Ming Dynasty Chinese Bronze Gu-Form Vase, 17-18th Century

Chinese bronze vase, Gu, the trumpet-shaped upper section cast with four blades filled with archaic designs. Center and lower sections depicting Toadies with very intricate backgroun...

Near Pair of Chinese Archaic bronze Gu vases. 18th century Late Ming Period, Measures: Height: 11.4 inches. Diameter: 6.4 Inches Condition: Very good with ...

Large Martaban Ming dynasty stoneware storage vase with dragons, 14th century. Beautiful Ochoa and yellow brown glaze with decorated dragons and Ming clouds. Applied snail or dragon ...

Large Martaban Ming dynasty stoneware storage vase with dragons, 14th century. Beautiful Ochoa and yellow-brown glaze with decorated dragons and Ming clouds. Applied snail or dragon ...

A pair of Chinese Ming Dynasty glazed earthenware figure of Attendant The condition of these 5 century old glazed pottery tomb figures is outstand...

A very fine late Yuan to early Ming Chinese terracotta gilt and polychrome painted Buddha figure, he is dressed in thick robes, his hair arranged in ty...

A Fantastic, rare, and antique Chinese Cloisonné Enamel Gu Form vase, 17th/18th century, Kangxi Period. This cloisonne vase is extremely rare to find in this quality, condition, age,...

Qing Dynasty an antique 19th century Chinese porcelain Gu vase decorated with shuangxi, the Measures: 9.25'' diameter x 16'' high.

Chinese 18th century bronze vase with mottled patina. Evidence of a small, old repair.

A well cast and powerful Chinese dragon bronze altar vase with arrow handles, Qing Dynasty, 18th century or earlier, China. The altar vase of bottle form, set on a high, splayed r...

Of Classic vessel form, with an oval, splayed foot, narrow, waisted body and wide, flaring mouth. Very heavy and archaist vessel with lucky beetles around the sides.    

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...