Communicating Vases 4 elements WHITE in ceramic XXI Century by Chiara Berta Artist

Communicating vessels represent bonds, the unions between individuals. They are made entirely by hand from ceramic or terracotta and each one is a unique piece. Vasi Comunicanti was ...

Communicating vessels represent bonds, the unions between individuals. They are made entirely by hand from ceramic or terracotta and each one is a unique piece. Vasi Comunicanti was ...

Chamalea is a vase in ceramic with a mat finishing outside and enameled inside designed by Chiara Andreatti for Paola C., and it is part of the collection Coquille, a family composed...

"Composizione 40100 #02" (In crescendo), 2019, glazed earthenware, measures: H 47 x 30 x 30cm Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realize often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra), Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...