Pair of Italian Giltwood Cherubs, Late 19th Century

A wonderful pair of Chinese export turquoise glazed porcelain models of hawks, Qing Dynasty, late 19th century, China. The fierce birds of prey are well modeled and portrayed perch...

A well cast pair of Japanese mixed metal okimono figures of Buddhist guardians, known as Nio or Dharmapala, protectors of Buddhist faith, Meiji Period, Japan. The smiling bronze g...

A gorgeous Burmese carved and gold leafed teakwood stand and cover for a kammavaca manuscript, late 18th or early 19th century, Burma. The manuscript chest is heavily rococo influenced, speaking to the French presence in the region at the time. The carved teak stand is formed as a raised platform set upon four large scrolling acanthus leaf feet, with carved flour-de-lis to the apron. The cover for the stand is also carved from teak, and features a series of rectangular cartouches, each set with a red foil backed glass "gem", surrounded by shell inlay, and embellished with green and silver foil backed glass sequins. The top of the cover features the same design motif, with the addition of thayo lacquer design elements, and is strongly reminiscent of Tibetan manuscript...

A charming near pair of Chinese green glazed foo lion joss stick holders, late 19th century, China. The delightful foo lions, also referred to as foo dogs, crafted as joss (incens...

A sublime and well carved Korean lacquered and gilt wood figure of Amitabha Buddha (Amita Bul), Joseon Dynasty, early 19th century, Korea. The Budd...

An impressive larger than life-size cast and gilt bronze left hand and arm of a bodhisattva, late 19th century or earlier, Tibet. The over-sized arm and hand of graceful proportions. The arm tapering down to a slender wrist embellished with a simple bracelet hiding the join between the hand and arm. The hand and arm richly gilt. The join to the elbow visible and exposed. The hand heavily cast, with nice detail to the fingernails and cuticles. The palm with simple incised lines. The hand, with the pointer and pinky fingers raised, and the middle and ring finger folded down touching the thumb, performs the gesture known as karana mudra, the gesture of dispelling evil. (Here in Texas we refer to this gesture as "Hook'em Horns!") Karana mudra is often associated with Avalokiteshvara, the bodhisattva of compassion, known in Tibet as Chenrezig, and in China as Guanyin. The hand and arm would originally have been part of a much larger sculpture. Unfortunately many Tibetan Buddhist sculptures...

These antique winged wall cherub figures were crafted in Italy, circa 1880. The hand-painted putti carvings feature their original paint and gold leaf finish for a luxurious result. ...

These antique wall cherub figures were crafted in Italy, circa 1880. The hand carved cherubs are expressive in their movement and feature wonderful movement and facial expressions. T...

18th century Spanish pair of giltwood cherubs.

These charming antique putti carvings were crafted in Italy, circa 1780. The hand carved figures depict two musicians cupids sited on a pillow form stool; one playing the flute, the ...

These charming antique putti carvings were crafted in Italy, circa 1780. The hand carved figures depict two chubby cupids resting on a knee and holding a arm up; each sculpture featu...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Mary and Joseph and various other ...