Murano Glass "Amphora" Pulegoso Vase by Napoleone Martinuzzi for Venini

Rare and impressive "Crepuscolo" Murano glass vase from the late 1930's. Designed by the legendary Creative Director Ercole Barovier, employing his technique of inserting steel wool ...

Mid-Century Modern iridescent transparent vase, signed Franco Moretti, Murano – Venice, 1970's. Triangular-shaped vase with round base and bubble inclus...

This modern (mid-1990's) Murano Glass floor lamp is composed of three tiers of clear "triedi" Murano glass rods. The perfectly clear, mouth-blown rods were made in glass making studi...

Originally designed by architect, designer and artistic director Guido Andlovitz in 1936 for Società Ceramica Italiana Laveno, this pair of vases are indeed the rarest of finds. The vases were manufactured in 1942, as attested to by the marking "N - 42" on the base of each vase. The gold rims and aquatic scenes that surround each vase, are unique to each piece and were painted by hand in 1943. They are both signed by the artist "Miruccia". One of the vases has the words “Anni di Guerra” (Year of War) written on the base in reference to the Second World War . Founded in Laveno in 1856 by Severino Revelli and some former employees of the "Richard" manufacturer in Milan. The "SCI" (Italian Ceramic Society) began its activity as a manufacturer of wall tiles and fine tableware. In 1883 it became a limited company and obtained its first successes at numerous national exhibitions. In 1895, Cavalier Luciano Scotti took over the company and, thanks to his intuition and his entrepreneurial skills, the factory grew substantially in a few years. In those years, some Liberty-style pieces designed by Giorgio Spertini, the author of noteworthy elegant "whiplash" creations, were created in the Laveno factory. In 1906 "SCI" presented numerous works at the International Exhibition of Decorative Arts in Milan. Other collaborators from the beginning of the century were Silvio and Piero De Ambrosis, Felice Palucco, Giancarlo Jacopini and the brothers Marco and Luigi Raggiori. However, it was in 1923 that, under the direction of Guido Andlovitz, the company reached the peak of its fame and in 1925 was a resounding success at the 2nd Monza Biennale. Andlovitz, who collaborated with the manufacturer for almost forty years, applied to the production process the principle of seriality, a concept also put into effect by Giò Ponti at "Richard-Ginori", adopting various types of decoration which, although moulded and decal stamped, still retained an undeniable elegance. In 1924 the "Società Ceramica Revelli" became a consortium with the "SCI", the partnership would continue until 1932 and saw Franco Revelli's company marketing pottery and table porcelain on behalf of "SCI". From 1925 porcelain and crockery began to appear in the factory's catalogs. In 1927 the company was present at the 3rd Biennial of Decorative Arts in Monza. Between the end of the 1920's and the beginning of the 1930's, the decorators Giuseppe Bellorini and Daniela Ferretto began to collaborate with the "SCI". As of 1932 the company managed two factories: that of Laveno, which, with over 1300 employees, produced strong pottery, tableware and artistic ceramics and the smaller factory of Verbano, which employed about 400 people and produced, in addition to ceramics for the electrotechnical industry, excellent table porcelain. The products were marketed in the company owned stores in Rome, Genoa and Naples. This was an initiative realised by Andlovitz himself. In the mid-thirties, the decorators Ada Corsi and Ida Fonini among others, collaborated with the "SCI". From 1936 to 1940 the artistic direction of the company was entrusted to the sculptor and modeler Angelo Biancini. In 1939 about 1300 people worked in the Laveno plant and in 1951 about 2300. In the years between the two wars among the collaborators of the factory were Sirio Tofanari...

Rhythm: this is the word that defines the shape of the Deco series of vases. The rings are repeated, one after another. They increase, decrease, then increase again. They seem to mov...

Elegant, Italian Mid-century, hand blown Murano Amphora form, glass vase in the Modern Neoclassical style designed by Napoleone Martinuzzi for Venini, c...

Vetro calcedonio vase by Napoleone Martinuzzi for Venini Murano ca. 1930s. A very rare Murano art glass vase attributed to Napoleone Martinuzzi around 1930. Manufactured by Cappelin in the 1920s or Venini in the 1930s. Thin hand blown malachid (calcedonio) glass with curved handles on each side. Similar to Venini model number 3255. This model was produced in different glass types. The vase is not signed. It was bought from a very famous collection in the 1990s. Reach out for more information on the provenance. Measures: Height: 9.06" (23 cm) Diameter: 6.3" (16 cm) Napoleone Martinuzzi (1892 -1977) was an Italian sculptor and designer who left his mark on Italian glass art in particular. As graduate of the Academy of Fine Arts in Venice, he worked with Ca' Pesaro artists and exhibited at Ca' Pesaro in 1908. In the 1920s he was appointed as Director of the Murano glass Museum. In 1925 he founded Venini & Co. with Paolo Venini and others, of which he took over the artistic direction. For Venini he created stunning creations in soffiato, opaque and pulegoso glass that received international recognition with many awards. His creations of animals, fruits and succulent plants gained international success too. The Cenedese Glassworks , Seguso Vetro d'Arte and Pauly & Co were his last creative stations. Literature Reference: Marino Barovier, Napoleone Martinuzzi Venini 1925 - 1931, Milano 2013, pages 159, 314, 330 (shape) and 323, 328 (glass technique) Franco Deboni, Venini Glass Volume 2, Turin 2007, page 80 (glass technique) Marina Barovier, Napoleone Martinuzzi Vetraio del Novecento, Padua 2001, page 27...

Venetian art glass vase by Napoleone Martinuzzi. An antique pre WWII unique piece made in Italy at the Murano island in Venice, back in the 1935. It was designed by the artistic di...