Asian Vases

Chinese Pair of Ceramic Vases with Plants Decoration in Brown Tones.

Kala Sets of two vases: one small and one large. Spunky and often elusive are the birds of the wild. Sold in sets of two, Kala captures their grac...

A Vietnamese blue dragon motif contemporary altar vase found in a temple. Charming our eyes with its black ground highlighting the beauty of its blue dragon motif, this large altar...

Elegant pair of ovoid ceramic vases mounted on French bronze, decorated with polychrome enamels in relief and pure gold on a white background. The body is decorated with large carto...

Exqusite Japanese contemporary porcelain decorative vase, intricately gilded and hand painted in vivid pink and blue on an ovoid porcelain body, set against a dramatic black backgrou...

This is a pair of large antique vases. A Chinese, ceramic baluster urn with Famille Rose pattern, dating to the late Victorian period, circa 1900. ...

Large bronze vase with Shishi Lions design carved by Gyokusei Age: Mid-20th Century Dimensions: W.26 cm (10 inch) , H:36.5 cm (14.5 inch) Wei...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Attractive unique shape beautiful color bronze vase. Size : diameter 8 cm (3 inch) x height 26 cm (10.2 inch) Weight : 740g (1.6 lb) Good condition with some minor patination ...

A Chinese Qing Dynasty period porcelain altar vase from the 19th century with hand-painted figures and calligraphy décor. Created in China during the Qing Dynasty period in the 19th ...

Bright Yellow Signed Chinese Pair of Porcelain vases with dragon decoration. Signature on bottom of each vase as shown.

Dimanche 6 - Travertino vase by Marc Dibeh 2018 Materials: Travertino marble, gold chromed stainless steel Dimensions: W 63 x H 35 x D 25 cm Beirut based designer Marc Dibeh n...

Dimensions Height: 2.5 inches Diameter: 12.25 inches About the object This unique decorative bowl, most likely, was created at the Kinkozan workshop. Kinkozan pottery...

Arcissimo vase is a continuation of our tribute to our love for arched shapes and here more is more. It comes in three colors and three sizes which make...

Hoseki ( 宝石 ) ~ (n) gem The Hoseki Vase is named “gem” in Japanese for its slightly angular shape. Wide-mouthed with a textured finish and soft edges, it adds a classy touch to any ...

Chinese blue drip glazed ceramic urn vases, a pair. Offered for sale is a pair of substantial Chinese blue ceramic urn-form vases with drip-glaze ...

A pair of unusual large Japanese cast bronze vases, Meiji period, 1860-1912. Patinated bronze with bronze highlights, the top lip with a Gre...

Japanese contemporary porcelain decorative porcelain vase, hand painted in red and blue on a beautifully shaped ovoid porcelain body, a signed piece by widely acclaimed Japanese mast...

Elegent contemporary Japanese dimpled decorative porcelain plate, a unique piece gilded and hand painted by highly acclaimed porcelain artist of Japan’s Imari-Arita region. This mast...

19th century Turkish Ceramic Vase Decorated with Flowers in Various Colours.

Fine quality pair of antique Japanese Imari lidded vases having quality hand painted Imari vases in wonderful red, blue and white colours with original lids, one has a piece missing ...

With a shape inspired from the tulip flower, the RAAQUU Flower Vase expresses a wonderful rainbow sheen on a 6 half petal top oval shaped vase. This vase requires precise forming and...

Dingyao porcelain, often called Ding ware, is famous for its creamy-white coloring, refined forms, and low-relief surface patterning. Ding ware was produced ...

Hikari (光) ~ (n) light This Hikari Vase is a circular thrown vase with a wide uneven mouth and small round base. Its miniature shape exudes a sense of flow, making it easy to blend ...

An amazing ceramic early 20th century jug, pitcher or vase made probably in Asia, circa 1900s. This is a heavy vase but you can also use it as a sculpture. ...

Bird jug vase by Faissal El-Malak Dimensions: 28 x 15 x 33 cm Materials: ceramic Faissal El-Malak is a Palestinian designer who was brought up between Mo...

Nozomu ( 望む ) ~ (n) hope Our Nozomu Vase has a flattened surface and a narrow mouth, heart-shaped with a smaller base. With its soft curves and a textured finish, it adds a soothing...

A fine pair of Louis XVI style chinoiserie gilt-bronze mounted Chinese export famille rose porcelain vases. The ovoid hand painted porcelain body with dual scenes of a sword presenta...

A hand painted ceramic Chinese vase. Both sides show the same scene, a Yuenü or swordswoman on horseback. Framed with blossom outlined in gold surround with gold dots. Marked underne...

Wilmington Nc estate sale find. An outstanding rare piece of hand thrown 19th century pottery. vase moriage decoration of swallows and flowers. There is ...

This is a very old and large Japanese pottery. This pottery dates from the Edo period (1700s-1800s). This is called Tokoname in Japan. It is a v...

Chinese vase from the early 21st century. Jingdezhen ceramic work glazed and painted by hand, adorned by river landscape with houses and bridge, of excellent quality. Cup of moderate...

This stunning hand painted porcelain tulip vase is not only a one-of-a-kind work of art, but also a testament to the talent and diversity of both artists behind it. Designed by architect Nilüfer Kozikoglu and painted by a porcelain artist Sera Ilel...

Blue and white landscape vase with squirrel handles The special antique process makes it looks like a piece of art from a museum. High fire porcelain, 100% hand shaped, hand pai...

A pair of large antique Japanese copper vases with cloisonne enamel design. Late Meiji period,The vases have a rounded body, pronounced necks and bas...

It is a jar baked in Tokoname (Aichi Prefecture) in Japan. It seems to be in the Edo period (1700s-1800s). This jar is distorted in shape and does not stand on its own. It seems tha...

A large 19th Century Chinese Sang de Boeuf vase of baluster form. The name ‘sang de boeuf’ refers to the color of the vase, which is Fre...

An attractive pair of Japanese Edo Period bronze vases with relief foliate and bird decoration, probably dating to the early 19th century, in very go...

An antique Vietnamese Annamese green water jar from the 19th century, with raised dragon motifs, blue, brown and yellow accents and petite loop handles. Created in Vietnam during the...

Tsuchi ( 土 ) - Earth *Plants are not included in this purchase Our Tsuchi pot is named after the medium it holds ; Earth. This pot is double sealed to prevent moisture from seepin...

A bronze and cloisonne enamel square vase. Cloisonne bronze vase, Japan XIX, signature cartridge. Large quadrangular bronze vase, Japanese work from the 19th century, signed b...

Stunning set of 3 copper metal vases with gorgeous dark plating, incised gold design. Dimensions: tallest vase - w.9cm (3.5 inches), h.25cm (9.8 inches); smallest vase - w.18cm (7 in...

The Oval Vase is a tall, teardrop-shaped design best for adding a touch of elegance and intrigue to an interior space. Made using the Raku technique, it easily becomes a great conver...

Nozomu ( 望む ) ~ (n) hope Our Nozomu Vase has a flattened surface and a narrow mouth, heart-shaped with a smaller base. With its soft curves and a textured finish, it adds a soothing...

Hoseki (宝石) ~ (n) gem The Hoseki Vase is named “gem” in Japanese for its slightly angular shape. Wide-mouthed with a textured finish and soft edges, it adds a classy touch to any dé...

DIMENSIONS: Height: 4 inches Width: 6 inches Depth: 6 inches ABOUT THE OBJECT With the laconic Japanese-style Art Nouveau design, filled with symbolism and metaphorism, this multi-use bowl...

You get : 2 Units of Nozomu Vase ( 6.3" x 4.7" x 2" ) 1 Unit of Kumo Vase ( 6.1" x 5.5 x 2" ) Our Nozomu Vase has a flattened surface and a narrow mouth, heart-shaped with a smalle...

This is a pair of vintage decorative vases. A Chinese, ceramic tourist ware dried flower urn, dating to the late 20th century, circa 1980. Strong Art Deco revival taste with disti...

Very finely detailed large Chinese beaker with flower and bird motif. No cracks, breaks or repairs.

A pair of Chinese export porcelain vases with mice surrounding the top. Vases also with an urn, flowers and butterflies, circa 1780-1800.

Exceptional Japanese contemporary decorative porcelain vase, intricately gilded in platinum and hand painted, boasting a dramatic phoenix in deep blue underglaze, extending its beaut...

Very unique tall Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tac...

Kumo ( 雲 ) - (n) cloud Our Kumo Vase is a flattened globe vase with a narrow base and a narrow mouth. Its contemporary shape promises to blend well with any interior style. The Kum...

A fine pair of 19th century Chinese Rose Medallion Porcelain vases. Each is of an ovoid baluster form with a floriform mouth which is highly decorated with flowers and butterflies. T...

Ryoko two-toned speckled pottery cup vase Japanese Ceramics Art. Measures: 3 diameter x 3.5 tall. Has a nice signature at the bottom and stamp from ...

A mesmerizing sight to behold as soon as the rainbow-like patinas catch your eye. The Oval Vase is a tall, teardrop-shaped design best for adding a touch of elegance and intrigue to ...

Post Qing Dynasty Cinnabar ginger jar & stand Exquisite high relief carved continuous landscape motif, complete with hardwood stand. Unmarked. T...

This is a black-glazed boat-shaped pottery made in the late Edo period of Japan. This will be a hanging vase. Pour water directly into this and decorate the flowers. Also, perhaps this is a pottery called Seto-yaki. Seto is an ancient kiln located in Aichi Prefecture. Various shapes and colors were produced there, and in the late Edo period, dark glazed pottery was also produced. When a dark brown glaze is applied, the areas with thick glaze look black, and the areas with thin glaze look brown. I put water directly into this and left it for a day, but there was no water leakage. I would say it is in very good condition. Although it is a small item, it has a very strong presence. It has a glossy and elegant appearance. There are many types of Seto pottery...