"The Victor", Idealized Male Figure in Porcelain by Franz Nagy, 1930s

Quite extraordinary, this bronze depicting two nude athletes side by side, their arms out streched in common cause, was sculpted by an Italian artist in the 1930s, perhaps in connect...

This original black and white photograph of one of Richmond Barthé's rare, little-known sculptures was taken by the famous studio of Morgan and Marvin Smith, who located on West 125th Street next to the renowned Apollo Theater. The Smith brothers moved from their native Kentucky to New York in the early 1930s, and proceeded to establish a studio that brought together almost every major figure in the Harlem Renaissance in the 1930s, 40s and 50s, mentoring artists such as Jacob Lawrence, Gwendolyn Knight, Selma Burke, Ernest Crichlow and Robert Blackburn. The Smiths captured the night life of Harlem, including musicians and actors such as Harry Belafonte, Sydney Poitier, Eartha Kitt, Ossie Davis, Ruby Dee, Count Basie, Ethel Waters, Billie Holiday, Hattie McDaniels, Zora Neal Hurston, Step n' Fetchit, Pearl...

Large and rare, this bronze sculpture depicting a half-nude laborer in the field, straining to move his plow through the soil, was sculpted by Jeanne Bertrand...

A marvelous combination of whimsy and sensuosity, Ferdinand Liebermann's depiction of a nude youth holding forth with a stork, symbol of wisdom, was first c...

Highly unusual in Beatrice Fenton's oeuvre, this dramatic figure of a Black male figure with his arms raised and crossed at the wrist -- either in cele...

Although America's sculptors interested in African American life and Black subjects, including Elizabeth Catlett, Richmond Barthé, Sargent Johnson and ...

Franz Hagenauer Male and Female “The Couple” 1930. Rare sculpture highly stylized and unique piece made in Vienna, circa the 1930s. Recently restored in gleaming chrome patina portra...

European porcelain maker. Porcelain figure. Seated dachshund. 1930s / 40s. Measures: 23 x 17 cm. In excellent condition. Stamped.

Archer Sculpture by Victor Demanet (1895-1964), Belgium , 1930s

Silver pottery and wood base.

A natural or slightly oversized male mannequin head in painted pottery/plaster. Distinct Art Deco styling with exaggerated features. Made in France...

Midcentury Italian tall important dama in polychrome porcelain by Porcelain Cacciapuoti, Milan. About Maiolica Cacciapuoti (Artistic Majolica Fratelli Cacciapuoti of Giuseppe, Ettore & Guglielmo Cacciapuoti - Schioppa & Cacciapuoti - Neapolitan Artistic Ceramic Factory of Mario Cacciapuoti & C. - Gres d'Arte Cacciapuoti & Bignami & C. - Gres d'Arte Cacciapuoti - Cesare Cacciapuoti.) The manufacturing of artistic ceramics "Cacciapuoti" was founded in Naples by Cesare Cacciapuoti, belonging to a family of maiolicaari from Campania. His son Giuseppe (1828-1896) inherited the company circa 1880, when some of his works were exhibited, first in Turin and then in Milan. In the factory also works his brother Ettore who presents some of his ceramics at the Paris Exhibition of 1889. At the beginning of the twentieth century, the manufacture, specialized in terracotta imitating bronze and copper, is managed by the sons of Giuseppe, Cesare (who opened in 1883 a factory in its own association with the manufacturer of crockery Schioppa), Ettore and Guglielmo. Among the collaborators of this early period we remember the painter Giovan Battista Foschi. Between the end of the nineteenth and early twentieth centuries, painters and modellers of the highest level collaborated with the firm, including Attilio Pratella and Filippo Cifariello. In the early twentieth century the manufacture passes into the hands of Ettore and Guglielmo who work to make the production more modern and competitive starting to produce earthenware works made by casting. In 1906 Ettore left the factory and moved to Paris where he began his career as a painter and Guglielmo took over all the shares in the factory and continued production under the name of "Stabilimento Ceramico Artistico Partenopeo". In 1907 the sons of Guglielmo, Mario and Guido moved to Treviso where they collaborated with the "Gregory" ceramic factory and where they met Arturo Martini In 1927 Mario and Guido, in partnership with Angelo Bignami, who deals with the commercial and administrative sectors, left Treviso and founded the "Mario Cacciapuoti & C." ceramics factory in viale Premuda 34 in Milan. Which remains active until 1930. In 1930 Mario died prematurely and the management of the company remained in the hands of Guido, who started manufacturing on the road to success, producing a production of high quality and quantity, both models and pieces. Among the ceramists working for the manufacture we remember: Francesco De Matteis, Giuseppe Granello, Ruffo Giuntini, Silvio Righetto, Giuseppe Renda, Achille D'Orsi and De Martino. In these years some animalist models are supplied to the manufactory by the sculptor and ceramist Sirio Tofanari...