Japanese Mark Studio Pottery Vase, 20th Century

A beautiful Japanese Satsuma vase, circa early-20th century, late 1930s-1940s, Japan. Colors include red, black, gold, yellow, white, burgundy, green, and flesh tones. Dimensions: 5"...

A very large and exuberantly decorated Japanese Satsuma millefleur covered vase, marked Satsuma, Showa period, mid 20th century, Japan. The large vase of attractive baluster form, with a slightly splayed foot, narrow waist, and tapered body with high shoulders and short neck. The vase topped by a domed cover with a large finial shaped like a hoju, the wish fulfilling jewel. The vase decorated all over in a dense field of flowering blossoms - peony, lotus, and chrysanthemum - in a design known as millefleur, or a thousand flowers. The flowers freely and cheerfully painted in various colors of red, white, orange, green, blue and yellow, with raised white enamels...

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

A very beautiful white to off-white round Japanese pottery vase, late Modern/Art Deco period, circa early-20th century Japan, 1921-1941. Vase has a ...

A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

Haisen. Painted enamel porcelain. Japan, possibly first half of the 20th century. It has damage to the base and paper rests on some areas. White porcelain container...

Late 19th / early 20th century Japanese, Meiji Satsuma vase with a double gourd form. The design incorporates underwater plants with golden Koi Car...

A garlic bottle vase in an archaic Chinese form, but likely Japanese in origin. Several circumventing grooves however, suggest a more modern age. It was done in a brilliant purple glaze over a robin egg blue background glaze. The bubbling and bursting effects during the firing renders the surface an artistic spotting effect. The color pallet recalls the Classic Jun Yao...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...