Bronze Bust of a philosopher after Vincenzo Gemito

A pair of superb quality 19th century gilt and patinated bronze orientalist busts. Each young lady dressed in traditional middle eastern attire...

A large Italian hand carved white marble gilt-bronze mounted sculpture - bust of Minerva draped in classical attire, wearing a helmet on a white marble...

Large Meissen Porcelain modeled as a bust of a young child wearing a floral decorated cap, wearing open shirt with floral embellished sash. Late 19th century Crossed swords in ...

A 19th C. French Patinated Bronze of a Standing Peasant Women After Eug Marioton Depicting a standing peasant woman holding a branch, raised on a circular naturalistic base Fra...

A large 19th century patinated bronze group titled: "Amalthea and Jupiter's Goat" after Pierre Julien (French 1731-1804) The goddess portrayed as nude but for drapery held across her breasts and falling to her lap, seated on the back of the goat with her right foot raised to rest on a rock outcrop. Signed: Julien Circa 1880. Height: 34" (86.3 cm) Width: 21" (53.3 cm) Depth: 15" (38.1 cm) Pierre Julien's model of Amalthée et la chèvre...

Fine 19th century white carved marble bust of a gentleman with mustache wearing a Toga. Signed: Randolph Rogers, Rome. Randolph John Rogers (July 6, 1825, Waterloo, New York – January 15, 1892, Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in finding employment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892. He began his career carving statues of children and portrait busts of tourists. He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning...

Plaster bust of an ancient, bearded philosopher on a round stand. France 20th century.

This finely modelled Hellenistic inspired portrait bust is likely that of the Greek philosopher Chrysippus of Soli - regarded by scholars as the 2nd founder of the School of Stoicism...

Scultura Bronzo Vincenzo Gemito Scugnizzo Napoletano Descrizione: Meravigliosa Scultura mezza busto in bronzo raffigurante uno scugnizzo napoletano...

A Set of Four 19th Century French Patinated Bronze Marble Mounted Busts of Philosophers. The stunning patina adorning each bust accentuates the intricate facial expressions, breath...

A most unusual pair of bronzes of the philosophers and authors Voltaire ( 1694-1778) and Rousseau (1712-1778). Each is seen sitting full length and in chairs. They are set on rectang...

Magnificent bust of women in bronze make in 1920 after the model of Clodion The bronze bear a mark of clodion and a date. the bronze is on a red marble base .the bronze is coming p...