French Figurative Sculptures

Pair of French terracotta seated gargoyles. Wonderful size and patina. Circa 1930. Price per pair. Dimensions: 25.5H x 17W x 22D

This unusual pair of sphinxes resting upon rocky large bases are French we believe. Modeled and cast around the time of Carter's discovery of the tomb of Tutankhamun and showing some...

incredible couple of two men fighting with knives in white biscuit.

A reminder to start a revolution every day! Inspired by the French Revolution, this patinated bronze sculpture depicts the legendary revolutionary Camille Desmoulins...

"L'Espace" by Henri Delcambre bronze, stamped at the base.

Very mysterious and imposing bronze sculpture depicting a mythical giant, half-man, half-ape, armed with a club and about to devour a dinosaur held in his left hand. Most likely of A...

Large Totem Carbon by Maxence De Bagneux Dimensions: D 30 x H 180 cm Materials: Stoneware, burnt laminated wood. Maxence de Bagneux has devoted his free time since childhood to his ...

This is a superb antique gilt bronze and sienna mable sculpture of Reine Isabella, the Queen of Spain, by Eutrope Bouret (1833 - 1906) , and circa 1870 in date. This exceptionally e...

Art Nouveau standing lady chained to the globe with a sword. Gold medal winner. Signed on the base by the Artist (August Paris) Missing part in her right hand. Large sculpture at 33"...

Late 19th century French large Louis XV Sculpture of a Putto Representing Summer A small girl standing in ancient Roman style sandals on a rectangular plinth against a rocaille moti...

A carved marble figure of a reclining nude, 19th century Measures: Height 16 1/4", Width 25", Depth 11".

Late 18th Century carved, off-white polychrome French statue of St. Barbara, the inspiration for Rapunzel.

These magnificent candelabra were cast entirely of gilt bronze in the French Empire period of the early 19th century. Each candelabrum is formed as a cornucopia of scrolled branches holding four lights with drip pans, set on a single torch-form stem, held aloft by a Classical style figure. The figures, one male and one female, are shown draped in swathed clothing, with the male figure depicted holding a quill in his other hand, whilst the female figure clutches a delicate bouquet of flowers. The figures stand upon circular bases, set onto ovoid vases which featured fluted details and central bands of laurel leaf motifs. The vases themselves stand on undulating roundels formed of acanthus leaves, which are further set atop square-form plinths. Classically influenced works were popular during the French Empire period, when the Emperor Napoleon I sought to create a place in history for France alongside the ancient dynasties...

A fabulous Art Nouveau bronze figure of a young beauty sat upon a rock surrounded by birds whilst holding a lute with excellent colour and very fine hand chased surface detail, raise...

Bernard Lombot, French ceramist, unique ceramic sculpture, standing green man. Approx. 1980s. In perfect condition. Signed BL. Dimensions: H 25.0 x D 13.5 cm.

Brutalist style "patchwork" welded foot sculpture.

A Large and Exceptional Late 19th Century Patinated Bronze Figural Group Entitled “Quand Meme” by Mercié and Barbedienne on Pedestal Marius-Jean-Antonin Me...

Very large spelter Orientalist sculpture attributed to Hottot French, Late 19th Century Height 194cm, width 84cm, depth 75cm This sensational life-size figural group depicts a femal...

FRANÇOIS ANDRÉ CLÉMENCIN French, 1878-1950 "Celuy qui fut pris" (The One Who Was Taken) Patinated bronze Signed on base "A. Clemencin" cold-stamped "46" and "32" and "FRANCE" in ov...

Silvered bronze on marble of a young child playing with a toy boat, signed Villanis, Emmanuel Villanis, 1858-1914, France.

"Nude awakening" by Demetre H. Chiparus (1886-1947). Silver plated bronze sculpture with a variety of marble base. Shayo, Alberto (2019) "Chiparus, M...

'The Temptation' by Eugene-Victor Cherrier. A fine patinated bronze ewer modeled in high relief depicting Adam and Eve in the Garden of Eden. Sig...

A very fine and palatial French 19th-20th century allegorical figural cast-iron group torchere - sculpture - fountain - representing spring and the harvest, probably cast by Le Fonderies d'Art du Val d'Osne. The charming four-putti sculpture with a front standing putto holding a pole amongst wheat stalks, another putto kneeling and collecting wheat, a third one wearing a hat and picking flowers for a wreath and the fourth kneeling putto holding a bird's nest, all below an elongated classical stem with a glass globe (Electrified), circa: Paris, 1900. Overall height: 84 inches (213.4 cm). Width: 29 1/2 inches (74.9 cm). Circular base diameter: 24 inches (61 inches). Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

An iconic and collectible wirework dress form mannequin by legendary French designer Jean Paul Gaultier, created in the 1990s. This sculptural piece exemplifies Gaultier’s bold, avan...

A lovely antique bronze sculpture, depicting a woman and child from classical times. This was likely made in central Europe around the 1930-50...

Sculpture in calamine. Signed “Aug. Moreau ”. Following models by Auguste Moreau, France, 19th century. It is reminiscent of works such as the bronze entitled "The Fountain" by Mat...

19th Century, French Marble and Gilt Bronze Centerpiece This particular centerpiece was made, in white marble and finely chiseled gilded bronze, in France between the end of the eigh...

Neoclassical bronze sculpture with brown patina, entitled "Love," also known as "Love Taking a Butterfly," signed Antoine-Denis Chaudet (1763-1810) on the terrace. Chaudet was a Fren...

A small bronze statue of Venus de Milo A small French bronze statue of Venus de Milo or Aphrodite on a marble base. The original Venus de Milo statue...

A striking pair of French 19th century Neo-Classical st. patinated bronze statues of Bacchus and Mercury. Each wonderfully executed statue is raised on a square base decorated with u...

Stunning Art Deco bronze sculpture bird bath by listed artist Joseph (Guiseppe) d'Aste, c. 1920's - 30's. The heavily stylized design features 2 beautiful nudes in diving stance on a decorative base, with tiered tapered hexagonal bowl...

A striking and very high quality true pair of French 19th century Louis XVI st. patinated bronze statues of soldiers. Each statue is raised by a pentagonal base with a fine mottled d...

A fine over-lifesize patinated bronze Greco roman revival style standing half-figure of Andromeda, probably French, probably late 19th century or early 20th century. The heavily fine...

Decorate a lady's office or a library shelf with this fine antiquity. Crafted in France circa 1880, this elegant bronze sculpture titled “La Cruche Cassée” (The Broken Pitcher), fea...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning late 19th century Paris France made by the genius that was Demetre H Chiparus gold gilt bronze...

Bronze with a dark brown patina, on a sea green marble base, signed J. Garnier on the base. Jean Garnier (1853–1910) was a sculptor, enameller, and chaser originally from the Vendée ...

Art Deco three naked men holding hands bronze and marble base sculpture 1930's. Lost wax bronze sculpture of three naked men holding hands. We have speciali...

With a basket of roses in her lap, more roses at her feet, and another at her nose, this lovely sculpture of a female nude with a very modern hair style is a classic example of Art Deco design. The sculpture was produced by the famed Onnaing pottery, established in 1821 and best known for a long line of Majolica ware...

PAIR 19th century solid marble Louis XVI Pedestals ~ Columns were designed to provide symmetry while displaying a particularly special work of art, sculpture, vase or other keepsake....

Unusual Antique / French Art Deco 1920s Mannequin Display Head/Brass Thread Hair,,, signed,,

An elegant French 19th century Louis XVI st. ormolu and Brèche Violette marble statue of L'Automne signed by Rancoulet. The statue is raised by a striking and uniquely shaped Brèche ...

Bronze with black patina Limited edition of 8 Signed and numbered 1/8 on the back Monogram of the artist left side Stamp of the founder on the back.

A fine pair of bronzes each wearing medieval costumes the lady a most elegant embroidered long dress her hair tied and the gentleman looking dapper with cloak over his shoulder and s...

An outstanding French 19th century Louis XVI st. ormolu and patinated bronze statue titled Eudore & Cymodoccé. The statue is raised by an elegant oblong base with a fine wrap around ...

The pair of figures, one male and one female, are cast in patinated bronze, and are styled as Egyptian figures in the Empire style of Napoleon I. The sculptures are set upon square-f...

A Patinated Bronze Figural Group of ‘Gloria Victis’ (‘Glory to the Vanquished’), Cast by Ferdinand Barbedienne from the Model by Marius-Jean-Antonin Mercié (French, 1845-1916). ‘Gloria Victis’ (‘Glory to the Vanquished’). Bronze, gilt and dark brown patina. Signed 'A. Mercié', with foundry inscription 'F. BARBEDIENNE, Fondeur. Paris.' and A. Collas reduction cachet. The integral base titled 'GLORIA VICTIS'. This cast is part of a limited edition by the Barbedienne Foundry. France. Circa 1880. ‘Gloria Victis’ is one of the most recognisable and important works of sculpture of the nineteenth century and a definitive image of France’s historic national identity. The figure of glory, winged and wearing armour, carries a dying young warrior heavenwards towards fame and immortality. The compositional daring of the group must be admired for balancing two figures on the minimal support of one foot, wings spread in the moment before taking flight. Mercié was a student at the French Academy of Rome when the Prussians invaded France in 1870. Shortly after the war had begun, he executed a group depicting the figure of Fame supporting a victorious soldier. When news reached Mercié in Rome that the French had surrendered, he decided to alter his group, replacing the victorious soldier with a defeated casualty, thus transforming an allegory of ‘Glory to the Victors’ into one of ‘Glory to the Vanquished’. Completed in 1872, a year after the defeat of French soldiers against the Prussian army, the statue personifies a defeated but heroic France. The title is also a reversal of the famous formula, ‘Vae Victis’ (Death to the Vanquished), which the Gallic general Brennus exclaimed upon defeating the Romans in 390 BC. The figure of the fallen soldier was thought to represent Henri Regnault, a fellow sculptor of Mercié who was killed on the last day of fighting. Measuring 317 cm. high the original group of ‘Gloria Victis’ was unveiled in plaster at the Salon of 1872. It was bought by the City of Paris for the sum of twelve thousand francs and then cast in bronze by Victor Thiébaut for eight thousand five hundred francs. The bronze was exhibited at the Salon in 1875 and first placed in Montholon Square in the 8th arrondissement. In 1884 it was transferred to the courtyard of the Hôtel de Ville and in 1930, it entered the collection of the Musée du Petit Palais, where it can be seen to this day. The Thiébaut Frères foundry also cast Gloria Victis bronzes for the cities of Niort (requested 1881) Bordeaux (requested 1883), Châlons-sur-Marne (today, Châlons-en-Champagne; requested 1890), and Cholet (requested 1901). In 1905, the Danish brewer and art collector Carl Jacobsen was permitted to have an exact cast made of the original sculpture in Paris, on condition that the base was made 2 cm lower and bore the inscription “Original tilhører Paris By” (The original belongs to the City of Paris). It too was cast by the Thiébaut Frères foundry. Gloria Victis was one of Jacobsen’s most important and his last acquisition. Today it has been returned to its original position in the Winter Garden at Glyptoteket, Copenhagen, Denmark. The full-size plaster was shown again at the Paris Expositon universelle of 1878 alongside a bronze reduction by Barbedienne. By this time Antonin Mercié had entered into a commercial edition contract with the Ferdinand Babedienne foundry to produce bronze reductions of Gloria Victis, his most famous work. Gloria Victis is first recorded to have been produced in three sizes and by 1886 Barbedienne’s ‘Catalogue des Bronzes D’Art’ lists six sizes measuring 3/5, 9/20, 7/20, 3/10, 6/25 and 2/10, of the original. These reductions were produced by an invention of Barbedienne’s business partner Achille Collas. The Collas reducing machine was a type of complex mechanical pantograph lathe that enabled sculpture to be mathematically measured and transcribed to scale, in the round, thus making a reduced size plaster from which a bronze could be cast. Mercié's modern sculpture had become an instant classic, even receiving an entry in the Nouveau Larousse Illustré. The success of the group undoubtedly lay in the fact that it was admired not just on an aesthetic level, but also on a patriotic level, particularly in its commemoration of heroism in defeat. Immediately ‘Gloria Victis’ was recognised as a national artwork, capable of arousing patriotism and casts were ordered from Barbedienne as local memorials commemorating the war’s dead for cities across France. ‘Gloria Victis’ was considered so much a part of France’s national identity that for the 1900 Paris Exhibition, Ferdinand Barbedienne’s nephew Gustave Leblanc, loaned a bronze example to feature as part of l’Exposition centennale de l’art français. Literature: For an interesting account of the process of creating a reduction in bronze of the Gloria Victis by Barbedienne and illustrations of the casting and finishing of the bronze see: 'Ferdinand Barbedienne': Theodore Child; Harper's new monthly magazine, Volume 73, Issue 436, September 1886. ‘Contemporary French Sculptors’: The Century, Volume 33, Issue 3, Jan 1887. ‘Modern French Sculpture’: Harper's new monthly magazine, Volume 76, Issue 452, January 1888. S, Lami, ‘Dictionnaire des sculpteurs de l'Ecole française au dix-neuvième siècle’, Tome III. G.-M., Paris, 1914, p. 432. Peter Fusco and H.W. Janson, The Romantics to Rodin: French Nineteenth Century Sculpture from North...

Pair of French Victorian bronze seated cupid figures holding gilt leaves with gilt trim on round shaped white marble base.  

The archery: dark patina bronze representing an archery with oriental features: hair, earrings ... This sculpture signed by the artist Eugène L'Hoest is of a good quality in the way...

Fabulous rare French Art Nouveau lady bronze holding torche light. This is a heavy large statement piece for your home or gallery. The Lalique frosted glass shade gives beautiful g...

After the Hellenistic original, apparently by the sculptor Boethus, a marble variant of which can be found in the Louvre. This sculpture, along with the Dying Gaul and the Scythian K...

Limited edition "Pleasure of the Courtesan" sculpture by Erté made with cold-painted and gilt bronze depicting a beautiful woman with a chain surroun...

Large Art Deco Style Figurative Glass Sculpture This striking Art Deco inspired glass sculpture presents a graceful female form in an elegant ombré gradient that transitions beautif...

Thiebaut Feres Fondeurs Presentation piece for legion of honor recepitant Mounted on a beautiful gilt bronze base banded With acanthus leaves with berry motif. Foundry mark en ve...

Concrete Roman Ruin style figure of foot with sandal. Exact replica from the antique. Identical pair available. Dimensions: D 33" W 15" H 19.5" CW4206

The circular white-enameled dial signed ”Detour Paris” with Roman hours and Arabic quarter marks, a further inner Arabic chapter ring for the day of month. Pierced gilt hands and a b...

Snake charmer Fire-gilt bronze by A. Lefebvre, signed with foundry stamp Original art nouveau, France around 1900 Dimensions: Height: 75 cm Diameter, base: 18 cm.

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Pair of sculptures 'les bisous' Loul Combres (1937) La Garenne-Colombes Place des Arts, France, 1987 Signed on the base. Handpainted glazed ceramic. H 27.5cm x 16 x 10 cm Cond...

Sculpture in earthenware crafted by the renowned French artist Léon Albert Marie de Leyritz (1888-1976), better recognized as Léon Leyritz. Titled 'Masked Ball' This piece was meticu...

A rare bronze statue of na Nymph and a clinging putto by famous French 19 Century sculptor Mathurin Moreau which was custom transformed into an oil lamp. The nymph is is holding al...