Art Nouveau Kralik Glass Vase with Flower Bronze Overlay, 1900s, Tiffany Style For Sale
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Art Nouveau Kralik Glass Vase with Flower Bronze Overlay, 1900s, Tiffany Style


Exceptionnal Kralik Art Nouveau glass vase with bronze overlay by Kralik, circa 1900. Yellow and turquoise-green iridescent glass, with purple reflects. Embedded into a bronze setting decorated with hydrangea flowers. Known also in Europe as Jugendstil or ‘youth style’, the art form began in the 1880s as a result of the Arts & Crafts movement, which rejected the mass-produced techniques of industrialization. Art Nouveau developed a new style of exuberant curving lines, asymmetrical design and elements of fantasy. It took on a wealth of different and at times conflicting orientations, spreading to varying degrees to a number of major European cities, such as Brussels, Glasgow, Munich, Nancy, Barcelona, and Vienna. Originating in France as a decorative art movement in the 1880s and evolving to different forms up to 1914, it is remembered mainly for its richly ornamental, and asymmetrical use of whiplash lines reminiscent of twining plants and organic forms. It reached its highpoint at the 1900 trade fair, the Paris Exposition Universelle. The reason for the development of the Art Nouveau movement was also the cause of its demise. By the turn of the century the costs involved in producing Art Nouveau pieces were very high. The craftsmanship needed to create intricately constructed pieces was prohibitive and the designs were unsuited to manufacture on a large scale. In its pure form in France, the exuberant linear style had run its course by 1905, but elsewhere in Europe in a more restrained manifestation it was more enduring, adopting a prophetic and intellectual energy as it pointed towards modernism.  


  • Period
  • Materials and Techniques
  • Condition
  • Condition Details
    2 tiny chips on rim
  • Dimensions
    H 10.83 in. x Dm 6.7 in.H 27.5 cm x Dm 17 cm
  • Diameter
    6.7 in. (17 cm)
  • Seller Location
    Bremen, DE
  • Seller Reference Number
    ANDA - 0810
  • Reference Number
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About Tiffany & Co. (Manufacturer)

Tiffany & Co. is one of the most prominent purveyors of luxury goods in the United States, and has long been an important arbiter of style in the design of diamond engagement rings. A young Franklin Delano Roosevelt proposed to his future wife, Eleanor, with a Tiffany ring in 1904. Vanderbilts, Whitneys, Astors and members of the Russian imperial family all wore Tiffany & Co. jewels. And Jacqueline Kennedy Onassis preferred Tiffany china for state dinners at the White House.

Although synonymous with luxury today, the firm started out rather modestly. Charles Lewis Tiffany and John B. Young founded it in Connecticut as a “stationery and fancy goods emporium” in 1837, at a time when European imports still dominated the nascent American luxury market. In 1853, Charles Tiffany — who in 1845 had launched the company’s famed catalog, the Blue Book, and with it, the firm’s signature robin’s-egg blue, which he chose for the cover — shifted the focus to fine jewelry. In 1868, Tiffany & Co. gained international recognition when it became the first U.S. firm to win an award for excellence in silverware at the Exposition Universelle in Paris. From then on, it belonged to the pantheon of American luxury brands.

At the start of the Gilded Age, in 1870, Tiffany & Co. opened its flagship store, described as a "palace of jewels" by the New York Times, at 15 Union Square West in Manhattan. Throughout this period, its designs for silver tableware, ceremonial silver, flatware and jewelry were highly sought-after indicators of status and taste. They also won the firm numerous accolades, including the grand prize for silverware at the Paris Exposition of 1878. Among the firm’s glittering creations from this time are masterworks of Art Nouveau jewelry, such as this delicate aquamarine necklace and this lavish plique-à-jour peridot and gold necklace, both circa 1900.

When Charles Lewis Tiffany died, in 1902, his son Louis Comfort Tiffany became the firm’s design director. Under his leadership, the Tiffany silver studio was a de facto design school for apprentice silversmiths, who worked alongside head artisan Edward C. Moore. The firm produced distinctive objects inspired by Japanese art and design, North American plants and flowers, and Native American patterns and crafts, adding aesthetic diversity to Tiffany & Co.’s distinguished repertoire.

Tiffany is also closely associated with diamonds, even lending its name to one particularly rare and exceptional yellow stone. The firm bought the Tiffany diamond in its raw state from the Kimberley mines of South Africa in 1878. Cut to create a 128.54-carat gem with an unprecedented 82 facets, it is one of the most spectacular examples of a yellow diamond in the world. In a broader sense, Tiffany & Co. helped put diamonds on the map in 1886 by introducing the American marketplace to the solitaire diamond design, which is still among the most popular engagement-ring styles. The trademark Tiffany® Setting raises the stone above the band on six prongs, allowing its facets to catch the light. A lovely recent example is this circa-2000 platinum engagement ring. Displaying a different design and aesthetic (but equally chic) is this exquisite diamond and ruby ring from the 1930s.

About the Seller

5 / 5
Platinum Seller
1stdibs seller since 2013
Located in Bremen, DE
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