Hand-Carved Studio Mesquite Stele in the Style of J. B. Blunk, circa 1970

A large Leroy Setziol wall sculpture commissioned by the United States National Bank of Portland Oregon in 1963 as part of their commitment to the support of the regional art community . The following is taken from the Portland Art Museum's profile of Leroy Setziol for their exhibit in 2015-16 celebrating the 100th year anniversary of his birth "Leroy Setziol" Sept 5, 2015 – Oct 30, 2016 "A composer in wood, Leroy Setziol created lyrical sculpture that honors the beauty of a material strongly identified with the Northwest. The black walnut, teak, fir, and other woods he employed enhanced his complex gridded compositions, bringing them to life. A self-taught, intuitive worker, Setziol visualized his complex carvings using the grid as an armature to frame imaginative shapes. Throughout his career, his sculpture ranged from intimate works to large-scale public commissions. The largest work on display is an elegant, teak, two-panel wall relief from 1991. Twenty-three works are on view, including free-standing sculpture, totems, and a variety of wall reliefs. Setziol’s sculpture gained greater recognition with Portland’s architectural community in 1964 when he was invited by Northwest Regionalist architect John Storrs to carve a series of large-scale relief panels for Salishan Lodge in Gleneden Beach...

A 1960s Oregon redwood burl coffee table that had been a single slab of burl that was cool but really low. The table had warped with age and...

Mid century modern studio abstract sculpture designed by local woodworker Doug Ayers of Mendocino, California circa 1971. This solid piece has an organic free form shape perfect to d...

This striking sculpture, crafted in the 1970s, embodies an organic aesthetic that resonates with the natural forms found in nature. Standing tall, the piece features a fluid, elongat...