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Paul Kline "Standing Figure No. 2" Bronze, Steel and Walnut Sculpture

$4,850List Price

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Anker Hoffmann Patinated Bronze Sculpture of a Nude Standing Female Figure, 1956
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Anker Hoffmann (Danish, 1904-1985) Bronze Sculpture: A standing female figure in patinated bronze, signed with the artist’s monogram and dated '56 (1956). The sculpture remains in ...
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Still Stand No32: Graceful Walnut Standing Sculpture, Escalona Crafted
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Bronze sculpture "Figure de roche V" by Paul de Pignol, 2009
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Paul de Pignol studied at the Ecole Nationale Supérieure des Beaux-Arts. He lives and works in Paris, and continues the exploration of bodies, moving from the myth of matrix feminini...
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the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...
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Bronze Erotic Human Sculpture Home Décor Busts Antique Standing Couple Figure
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Still Stand No40: Serene Standing Walnut Sculpture, Exquisite Escalona Art
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“Still Stand” sculptures by Joel Escalona Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the power of the material...
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19th Century Animalier Bronze Sculpture "Standing Cockerel" by Paul Comolera
By Paul Comolera
Located in London, GB
A very fine large late 19th Century Animalier gilt bronze study of a standing cockerel with his chest pushed out in a proud pose as he crows to the eraly morning sunshine, the bronze surface with excellent deep golden colour and fine hand finished detail, signed P.Comolera ADDITIONAL INFORMATION Height: 31 cm Width: 20 cm Condition: Excellent Original Condition Circa: 1900 Materials: Bronze SKU: 9324 ABOUT Paul Comolera (French, 1818 ~ 1897) Comolera was born in Paris, France. A very fine sculptor known mainly for his modelling of birds but he also produced some other animal figures as well as portrait busts. Comolera was a student of the early sculptor Francois Rude and he was the teacher of Jules Moigniez, one of the more important sculptors of the Animalier school. There is a distinct similarity in the detail, construction, form, and finish of the works of Comolera and his student Moigniez although Comolera’s birds are considered to be more in the naturalistic style as opposed to the romantic style of his pupil. Paul Comolera made his debut at the Salon in 1846 with a group called Golden Pheasants of China and continued to exhibit there until his death in 1897. Comolera’s bronzes...
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