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Abundance II, sand coloured ceramic vessel with shells & flourishes by Jo Taylor
$6,617.05
£4,750
€5,621.90
CA$8,984.97
A$10,072.08
CHF 5,252.36
MX$123,459.06
NOK 66,556.21
SEK 63,277.08
DKK 41,946.67
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About the Item
'Abundance II' is a unique ceramic sculpture by the British artist, Jo Taylor.
Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceilings, wrought iron and carved stone. Living near the Georgian city of Bath (UK) provides a rich visual resource, although it can be said that she will seek out such details wherever she goes.
Regular visits to our larger cities such as Liverpool (UK) and London (UK) offer ornament that can be experienced on a grander scale with their historic buildings such as the Sefton Park Palm House and the V&A holding many further examples. Further afield the architecture of Gaudi in Barcelona, the palaces of Potsdam and the Villa D''Este in Tivoli have all provided inspiration.
In her own words:
‘I enjoy the grand gesture present in large scale relief, the drama of deep shadow, the dialogue between space, structure & ornament. The changing light conditions of bright sunlight, a dull day, dusk or artificial light can affect the contrast and way the structure is perceived’
Taylor’s current practise has been evolving since graduation from her MA at Bath Spa University in 2012. Since that time she has exhibited widely in the UK and also in Belgium & the US, whilst also featuring in a number of publications including Ceramic Review in the UK & Ceramics Monthly in the US.
- Creator:Jo Taylor (Artist)
- Dimensions:Height: 17.72 in (45 cm)Width: 15.36 in (39 cm)Depth: 16.93 in (43 cm)
- Style:Organic Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2023
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:London, GB
- Reference Number:1stDibs: LU1023037192702
Jo Taylor
Jo works in a variety of media on a large unrestrictive scale and her style is deliberately abstract with a bold use of colour. Her organic palette is scoured from the immediate landscape and the elements, reminiscent of the work of Prunella Clough and Graham Sutherland. Through her materials she describes muscle tensions and structures, which she was able to study during her residency at the Department of Veterinary Science at Liverpool University. This left Jo with an exceptional knowledge and understanding of animal physiology, leading The Times Art Critic Rachel Campbell Johnson to liken her use of anatomy to Stubbs.
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