Very Large Blue and White Delft Jar Belgium circa 1880

This large Delft jar has a traditional bird and flower decoration painted on a white tin-glazed ground. The decoration captures the beauty of a garden with birds amidst a sea of vib...

This charming blue and white Dutch Delft jar is decorated in shades of cobalt blue. Hand-painted in the late 18th century circa 1780, the jar mixes rococo and chinoiserie design elem...

This pair of large Delft jars has a traditional blue and white floral decoration painted on a white tin-glazed ground. The body of each jar features four large panels; two show a pea...

This exquisite pair of 18th-century blue and white Delft jars are hand-painted in deep cobalt blue with an all-over design of flowers and scrolling vines. The jars are octagonal with...

This pair of Dutch Delft mantle jars show a delightful rococo scene hand-painted on blue and white Delft. We see a pair of cows resting in a fenced area with a flock of birds in the ...

This hand-painted jar and cover from circa 1790 boasts beautiful Dutch Delft floral artwork. The intricate design features a stunning array of blooms and vines in deep and medium cobalt blue. The shoulders of the jar are adorned with lappets filled with flower heads, and its octagonal form is topped with a simple, deep blue knop. Dimensions: 12.75" tall x 6" at widest point x 4.75" across base Condition: Excellent with small edge frits invisibly restored Price: $1160 Background of Dutch Delft: The technique of making Delft was first described in writing by Gerrit Paape in "The Delft Pottery Maker," written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city...

The ovoid jar stands on a slightly spreading foot, has a short upright neck, and is painted in blue with a floral decor. Three large cartouches containing flower bouquets have been a...

Blue and white tobacco jar ‘No. 12’ Delft, 1750-1800 The Lampet Jug pottery Mark: LPKan The ovoid tobacco jar has a protruding rim and...

Blue and white DUYNKERKER tobacco jar Delft, 1760-1780 The ovoid tobacco jar with copper lid has a groove on the shoulder at the top and a protruding rim. The jar is painted in blue...

A Rare and Very Large, Early Dutch Delftware vase with chinoiserie decoration. Origine: Delft, The Netherlands Date: 1724 - 1757 Workshop: De Metaale Pot under the management of Cornelis Koppens. Marked CK for Cornelis Koppens. The very large vase...

Blue and white chinoiserie altar vase. Delft, circa 1685 The ovoid altar vase stands on a high-waisted foot. The flaring cylindrical neck ends in an outward sloping mouth rim. The two blue coloured lion-shaped handles have suspending rings in their jaws. The body is painted with a continuous oriental landscape with banana and pine trees, Chinese figures and houses, while the neck is painted with three bands of different ornaments. The mouth rim is decorated with rectangular ornaments, the foot with leaves under a band around the ankle. Altar vases are also called vases à chimères. The oldest faience examples were made in the sixteen-twenties in Nevers, France and are attributed to the Conrade potters family, who originated from Italy. The shape is based on metal vases used during the services in Catholic churches. Therefore it is no wonder that many altar vases are painted with the Christogram IHS. Altar vases were made in Delft from about 1675 onwards and production continued well into the eighteenth century. Marked examples are known from multiple manufacturers, such as The Greek A and The Moor’s Head potteries (Aronson 2011, pp. 14-15). A pair of eighteenth century vases was made between 1700 and 1716 at The Three Porcelain Ash Barrells pottery. They are marked with PK for the owner Pieter Kam or, after 1705, by his widow (Blazy & Boyazoglu 1983, p. 110). The pair is painted with a dense parsley decor. A miniature example was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. At the same location a larger fragment was also found, decorated with a triple-tulip design in blue and yellow (Eliëns, Schledorn, Van Aken-Fehmers, pp. 31 , 36, 45). Three altar vases with similar tulip and flower decoration in blue and yellow are in the collection of the Dutch Open Air Museum in Arnhem and can also be attributed to the Porcelain Bottle pottery (Klein, p. 152). Official Catholic services were not allowed in the seventeenth century in the Dutch republic, however Catholic conventicles were tolerated. At first sight it might be surprising that a Catholic object...

Colorful 100 year old Belgian Art Nouveau delft faience knobble vase by Charles Catteau's Boch Fréres Keramis at La Louviére, Belgium in the 1920s. Hand painted flowers, leaves and o...