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Old North Carolina Vase Pottery JB Cole Catalog Folk Yellow Floor Porch W156-19"

$450List Price

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24" Huge Royal Crown North Carolina Vase Pottery Aqua Urn Signed Floor Porch
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Located in Wilton, CT
Huge old marked Royal Crown North Carolina pottery floor vase in aqua turquoise glaze, circa early/mid 20th century. Round Royal Crown stamp with "New York" printed at the bottom. Pl...
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Pair Awaji Pottery Yellow Flambe Vases
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Located in Wilton, CT
Pair vintage Awaji pottery vases in bright yelow flambe glazes, circa 1930. With slightly cinched waists and little handles curling from the wide shoulders. Impressed marks. 6" high,...
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Large Awaji Pottery Bottle Floor Vase Lacquer Decoration
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Located in Wilton, CT
Large Kyoto region Awaji floor vase in bright yellow crackle glaze with cold painted dark red lacquer decoration, circa 1910s. Measures: 37" high, 15" diameter. Fine hairline at rim,...
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Vintage Awaji Pottery Art Deco Atomic Yellow Vase
By Awaji Pottery
Located in Wilton, CT
Vintage Awaji Pottery Art Deco atomic yellow with two little angular handles on the flattened shoulder. Nice form and striking color. Circa 1930. Impressed marks. 7" high, 7" diamete...
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Vintage Awaji Pottery Muscle Vase Art Deco Yellow Flambe
By Awaji Pottery
Located in Wilton, CT
Vintage Awaji pottery "muscle" vase with upturned bicep handles and terrific yellow flambe glaze, circa 1930. Hand turned. Impressed marks on base. 6" high, 7 1/2" across, 6" deep. E...
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Big Old Zanesville Pottery Ebonello Vintage Vase Arts & Crafts Drip 16x16"
By Zanesville Stoneware Company
Located in Wilton, CT
Old Arts and Crafts Zanesville Ebonello vase with black/midnight blue over tan yellow glaze, circa early 20th century. Passages of blue flambe in the black glaze. Approx. 16" high, 1...
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Pisgah Forest Oxblood Ombre Vase, North Carolina Art Studio Pottery, 1939
By North Carolina Pottery
Located in Clifton Springs, NY
Beautiful rounded vase is decorated with light to dark oxblood red ombre craquelure glaze; the glaze is in high gloss finish and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The vase is in good vintage condition; it is marked and dated on the bottom. Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...
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Pisgah Forest Ginger Jar with Lid, North Carolina Art Studio Pottery, 1930s
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Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...
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Cole Pottery, Vase, Earthenware, USA, 1940s
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