Pablo Picasso Signed Madoura Visage De Femme Sun Silver Pendant Medallion, 1949
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Pablo Picasso Signed Madoura Visage De Femme Sun Silver Pendant Medallion, 1949
About the Item
- Creator:Pablo Picasso (Artist)
- Dimensions:Height: 1.25 in (3.18 cm)Diameter: 1.25 in (3.18 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1949
- Condition:In very good vintage condition with light if any natural, organic wear consistent with age and use (please see photos). Quite beautiful and spectacular overall.
- Seller Location:Studio City, CA
- Reference Number:1stDibs: LU2254330362722
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
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- Pablo Picasso Signed Limited Edition Etching Jeux de Gladiateurs Series 347:168By Pablo PicassoLocated in Studio City, CAAn engaging work titled "Jeux de Gladiateurs" by famed Spanish artist Pablo Picasso. The etching was created in 1968. It is hand signed in pencil by Picasso and numbered 33/50, lo...Category
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- Pablo Picasso Limited Ed. Lithograph From Portfolio Les Dessins D'Antibes, 1958By Pablo PicassoLocated in Studio City, CAA wonderful monochrome lithograph from famed Spanish artist Pablo Picasso (1881-1973) from his portfolio collection "Les (Mes) Dessins D'Antibes" done in 1958 consisting of 16 loose ...Category
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- Dora De Larios Signed Mexican American California Studio Pottery SculptureBy Dora De LariosLocated in Studio City, CAA fabulous, rare, and unique large horse and rider sculpture/ candelabra by famed Mexican American California studio art potter Dora De Larios. It was recently brought to our attention by a collector of her work that this piece was featured in a presentation at the Scripps Fine Arts Foundation and it was made in 1959. It is one of her earlier works. Quite rare and special in this respect. De Larios was born in Los Angeles to Mexican immigrant parents. She grew up in the artistic Silver Lake district near downtown Los Angeles amongst Mexican and Nisei Japanese immigrants. As a result, De Larios was heavily influenced by ancient American...Category
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- Ceramic Plate Visage Gris 'Grey Face' A.R. 206 by Pablo Picasso & Madoura, 1953By Madoura, Pablo PicassoLocated in New York, NYThe engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). 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