Hertha Bengtson for Rörstrand. Unique ceramic vase. 1960/70s

Gösta Grähs for Rörstrand, Sweden. Ceramic vase in gray glaze. 1960s/70s. Marked. Perfect condition. First factory quality. Dimensions: D 11.0 cm x D 14.5 cm.

Hertha Bengtsson (1917-1993) for Rörstrand Atelje. Large cylindrical ceramic vase. Modernist design. Circa 1970. Marked. Perfect condition. Dimensions: Height 24.0 cm. x diameter 10...

Höganäs, Sweden. Large unique ceramic vase. Modernist design. 1960s/70s. Glaze in brownish tones. Marked. Perfect condition. Dimensions: Height 20.0 cm x Diameter 9.0 cm.

Vallauris. Unique ceramic vase in organic form. Hand-painted with an abstract motif. 1960 / 70s. Signed. In perfect condition. Measuring: H 27.0 x D 24.0 cm.

A vase designed by Hertha Bengtsson at Rörstrand, the vase is 15 cm (6") high and in excellent condition, it´s marked as 2nd quality.

Glazed stoneware vase by Hertha Bengtson for Höganäs Keramik. Sweden, 1950’s. Signed.

Large budded vase by Hertha Bengtson (1917-1993) for Rörstrand Sweden. Made circa 1960s. The vase is made from chamotte clay and is partly glazed wi...

A beautiful stoneware vase with amazing glaze. Made by Hertha Bengtson for Rörstrand, Sweden, 1950s. Excellent condition. Signed 'Bengtson' and 'R' för Rörstrand. Hertha Bengtson (1917-1993) is one of the well-known representatives of the illustrious Swedish ceramic design of the 20th century. She was one of the leading designers for the Rörstrand factory in the 1950s. Bengtson is represented at the Swedish National Museum of Art and Design. Hertha Bengtson was born in Ysane in Blekinge and grew up on a farm with her four brothers. Her parents were Henning and Asta Bengtson. Her father was a jack-of-all-trades and ran both a mink farm and a shop alongside his farm, which was the least of his interests. Her mother, to whom Hertha Bengtson was very close, was a skilled weaver. Hertha Bengtson's interest in textiles and handicrafts came from her mother. From her grandmother she inherited Scanian country textile knowledge and from her grandmother’s neighbour she learned to tat the Scanian way, without patterns. Upon completing her education at a girls’ school, Hertha Bengtson wanted to become a drawing teacher. However, there was no money to continue her formal education. Hertha Bengtson achieved top marks in drawing and handicrafts and therefore gained a place as a handicrafts teacher at one of the region’s elementary schools. During her time at the girls’ school, she had also taken evening classes in porcelain painting. In 1937 she applied to Hackefors’ porcelain factory in Linköping where she became employed as a pattern designer. Hertha Bengtson was interested in all aspects of the factory and when the men were called up for military service at the outbreak of the Second World War, she became head of her department at age 22. Hertha Bengtson wanted to create her own porcelain. She applied to and became employed at Rörstrand’s porcelain factory in 1941, where she started as a pattern designer but quickly became a master designer. Hertha Bengtson’s ability to combine beauty with function was fundamental to her success as a designer. Her breakthrough came with the innovative blue-and-white tableware...