Early 19th Century Blue John and Marble Urn

A mid 19th century cranberry or ruby glass, gilt bronze and marble mounted cornucopia. This stylish chimney ornament has a cranberry cornucopia of trumpet shape which has a flared ri...

A 19th century French Neo-Greek Classical bronze lamp by Henry Cahieux probably cast by the Barbedienne foundry, Paris and inscribed Hy Cahieux, 21.5cm...

The picture retains its original gilt frame. The image is rendered in a mixture of silkwork and hand painted decoration and depicts the injured traveler on the roadside being aided by the Samaritan while the Levite and the Priest are seen in the distance. This parable is told by Jesus in the Gospel of Luke. A certain man was going down from Jerusalem to Jericho, and he fell among robbers, who both stripped him and beat him, and departed, leaving him half dead. By chance a certain priest was going down that way. When he saw him, he passed by on the other side. In the same way a Levite also, when he came to the place, and saw him, passed by on the other side. But a certain Samaritan, as he travelled, came where he was. When he saw him, he was moved with compassion, came to him, and bound up his wounds, pouring on oil and wine. He set him on his own animal, and brought him to an inn, and took care of him. On the next day, when he departed, he took out two denarii, gave them to the host, and said to him, 'Take care of him. Whatever you spend beyond that, I will repay you when I return.' Now which of these three do you think seemed to be a neighbor to him who fell among the robbers?" This work is vastly bigger than 19th century silkwork pictures...

A set of four French mid-19th century patinated bronze and Yellow Sienna marble candlesticks by Deniere, Paris Each tri-form column surmounted by a candleholder and foliate drip-pan,...

An English mid-19th century octagonal black marble and pietre dure inlaid tabletop by William Adam for the Ashford Works and Old Royal Museum, Matlock Centred by a sprig of flowers ...

The rectangular hinged top retains it’s covered in charming 19th century needlework while the sides have been reupholstered, the top is hinged ...

This is a classical urn. Use indoors or out.

Grand Tour urn, of bronze, with a gilt and patented finish showing natural wear, having a column-snape urn-form; its down-turned bezel over its body, de...

A handsome and large scale handsome Italian 19th century marble urn. The impressive urn is raised by a square stepped base below the elegant ...

The finest of bronze castings. Lids are attached. The base is 6" x 6".

Pair early 19th Century Blue John cassolettes with ormolu mounts each with an ovoid body applied with decorative mounts and scrolling foliate handles, beneath a removable cover toppe...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...