Kawa Vase 19 & 20, Pair of White Ceramic Organic Vases, Porcelain, Sculptural

Kawa Vase 19 Made by casting liquid clay into sewn leather molds, all pieces in the Kawa Series are one-of-a-kind. 4" dia. x 11" h 1 unit in stock. Ships in 5-7 days. Kawa Seri...

A pair of tall porcelain flower vases with a textured exterior surface and clear glazed interior. As a result of the production process, each vase is one-of-a-kind. Dimensions 6" d...

Kawa Series Large Vessel 05 Oversized white ceramic vessel with textured porcelain exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, a...

Kawa Vase 06 Tactile and organic white vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind....

"TuttiTappi (Venus doppelgänger)", 2016, glazed earthenware and porcelain, measures: H 27 x 15 x 15cm Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist w...

"TuttiTappi (Surprise!)", 2022, porcelain found object, earthenware and 18k gold Measures: H 34 x 16 cm Real 18K gold has been applied through third firing on the internal sculpt...

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...

"Composizione 40100 #11" (Maestoso con gioco), 2019, glazed earthenware, measures: H 41 x38 x 38cm Mix of hand-made and 3D printed - Unique piece Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realize often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra), Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...