A Mocha Ware Slip Agateware Loving Cup

This exquisite 19th-century majolica jardiniere and underplate by Minton was handpainted in Stoke-upon-Trent, Staffordshire, England, around 1880. This jardiniere measures an impressive 17" across the handles it is adorned with a delightful design of green oak leaves and light brown acorns that stand out beautifully against the beautiful turquoise background. The handles, in the shape of twisting oak branches...

Made in England circa 1815 this mochaware pitcher is decorated with bands of lovely milk chocolate-colored slip. The color works beautifully with the unpainted creamware body of the handle and interior of the pitcher. Just below the top edge, we see a band of black and white rouletting, and above the bottom edge is a similar black and white rouletted band. Dimensions: 5.75" tall x 4" at the widest point Condition: Very Good: two short hairlines of approximately half an inch are seen on either side of the top edge. There is a hairline on the underside which does not go through. Price: $760 Background of Mochaware: Mochaware pottery...

A Mochaware mug decorated with bands of slip in light and midnight brown. Between the midnight and light brown slip bands are three bands of inlaid rouletting decoration in geometric patterns. Although made circa 1815, the inlaid rouletting gives the mug a surprisingly modern look. The applied handle has exceptionally crisp acanthus leaf terminals. Dimensions: 4.9" tall x 4.9" deep from spout to handle, 3.25" diameter Condition: Excellent Price $1600 Background of Mochaware: Mocha decorated...

This rare and charming pair of 18th-century French creamware lions was made circa 1790. Each lion reclines atop a tall rectangular base decorated with rich cobalt-blue swags, bright yellow tassels, and vivid green trim. The forms are bold and expressive. The lions' open mouths are painted in soft pink, and their manes are rendered in vibrant yellow and lined with dark brown, lending them an animated, almost theatrical presence. The lions rest on what appear to be stylized, draped cushions, adding a sense of comfort and reality. Their wide-eyed expressions and exaggerated features give the pair a whimsical character that blends elegance with humor—a hallmark of late 18th-century French design. Unmarked but unmistakably French in style, these figures make a striking decorative statement. Whether placed on a mantel or console, they command attention and offer a playful counterpoint to more serious classical forms. Dimensions: 6.5 inches tall x 6.75 inches long x 4.5 inches wide Condition: Excellent Price: $2,300 Decoration: Painted in yellow, cobalt, green, pink, and brown with molded drapery and tassel detail Material: Creamware pottery Style: French Neoclassical with Folk Art elements Origin: France Date: Circa 1790 Key Features - Rare pair of large 18th-century creamware lion figures - Expressive hand-painted decoration with bold color contrasts - Tall bases decorated with molded and painted swags and tassels - French origin, circa 1790 - Whimsical and animated expressions add charm and visual interest Background of creamware Creamware is the name given to a type of earthenware pottery initially made from white clays from Dorset and Devonshire combined with an amount of calcined flint. Creamware was first produced in England sometime before 1740. Foremost among the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. The young Josiah Wedgwood partnered with Thomas Whieldon from 1754 to 1759. When Wedgwood left to set up his own business, he immediately directed his efforts to developing creamware. Around the same time, in the mid-18th century, French potters developed their creamware known in France as "Faience Fine...

Queens Ware is the mark on this pitcher and basin set made in England in the mid to late 1800s by Wedgwood. It is also known as creamware, a techniqu...

English Blue Ground Pottery Mocha Mug Late 18th Century The blue ground slip tankard with a white handle with leaf terminals has two bands of molded checkerboard black and white ba...

A glazed ceramic vase in slender spindle form from the Chang Ware series by Royal Doulton (England, founded 1815) circa 1920-30s. The vase was decorated with thick and dripping glaze in rich mottled polychrome colors. The glaze shows overall irregular crackles, a signature characteristic of Chang Ware. The base is hand-marked "NOKE", Royal Doulton in rectangle and initial HN (for Harry Nixon). Developed by Charles J. Noke (1858-1941), Doulton's Art Director, as part of his experimentation into Chinese flambé glazes during the 1920s. Fired at very high temperatures, they were introduced commercially by Doulton in 1925 in response to popular demand for eastern style ceramics. They were applied primarily by Harry Nixon (1886-1955). The name Chang Ware was used by Doulton in reference to the possibly mythical Song potter, Chang the Elder, although it bears little relationship to Song ceramics.

This exquisite early 19th-century chinoiserie box, adorned with lacquered surfaces and ornate gold-toned detailing, showcases the superb craftsmanship of English artisans influenced ...