20th Century Mounted Objects

1960s very large industrial casting foundry mould (2301) 1960s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

This early 20th-century Belgian laboratory beaker, complete with its original metal stand, captures a moment in scientific history. The glass, shaped like a pipe, is delicately thin,...

1960’s Large Industrial Casting Foundry Mould – (Mould 1080.18) 1960’s Large Industrial Casting Foundry Mould – (Mould 1080.18). We recently cleared the Victorian warehouses of Derwe...

c. 1993, signed and dated, great vintage condition. Supersized C. Jere metal strainer wall sculpture from the company’s kitchen utensil series.

This 20th century antique style plaster plaque depicts a bucranium in striking high relief. Symbolic of Greek and Roman architecture, a bucranium is a decorative motif of an ox or bull skull among swags and garlands of foliage. This embellishment was commonly used in classical architecture and Doric temples of ancient Rome and later during a neoclassical revival in the late Georgian period. This 20th century plaster depiction is an intricate example of the bucranium, modelled in plaster in high relief and mounted on a bespoke steel stand for display...

1960?s Very large Industrial casting foundry mould (2307) 1960s Very large Industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the ...

1960?s very large industrial casting foundry mould (2303) 1960?s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the...

Bronze abstract sculpture on a wood plinth base by Palewic, 1981. The sculpture features a "rock" center surrounded by drips of bronze one of which mounts the sculpture to the base. ...

1960s extra large Industrial casting foundry mould (2308) 1960s extra large Industrial casting foundry mould – We recently cleared the Victoria...

1960?s very large industrial casting foundry mould (2297) 1960?s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the...

O/5003 - Unusual and elegant tree shaped Table led lamp, one of the first led lamp, created by the young artist Salih Mehci, very famous in France for his incredible huge lightwe...

1960s very large industrial casting foundry mould (2300) 1960s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

A large Italian Micromosaic floral round panel Rome, circa 1870, depicting a vase with doves and flowers against a black ground without frame: 44 c...

1960s very large industrial casting foundry mould (Mould 1080.7) 1960s very large industrial casting foundry mould (Mould 1080.7). We recently cleared the Victorian warehouses of De...

An extremely well-made copy of a classical mask after the antique, the face shown in high relief within a dished background and a border of Greek Key with discs to the four sides. No...

Wood block-form vessel with cylindrical plunger and cork stopper.

1960’s Large industrial casting foundry mould – (Mould 1080.25) 1960’s Large industrial casting foundry mould – (Mould 1080.25). We recently cleare...

1960’s Large Industrial Casting Foundry Mould – (Mould 1080.27) 1960’s Large Industrial Casting Foundry Mould – (Mould 1080.27). We recently cleare...

1960’s Large Industrial Casting Foundry Mould – (Mould 1080.28) 1960’s Large Industrial Casting Foundry Mould – (Mould 1080.28). We recently cleared the Victorian warehouses of Derwe...

From Steck’s 'Desert Flower’ series, this table top sculpture exhibits, per an America House advertisement in Craft Horizons January/February 1965 (which illustrates this sculpture),...

A silver plated abstract sculpture by Lucile Driskell (1924-2017) signed and numbered 1/100.

1960s Very large industrial casting foundry mould (Mould 1080.3) 1960s Very large industrial casting foundry mould (Mould 1080.3). We recently cleared the Victorian warehouses of ...

Pair of squirrel bookends attributed to Jozef Peeters - Belgium 1930s.

A fascinating glass figure of a scorpion Signed. Designed as a scorpion with a metal and marble stand Measures: Height 26 in., (66.04 cm.), width 10 1/2 in., (26.67 cm.), depth 6 ...

1950 abstract stone sculpture covered with zinc, plexiglass base, beautiful piece of great emotional force.

Sculpture by Johny Mattsson, Denmark, 1950s. Pine and teak. Signed. Measures: H: 91 cm / 3' W: 7.5 cm / 3" D: 6.8 cm / 2 3/4".

Susan Bland, American (20th century). "Scrapbook #1" mixed media assemblage on board, 1986. Signed, titled, and dated underneath. Presented in a custom plexiglass display case...

Mid-Century Modern Murano Glass Panels attributed to Carlo Nason, 1960s

A pair of stunning French early 20th century marble, bronze and giltwood cameo wall art. Housed within an exuberantly carved gold gilt frame of square f...

Alberts Tibro, a renowned furniture maker, is known for its attention to detail and dedication to producing quality pieces. This room divider is no exception, showcasing the brand's ...

Sculpture / Door knock ‘Devil’ designed by Frank Olsson, Sweden. 1970s. Bronze. Unsigned prototype. Measures: H: 14 cm / 5 1/2" W: 11 cm / 4 1/4" ...

Sculpture designed by Lars Erik Falk, Sweden, 1990s. Lacquered steel. Signed. Measures: H: 18 cm / 7'' W: 55 cm / 21 3/4'' Provenance: From the artist's estate.

From Steck’s 'Desert Flower’ series, this tabletop sculpture exhibits, per an America House advertisement in Craft Horizons January/February 1965 (which illustrates this sculpture), ...

Carl Kauba (1865-1922) "Indian with Bow & Arrow", signed Kauba. Warm bronze patina, mounted on a natural rock base Measures: Height 6.37 in. (16.19 cm.), Width 6.75 in. (17....

20th C Silver plated status representing arguing Roman Senator, France.

A carved wooden sculpture of a knight crusader from the mid-20th century painted in a silver color with brown undertone. The knight is kneeling on a later rectangular black wooden stepped pedestal, holding his sword horizontally while wielding a kite shield mounted on his forearm, emblazoned with a cross and a forked lightning. Looking determined to battle for glory, he wears a silver painted chainmail coif on his head and chest beneath a helmet framing his bony face, a cuirass above a hauberk, greaves and sabatons. The perfect recreation of a crusader’s battle armor enhanced by the silver paint and numerous details make this carved wooden sculpture of a kneeling knight...

Pair of continental faux painted malachite wooden pyramids.

Wonderful terracotta medalion representing by the sea Blue of the sea , beach And mountain You could installed on top or on the wall There is two cubic signature incrusteed

A large antique ceramic wall plaque depicting European military figures, sourced from an ex British private collection. This unusual cera...

1960’s Very large industrial casting foundry mould (2310) 1960’s Very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the...

1960s pair of very large industrial casting foundry moulds (2306) 1960s pair of very large industrial casting foundry moulds – We recently cleared the Victorian warehouses of Derwen...

1960s Very Large Industrial Casting Foundry Mould (2302) 1960s Very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

1960s very large industrial casting foundry mould (2299) 1960s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

1960s very large industrial casting foundry mould (2298) 1960s very large industrial casting foundry mould – We recently cleared the Victorian warehouses of Derwent Foundry on the r...

1960’s large industrial casting foundry mould – (Mould 1080.22) 1960’s large industrial casting foundry mould – (Mould 1080.22). We recently cleare...

Sitting atop a cubic pedestal, the amorphous tendril combines a soft dimension with a pointed shape. The rust texture highlights the varied facets. The oversized base provides an int...

A delightful and highly decorative set of six coloured tinplate sports figures. As they have a kicking action we think they are possibly English or American footballers. If anyone kn...

Louis XVI style ormolu chenets, On square support with a central bombe shaped maiden's mask, Scrolling foliage chasing, above an urn of prosperity dec...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Afra and Tobia Scarpa paperboard model (maquette) of Aobadai House, Tokyo 1995 Residential villa and Embassy of Brunei - Aobadai House in Tokyo (Japan) Architectural design: Af...