Tang Dynasty Glazed Pottery Ox Blood Jars 618-907 AD

Period: Tang Dynasty (618 – 907 AD) terra-cotta over lead clay A pair of delicate Tang Dynasty dancers with long sleeves. Both ladies are wearing a long flowing dress with flared ...

Tang dynasty, Chinese bronze mirror of 5 running suani beasts and grapevines. The pierced nub has a floral lotus in the centre. These mirrors were very prevalent in china among the e...

Tang Dynasty (618 - 907) Sancai glazed pottery horse The cream-glazed horse is naturalistically modelled standing on a rectangular base, with the mane, tail and hooves highlighted in amber glaze. The head is gracefully curved to the left, with a green and amber glazed saddle and blanket and foliate-shaped plaques detailed with moulded toads suspending from the trappings. Measures: Height: 14.24 Inches (36.2 cm) Width: 15.5 Inches (39.35 cm) Depth: 6 Inches (15.2 cm) Provenance: An English private collection, acquired in Hong Kong in the 1980s A Certificate of Authenticity will accompany this item along with a lucite base. Condition; Excellent with one repair to right side saddle blanket. Some remaining frustrations throughout with areas of oxidation and a fine craquelure throughout. A formidable piece that presents beautifully. Notes: The present sancai horse...

Han earthenware celedon glazed hill jar The hill jar represents the five sacred mountains which is the path between the earth and Paradise. The mountains are...

Tang Dynasty Terracotta sculpture of a fat lady This stunning lady wears her hair in an elaborately styled coiffure. A remarkable amount of the original pigm...

A Tang Dynasty (618 - 907AD) Chinese Pottery Horse with Saddle. No TL test but absolutely guaranteed authentic with COA available upon request. Dimensions: 14 x 6.75 x 17 inches (35.6 x 20.3 x 43.2 cm) Condition; Very Good with wear commensurate of age and use. Invisible repairs to left ear and parts of mane and hair tuft. A super tight hairline on base of neck barely visible with magnifying glass. Strong and stable and presents beautifully. The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the horse. Their rapid mobility allowed for quick communication between far away provinces. Likewise, the military role of horses aided in the conquest and submission of distant lands. The need to import stronger, faster steeds from Central Asia (as opposed to the native Mongol pony) led to the creation of the Silk Road. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered, believed to be relatives of dragons, a theory reflecting their sacred status within society. During the Tang Dynasty, the adoration of the horse can be seen through their burial art. Horse models excavated from mausoleums of the period are among the most splendid and easily recognizable works of Chinese art. This work is remarkable for the amount of the original pigment that has survived the ravages of time, specifically apparent on the orange saddle. Equally impressive is the fact that the saddle has been separately crafted; it may once have supported a rider who is now lost to us. This gorgeous sculpture is a testament to the admiration and adoration the Chinese had for these marvelous creatures. Although they were an integral part in the expansion and defense of the empire, they were equally regarded for their beauty and grace as revealed by this sculpture. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantique’s antique and ancient Asian...

Offering vessel from the Chinese Tang Dynasty (618-907 AD). A beautiful "offering spiritual vessel" from the Yunnan province region in the ancient China. This was created in clay earthenware pottery during the Tang Dynasty period between the 618 and 907 AD. Featuring finely molded patterns with incised and high reliefs of geometric figures. The design consists of the bombe round-shaped jar and a lid with a conical knob, which are decorated in relief with one single layer of finely sculpted 8 lotus petals. The lid is decorated with geometric figures and the knob in the lid is plain, topped by a form known as a vase. Has a combined measures including the lid of 8.25 by 7 inches (20.95 x 17.78 Cm). Tang dynasty or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Tend Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a the golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Li family founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty...

A quiet and surprisingly contemporary looking Tang Dynasty (618 to 906 AD) ovoid jar with an abstract drip glaze, China, circa 8th century. The tall, slender vase of elegant prop...

An evocative Chinese Tang dynasty (618 to 906 AD) sancai glazed pottery model of a braying camel. The camel is well modeled, standing foursquare upon a rectangular plinth, neck raised, head thrown back, and mouth open in either a defiant, or triumphant, bray. Although sancai means "three color", this particular camel is glazed with only two colors - mostly in amber, with patches of straw glaze mimicking the large patches of fur along the camel's legs, humps, head and neck. TL tested...

A stunning and massive Chinese high fired gray pottery jar of remarkable size and girth, with impressed geometric design, Eastern Han Dynasty (25-220 AD), ...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

This piece is a part of one-of-a-kind collection, Le Monde. French for “The World”, the Le Monde collection is made up of rare and hard to find pieces curated by Brendan from estate ...