Masterpiece Folk Carving Of A Horse, Last Quarter 19th Century:

An exceptional, painted American trade sign made from carved wood in the full-bodied form of a race horse’s head. Wonderful movement, tremendous f...

Masterpiece tramp art carving: "THE GRADUATE" This exceptional tramp art figure and podium, nicknamed "The Graduate", is one of the best pieces of this genre of work that I have ever seen. If the form is outstanding, the painted surface is better, scoring a firm ten out of ten. Probably of Pennsylvania origin, the carving was sold about 25 years ago by Lehigh Valley...

Rare pair of fireman’s axe parade torches, 1860-1880: Pair of fireman’s axe parade torches with traditional wooden axe handles and the heads made o...

Exceptional and intricate blown glass ship, in red, white, and blue, tall and shapely with a billowing commission pennant and flag, probably Czechoslovakia, last quarter of the 19th century This mindboggling, intricate little ship is one of the more remarkable pieces of blown glass that I have ever encountered. Probably Czech-made and similar in nature to some of their most rare and extraordinary, figural, blown glass Christmas...

HAND-PAINTED 19TH CENTURY BANNER WITH AN 1867 VERSION OF THE SEAL OF THE STATE OF ILLINOIS, PROPOSED IN THAT YEAR BY THE SECRETARY OF STATE, BUT IN A VARIATION NEVER FORMALLY ADOPTED Banner with the Illinois State Seal, in a rare variation of the design, never adopted. In 1867 Illinois Secretary of State Sharon Tyndale proposed that the phrases in the state motto be reversed. In the wake of the Civil War, (which ended in 1865,) Tyndale suggested that the verbiage be changed from "State Sovereignty--National Union" to "National Union--State Sovereignty,” which made sense given the recent secession of the Southern States, which placed their own interests first. Illinois' own Abraham Lincoln had worked hard to preserve national interests, echoed here in the altering of the language. Though Tyndale’s suggestion was rejected, he was nonetheless charged with creating a new design, which he did and was soon adopted. This displayed the dates of "1818," when Illinois became a state, and "1868," when the seal was officially changed. Interestingly enough, Tyndale did manage to send a message in the new version by turning the word “sovereignty” upside-down , with the surmised explanation that this fit accordingly with the orientation / position of the streamer. The banner is beautifully hand-painted on muslin and retains its original staff. The shape is beautifully scalloped at the bottom edge, which is painted to look as if there is an applied fringe. Most of the elements are congruent with the 1868 version, but there are various differences. Set within a shield-shaped medallion—usually circular—is the expected eagle in a side view, spread wing pose with beak uplifted. The eagle is supposed to be perched upon a rock with one talon, while gripping a Federal shield in the other. Here there is no rock and both talons grip the shield, which displays 13 stars. Note the date of "1867" and Tyndale's preferred order of the wording on the billowing ribbon in the eagle's beak. The foreground of the official design is all grass. Here there are olive branches—a peacetime reference appropriate for a country recovering from war—on a grassy area, set upon a sandy shore before Lake Michigan, with a rising sun on the horizon. Mounting: The banner was mounted and framed within our own conservation department, which is led by masters degree trained staff. We take great care in the mounting and presentation of flags and have preserved thousands of examples; more than anyone worldwide. The background is 100% cotton twill, black in color. The mount was placed in a black-painted, hand-gilded and distressed Italian molding. A shadowbox was created to accommodate the staff. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Banner - 49" x 56.5" Frame - 67.75" x 59.25" About Jeff R. Bridgman Antiques, Inc.: As an advisor to top museums and collectors alike, Jeff Bridgman is the world's leading expert and source for antique American flags and political textiles...

Carving Of Siamese Twin Mermaids, Attributed To The "Cape Carver" Who Worked Near Sandwich, Plymouth County, Massachusetts, Late 19th Century: American folk carving of mermaids as...

Exceptional 19th Century carved wooden fragment. Depicting foliate detailing such as grapes and a crown. With good time-worn gilding throughout. Circa 1880.

19th century life-size wood carving of a male torso. On a black steel base. h 148 x w 42 x d 33 cm

A very rare superb quality 19th century black forest carving of an Arab riding a racing camel, the quality and execution of the carving is fabulou...

19th century walnut Black Forest carving of a eagle perched on a rock with a deer below, lovely crisp carving and fabulous quality, circa 1880.

19th Century Folk-art stick handle. Made from a single piece of hand carved pine, detailing a hand holding a cricket ball, with geometric patterns to the shaft section. Likely to ...

19th century English Folk Art copper weathervane A wonderfully pure example of a late 19th century English Folk Art handcrafted copper w...