Functional Art Planters 'Mnetonimic Pneumatophres ii' by Touche-Touche

Cotta vessel by Decio Studio. Decio (IT) shows ‘Cotta’, his unseen and undiscovered body of work. Decio studio’s ideal is to create a corner of a fanta...

Cotta mirror 2 by Decio Studio Decio (IT) shows ‘Cotta’, his unseen and undiscovered body of work. Decio studio’s ideal is to create a corner of a fant...

Cotta multi shelter 2 by Decio Studio Decio (IT) shows ‘Cotta’, his unseen and undiscovered body of work. Decio studio’s ideal is to create a corner of a fantastic reality, an atm...

Cotta vase tripod by Decio Studio. Decio (IT) shows ‘Cotta’, his unseen and undiscovered body of work. Decio studio’s ideal is to create a corner of a ...

I'm Floating II vase by Louise Bankander One of a kind, signed, 2022 Dimensions: 45 x 16 x 65 cm. Materials: Cork. The size differs from piece to ...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

‘Spinal II' is a limited edition (ed 49) tree-inspired white & aubergine glass vase by the Swedish artist, Mårten Medbo. Among his work, there are numerous examples of pieces having...

'Going Round in Circles II' is a unique glass sculptural vessel by the British artist, Sarah Wiberley. By bringing contemporary style to the traditions of glassblowing used in the m...