Carstens-tönnieshof Manipulated Mid-Century Modern Blue Gold Textured Sgraffitto

The Louisville Pottery company used a variety of stamps and sold to touristy shops with marks including Cherokee, Great Smokey Mountains, Daniel Boone, Mammoth Cave, Kentucky Hand Made and more. Most of them are small pitchers and vases in traditional forms. But, then there are occasional exceptions and over time we have all learned that major designers including Frederic Hurten Rhead (over at Selden Bybee) were working in the area. Research is ongoing to identify the examples designed and/or influenced by well known artists or simply a great relatively unknown designer or two deserving of recognition for their work. The JB Speed Art Museum cataloged a slightly smaller gloss green example Accession number 2007.10.9 with the Cherokee Pottery...

A rare large scale Eskimo fisherman theme mid century modern vase by noted California Artist Edmund Ronaky. Signed to the base and a quintessential West Coast work of modernism. The ...

Thomas Minton is believed to have created the famous Blue Willow Pattern and sold the original design to Thomas Turner in the 18th century. The pattern is clearly inspired by Canton Chinese Export...

Cristalleries de Vannes-le-Châtel, France gull wing abstract sculptural vase. Acid etched Art Vannes France Mark. This is a quintessential 1970's elegant design ready for your home...

Rookwood pottery was established based upon Arts and Crafts ideals positing the celebration and elevation of pottery as an art form. Both professional and amateur decorators and potters were instrumental in the success of what became an art industry and the nations first Internationally recognized art pottery. It is marked 1885, 61 and W. Rookwood's font, Form # 61 and the use of W to indicate white clay are well known to Rookwood collectors and have been identified in most publications concerning the pottery dating back to Peck's books. Sometimes we just can't figure out who decorated them. Many of the decorators were married society ladies and some used their spouse's initials or names on pots. I have been unable to identify what appears to be M AED in under-glaze initials. Nor does the pencil notation which appears M.E. Foster (or Foote) turn up in my review of the literature, including The Ladies God Bless 'em. The quality of the decoration is high and represents the interest in Japonisme and Aesthetic Movement art. The four cobalt lined vertical panels recall vertical Japanese woodblock prints and the gold tracery and rim is surprisingly present with only modest wear to the high points and minor bleed through of the under-glaze around the lip. (shown). It is important to note that unless or until the decorator is identified, it is impossible to assert that the decoration is by a Rookwood artist. Many amateur ladies and gentlemen, particularly members of the Cincinnati Pottery...

Bertil's work is often haunting, but this bottle vase is ready for display or perhaps for the most adventurous as a container for your personal witch's brew. A entire layer of end of day type scattered glass has been cameo acid cut back to reveal a frosted midnight blue glass underlayer. But, just look at these birds. Ravens, crows... certainly birds of the night. A taller neck than I have seen before and the slight slumping and bubbled inclusions reinforce the visual message that this is both art and handicraft. The fortuitous bold coloration of the birds makes the pattern boldly assert. Marked Kosta Boda Atelier 92 and B Vallien...

Beautiful Sixties vase from the quality items maker Carstens Keramik.

One Carstens Tönnieshof 'Ankara" vase with black and white glaze, this colour combination is scarce.  

Four Carstens 'Ankara" vases, two with blue and gun-metal glazes. The other two have red and grey glazes. The red and grey glazes are very rare. The little red and grey vase is 1...

Beautiful vibrant blue with yellow/ochre ceramic vase from the quality items maker Carstens Keramik.

Ceramic vase made by well know ceramic manufacturer; Carsten Tonnieshof. In very good condition without any damage or losses.

This vase is typical for its period: a futuristic rocket shape. Designed by Heinz Siery.