Pair of Empire Gilt Bronze Ewers Attributed to Claude Galle

François Viger, reçu maître horloger reçu maître en 1744 Case Attributed to Robert Osmond (1711-1789), reçu maître fondeur en janvier 1746 Im...

Important white marble “Cercles Tournants” mantel clock. Gilt bronze mounts attributed to Pierre Gouthière. Paris, Louis XVI period, circa 1775...

After a Model by Alexandre-Evariste Fragonard Rare Pair of Sèvres Bisque Porcelain Winged Lions Bearing Gilt Baskets Sèvres Royal Manufactory, Restoration period, circa 1...

Dieudonné Kinable Enamel Dial Attributed to Dubuisson (1731-1815) Exceptional Porcelain Lyre Mantel Clock from the Royal Sèvres Porcelain Manufactory Paris, late Louis XVI period, circa 1785-1790 Height 62 cm; width 26 cm; depth 16 cm The round enamel dial, signed “Kinable”, indicates the hours in Roman numerals, the fifteen-minute intervals in Arabic numerals, the annual calendar and the signs of the Zodiac, by means of four hands, two of which are made of pierced gilt bronze, the two others in blued steel. The magnificent lyre-shaped case is made of “bleu nouveau” Sèvres porcelain and finely chased and gilt bronze. The bezel is made up of a gilt bronze twisted rope; the pendulum is adorned with brilliant-cut paste stones; the body of the lyre is adorned with gilt bronze beading and with laurel leaf and seed motifs, with two rosettes issuing floral and foliate swags. The clock is surmounted by a mask with radiating sunrays. The spreading foot is decorated with beading and twisted rope motifs and a leafy garland. The en-suite decorated oval base is raised upon four flattened ball feet. The Royal Sèvres Porcelain Factory produced the lyre clock model as of 1785. Four colours were offered: turquoise, green, pink and bleu nouveau. These exceptional clocks were made for the connoisseurs of the time. Louis XVI had a similar clock in his Salon des jeux in Versailles; its dial bore the signature of the clockmaker Courieult (this is almost certainly the example illustrated in P. Verlet, Les bronzes dorés français du XVIIIe siècle, Paris, 1999, p. 41). Kinable, however, was the clockmaker who purchased the greatest number of lyre cases from the factory, and he developed the model in the late 18th century. Among the porcelain lyre clocks signed by this brilliant horologer, one example is in the Victoria & Albert Museum in London (illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Band I, Munich, 1986, p. 252, fig. 4.6.26). A second such clock is in the Royal British Collection (see C. Jagger, Royal Clocks, The British Monarchy & its Timekeepers 1300-1900, 1983, p. 130, fig. 176). Bibliography: M. Gay and A. Lemaire, “Les pendules lyre”, in Bulletin de l’Association nationale des Collectionneurs et Amateurs d’Horlogerie ancienne, Winter 1993, n° 68, p. 5-40. Dieudonné Kinable (active circa 1785-1810) One of the most important Parisian clockmakers of the late 18th century. His shop was located at n° 131 Palais Royal. He purchased a great number of lyre-type porcelain clock cases...

A fine pair of empire gilt and patinated bronze ewers in the manner of Claude Galle. French, Circa 1820.

A magnificent large pair of five-light doré bronze and patinated bronze Empire period candelabra, attributed to Claude Galle made in the early 1800s. This pair of candelabra are set ...

Pair of 1st Empire aiguieres by sculptor Ravrio ( 1759 - 1814 ) in green patinated bronze and gilded bronze, the base is in sea-green marble. Of elongated baluster form, the necks a...

"Empire gilt bronze vase clock circa 1810 Attributed To Claude Galle" Beautiful bronze vase pendulum with original mercury gold gilding, splendid carving details. Paris movement wit...

Rare and beautiful gilt bronze clock with rotating dial made for the 1807 Exhibition after a composition by Claude Gallé,regarded as one of the best bronziers of the late Louis XVI a...

A Pair of Late Empire Ormolu Centrepieces "aux dauphins" Each constructed from gilt bronze, with burnished highlights, the oval plinth bases supported on lion paw feet and with ornaments derived from Pergolesi, two addorsed mythical dolphins supporting a pierced foliate basket with accompanying cut-glass dish. French, circa 1815 An important suite of four centrepieces signed "Thomire à Paris...