Organic Modern Garniture

'Woven Two Tone Ovoid (med)' is a unique handblown, sculpted and cut glass sculpture by the British artist, Layne Rowe. Rowe’s inspiration is drawn from the dramatic Devon coastline...

'Rocaille II’ is a unique porcelain sculpture by the British artist, Jo Taylor. Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceilings, wrought iron and carved stone. Living near the Georgian city of Bath (UK) provides a rich visual resource, although it can be said that she will seek out such details wherever she goes. Regular visits to our larger cities such as Liverpool (UK) and London (UK) offer ornament that can be experienced on a grander scale with their historic buildings such as the Sefton Park Palm House...

'Rocaille I’ is a unique porcelain sculpture by the British artist, Jo Taylor. Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceilings...

'Sommarial in Whiskey' is a unique handblown sculptural glass vessel by the British artist, Vic Bamforth. Bamforth is an artist who has helped to bring the highly demanding graal te...

'All About Birds XV' is a unique artwork created by the Scottish artist, Julie Johnson. About the collection in the artist's own words: "During an emotional period following the death of a friend, the terrorist attacks, Brexit and other more personal hurdles, I looked for ways to deal with these oppressive thoughts and feelings of sadness and fear through my work. The initial idea for the vessels was to represent funeral urns...

‘Vase with Tri Lobed Rim I' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

‘Vase with Foliate Rim I' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

‘Vase with Three Petal Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite...

‘Vase with Double Flower Form' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

‘Vase with Tri Lobed Rim II' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

‘Vase with Petal Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

‘Black Classic Vase I’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...