Japanese Cloisonne Vase, Meiji Period

An unusual Showa period cloisonné vase, of squat ovoid form with continuous guilloche in turquoise and green enamels enclosing abstract designs in blue, y...

This large vase has a central continuous band of scrolling green karakusa on a pale green ground. Signed/Inscribed: Ando mark.

A Showa period green ground cloisonne vase, with two white and pink orchids, chrome mounts. Attributed to Ando. Japanese, circa 1950.  

A Showa period grey and cream cloisonné vase, of squat ovoid form with continuous band of black blossoms and fleshy grey leaves round the shoulder, with as...

A Showa period blue cloisonne vase by Tamura, of squat ovoid form with a band of gold, silver and white prunus blossom in gin-bari around the shoul...

A large Meiji period Satsuma earthenware floor vase, the of baluster form, painted in pastel overglaze enamels and gilding with two large sprays of flowers including prunus blossom, ...

This is a very decorative small cloisonné vase, made in Japan and dating to the 19th Century, Meiji period. The vase has a good baluster shape w...

Of ovoid form, with a narrow neck and outward flaring rim, on dark blue ground depicting wisteria blossoms in white and purple cascading from the shoulder with birds throughout and w...

These are a very decorative pair of cloisonné vases, made in Japan and dating to the 19th Meiji Period, circa 1875. The vases have a good baluster shape with a circular form. They...

An Exceptionally Fine Quality Japanese Cloisonne Enamel Vase of unusually large proportions, early Meiji period (1868-1912) and of Museum quality. The main tapering oviform body with everted neck, with exquisite translucent rich dark shades of red enamel over an engraved and chased silver foil ground depicting bamboo leaf decoration. Top rim and base are mounted in bronze. Mark at base as shown, see images. Condition: Good condition with nice surface patination, one bruise loss to surface at shoulder area which shows where glass is absent, see image towards end. Height: (an impressive) 12” (30.5cm). Diameter: (at widest area) 7” (18cm). Location: Dublin City, Ireland. Affordable fixed price Worldwide Store to door shipping offered by Seller. Please take time to scroll down below and click "View All From Seller" or favorite our Shop PATRICK HOWARD ANTIQUES...

A Japanese long neck slender ceramic vase in the style of Mishima, circa 19th century, Meiji period. Mishima pottery was originally imported from three islands in Taiwan and then fro...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...