Angelo Mangiarotti Freeform Ceramic 'Tremiti Formalibera' for Danese Milano
View Similar Items
Angelo Mangiarotti Freeform Ceramic 'Tremiti Formalibera' for Danese Milano
About the Item
- Creator:Angelo Mangiarotti (Designer)
- Dimensions:Height: 2.37 in (6 cm)Width: 8.67 in (22 cm)Depth: 5.52 in (14 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:Ceramic,Glazed
- Place of Origin:
- Period:
- Date of Manufacture:1964
- Condition:Wear consistent with age and use.
- Seller Location:Tilburg, NL
- Reference Number:1stDibs: LU5892225538292
Angelo Mangiarotti
Italian architect, designer, teacher and urban planner Angelo Mangiarotti was a leading light in the international design community from the 1960s onward. While he was an adherent of the rationalist principles of purity of line and simplicity of construction, he sought to imbue his designs for coffee tables, dining chairs, sconces and other furnishings with a sense of character and lightness of spirit that was often lacking in late-20th-century modernist architecture and design.
Born in Milan, Mangiarotti studied architecture at Milan Polytechnic, graduating in 1948. Five years later, he won a visiting professorship at the Illinois Institute of Technology — beginning a peripatetic academic career that would see him teaching in numerous Italian institutions as well as in schools as far afield as Hawaii and Australia. He worked with Bauhaus eminences Ludwig Mies van der Rohe and met such greats as Frank Lloyd Wright and Walter Gropius. He returned to Italy in 1955 and would go on to work on numerous industrial, residential, commercial and civic projects in his home country, most notably a group of six railway stations in Milan.
As a designer, Mangiarotti and the development of his career embodies the evolution of modernism in the latter decades of the 20th century. In the late 1950s and early ’60s, after early experiments in plywood furniture and one-piece foam-core seating — including the 1110 lounge chair for Cassina — Mangiarotti began to design using more classic materials, from delicate, curvaceous blown-glass table lamps for Artemide to chandeliers with crystal links for Vistosi.
In 1971, Mangiarotti introduced what became his signature designs: a series of tables in marble and other stones that featured “gravity joints,” their legs held in place by the weight of the tabletop. Tables in his Eros collection have muscular proportions that anticipate the robust, overscaled lines of postmodern works that would appear 10 years later: His Eccentrico table, for example, is a striking assemblage in marble featuring a top that is cantilevered dramatically on a canted columnar base.
But simplicity and practicality were consistently the primary watchwords of Mangiarotti’s designs. The purity and elegance of the objects he created offer a graceful counterpoint to a traditional decor, yet they have a singular sculptural presence that allows them to stand out powerfully in a modern interior.
Find vintage Angelo Mangiarotti furniture on 1stDibs.
More From This Seller
View AllMid-20th Century European Mid-Century Modern Decorative Dishes and Vide-...
Pottery
Mid-20th Century Dutch Mid-Century Modern Vases
Ceramic
Mid-20th Century Dutch Mid-Century Modern Vases
Ceramic
Mid-20th Century European Mid-Century Modern Vases
Art Glass
Early 20th Century Italian Mid-Century Modern Vases
Pottery
Mid-20th Century Unknown Mid-Century Modern Decorative Bowls
Pottery
You May Also Like
Mid-20th Century Italian Mid-Century Modern Abstract Sculptures
Ceramic
20th Century Italian Modern Decorative Dishes and Vide-Poche
Ceramic
20th Century Italian Mid-Century Modern Vases
Marble
20th Century Italian Mid-Century Modern Vases
Marble
20th Century Italian Mid-Century Modern Vases
Marble
20th Century Italian Mid-Century Modern Vases
Marble
