natural-forming baroque pearl.The piece is inspired by "The Sacred Heart" in Catholic art history which symbolizes God's unconditional love for mankind. Hematoid Quartz is a quartz crystal that contains Hematite inclusions. It is polished and sculpted into a heart and adorned with the Italian gilt putto and baroque pearl. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian putto...

Could be Used as Decoration or as a Small Charcuterie Board. White Tile with Blue Motif. Vintage Condition Consistent with Age as Pictured. Dimensions. 4 1/2 D ; 1/2 D ; 11 H

Coppia di putti stanti in una palma, legno dorato, epoca Luigi XIV, fine XVII secolo, altezza 33.5 cm, larghezza massima 18 cm, base 10x5 cm. Le due sculture erano, probabilmente, la...

This 19th-century French hand-carved pine statue depicts a charming scene of a drinking monk, capturing a moment of joviality and conviviality. The monk, carved with remarkable detai...

Christ enthroned South America, 17th century cm 64x22x18,5 Polychrome wooden sculpture representing Christ, wrapped in a red cloak edged with gold, who, crowned and seated on a th...

Giuseppe Rivadossi (Nave, July 8, 1935) Female Majesty "Rosada" 10/04/2008 Lime Tree Wood Sculpture Dimensions: 95.5 x 140 x 60 cm Depicted is a haughty female figure, softly lea...

Christ Crucified in boxwood and gilded loincloth, 16th-century German sculptor, height from head to foot 31 cm, width between hands 30 cm. Christ also has golden highlights on the pr...

Original hand carved sculpture of person holding their hands in front of their face. Carved from solid ailanthus and allowed to naturally spalt ...

Likely Italian, but possibly German origin - 19th century A pair of finely carved wood figures of Spanish Conquistadors or German Landsknecht. Each modeled in the Renaissance attire...

Mid 20th century sounvenir reproduction of an ancient Roman sun dial. Fan shaped metal dial plate, decoratively aged, with etched / gilded rays and Roman numerals indicating the hour...

Introducing exquisite 19th-century sculptures by Louis Auguste Moreau on 1stdibs. “Sortie d’école” depicts a joyful boy with a spinning top, clad in a charming outfit, standing on a ...

The dimensions for the Renaissance Revival Gilded Age Oak Lion Bracket are approximately: Dealer: S138XX

Large wooden Madonna and Child, painted and carved in hollow at the back. The theme of the Virgin and Child is the most represented in all Christian art, whereas the infancy of Jesus...

Figurative Hand Carved Wood Sculpture - Juneau, Alaska 1984 Hand carved wooden sculpture, presented on a dark wooden base. The sculpture is somewhat figural, but rather abstract. Th...

Handcarved baroque wooden sculpture depicting the two accomplises Bacchus and Amor. Bacchus is wearing a grapevine in his hair and holds up a bunch of grapes. A jaguar skin...

Vintage, 18th Century Spanish Colonial Carved Polychromed and Parcel-Gilt, Painted Sculpture of a Bishop with Mitred Head

Nude Wax Lady in Plexiglass Art Piece. This exceptional sculpture features a wax figure of a lady, gracefully encased within a transparent plexiglass box.

Sculptural 18th century Italian hand-carved angel wing mounted on white aragonite and adorned with faden crystals, crystal quartz, and baroque pearls. The hand-carved angel wing was ...

Antique Japanese or Tibetan Polychromed Giltwood Carved Standing Buddha & Stand 19th C Measures- 22.5''H x 6.5''W x 6.5''D

An authentic and fantastic example of Italian mid-century Art by Gaetano Pompa (Italy, 1933-1998). Signed and dated Roma 1966 on the back of one wing. Hollow cast with gilt finish an...

Giuseppe Rivadossi (Nave, July 8, 1935) Coral, 2008 made of carved okumé plywood on a wooden base also by Maestro Giuseppe Rivadossi Size: height 35 x 50 x 54 cm base: 110 x 28.5 ...

Beautiful large Baroque angel-wing with its original color and gilding. Extremely rare to find in this size. Very decorative item placed on a wooden base. Italy, circa 1750. Weathere...

Vintage, 18th century Continental Rococo Carved Giltwood Figure of a Kneeling an Angel

Coppia di angioletti in legno di tiglio, sculture francesi del XVIII secolo, altezza di ognuno 17.5 cm e 16 cm, altezza complessive di basi lignee 36 cm e 31 cm, basi 9x9 cm. Si noti...

This large model of imperial dragon ship was intricately and elaborately carved with brilliant lattice work and details on the display stand. It actual a royal palace built on the sh...

Large figure standing with a book under his arm with hand extended.

Pair of "faux marble" lacquered wooden winged angels, seated, from the 18th century, resting on two turned lacquered wooden bases of recent manufacture, total height 102 cm, base dia...

Design by Salvador Dalí­, 1903 manufactured by BD Barcelona Solid Iroko wooden structure with polyamide wheels. Optional upholstered cushion with water repellent foam and material ...

Behold the understated elegance of this 20th Century Czech Wooden Decoration, a piece that embodies the simplistic beauty and raw charm of folk art. The subtle, earthy tones of its w...

Pair of 18th century Italian hand-carved and painted angel wings on titanium plated quartz crystal clusters with natural-forming baroque pearls. The hand-carved multi-colored angel wings are originally from a historical church in Venice, Italy. These are particularly rare and exquisite due to their unique coloring. The ecclesiastical artifacts are mounted onto a base of titanium plated quartz and adorned with coordinating baroque pearls. The minerals display...

Created in the early to mid-20th century, by an anonymous artist of the Akan people of Ghana, probably Ashanti (Asante) or Fanti (Fante). What separates this stool from the standard ...

Lovely Set of 7 Scandinavian Wooden Woodpecker Corkscrews + 2 WIne Corks, 1960s

Pair of sculptures depicting the Virgin and St. John the Evangelist, portrayed in a mournful attitude. The former has a pained expression on her face, her hands clasped in front of h...

High quality pine wood articulated artistic Lay Figures. These life size mannequins are made with great care and have a lot of positioning possibilities. (as displayed by our creati...

Matched Pair of 19th Century Hand Carved Pine Angelic Figures A charming, matched pair of mid-19th Century hand carved pine angelic figures. With inserted glass eyes mounted on be...

Giuseppe Rivadossi (Nave, July 8, 1935) The Nazarene, 2009, 3/9 plaster sculpture Head of young man with thick hair caught as, with half-closed eyes and mouth, he experiences a mom...

Product Description: Artist: Johann Heinrich von Dannecker (1758-1841) Title of the Sculpture: "Ariadne on the Panther" Material: Carved from fruitw...