Czech Vases

Loetz Candia Silberiris Glass Vase with Silver Overlay Circa 1900 Height: 5.2 inches (13.0 cm) Diameter: 3 Inches (7.5 cm) Condition: Glass vase with silver overlay etched with Art ...

This antique vase is unsigned, but made by the Loetz glass factory of the Czech Replublic in approximately 1900 in the period Art Nouveau style. The vase is done in the gold irridesc...

Iridescent swirls adorn this rare Candia Silberiris tree trunk vase from the renowned 19th-century art glass firm Loetz. Crafted in a sensuous, organic...

Art Nouveau Cookie jar iridescent glass by Loetz' with Lid Subtle, hand blown glass vase in the Art Art Nouveau style. Special color and technique for any collector. Looks simply ...

Art Nouveau Cookie jar iridescent glass by Loetz' with Lid Subtle, hand blown glass vase in the Art Art Nouveau style. Special color and technique for any collector. Looks simply ...

A Silver Overlay Loetz Silberiris Vase, c1905 Additional information: Date : c1905 Origin : Klostermuhle, Bohemia Bowl Features : Chased silver overl...

Exquisite antique Loetz Witwe glass vase titled "Candia Papillon" out of Bohemia, circa 1898. This eye catching work of art has exceptional iridescent coloration and has an extraordi...

Art Nouveau iridescent glass Pique Fleurs' vase by Loetz' with Grille Subtle, hand blown glass vase in the Art Deco style. This design for vases is often called 'Pique fleurs' or 'r...

Antique iridescent glass flower holder vase Pique Fleurs LOETZ  with Grille, 1920s Subtle, hand blown Iridesent glass Pique Fleurs . This de...

Art Nouveau Green iridescent glass Pique Fleurs' vase by Loetz' with Grille Subtle, hand blown glass vase in the Art Deco style. This design for vases is often called 'Pique fleurs'...

Art Nouveau Large Green iridescent glass Pique Fleurs' vase by Loetz' with Grille Subtle, hand blown glass vase in the Art Deco style. This design for vases is often called 'Pique f...

A Very Tall Gold Loetz Candia Papillon Vase, c1910 Additional information: Date : c1910 Origin : Klostermuhle, Bohemia, now the Czech Republic B...

Loetz Iridescent and oil spot Flared Neck Art glass Floriform Goose neck vase. Candia Papillon vase Austria Iridescent glass Unsigned Circa 1898 A...

Dagobert Peche (1887-1923) - LOETZ - Antique Jugendstil clear cased red glass vase - rare form with hand painted black enamel floral sprigs alternating in two rows over the body - bl...

A Loetz Cobalt Papillon Art Glass and Pewter Art Nouveau Vase. Circa 1900 The shapely design with flared base having four evenly spaced indentations...

A large Loetz Astraea glass case Circa 1905 A lovely yellow and oil spot decor "Astraea" vase by Loetz. The glass vase is cylindrical in form with a three-lobed mouth. The backgroun...

Decorative piece of Art Deco Glass by Loetz.

This antique art glass vase is unsigned but was made by Loetz of Austria in circa 1920 in their period Art Deco style. This pale yellow iridesce...

This large elegant, museum quality flower vase was probably made by Johann LOETZ Witwe Glassworks (Klostermühle, Bohemia, circa 1900) is a superior example of Jugendstil ~ Art Nouveau luxury object. The semi-translucent art glass strikes a spectator not only with the uniqueness of its surface, reminiscent of crocodile skin, but also with unexpected color scheme - a combination of dark brown, old gold and green, covered with craquelure; against the background of iridescent violet. The vase is framed by outstandingly designed bronzed & patinated pewter mounting, consisting of simple large handles, almost geometric-form; with one wreath of leaves, crowning the neck; and the second, forming a base. The simplicity of the forms both, the glass vessel and the mounting are generating extremely interesting decorative effects, inherent exclusively to Jugendstil ~ Art Nouveau era. LOETZ Witwe Glassworks In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic. The Art Nouveau Period was the glory years of the company. The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Large pink and burgundy cameo glass vase signed Richard. Beautiful Art Nouveau large Cameo made by the Loetz factory glass vase Signed Richard. Beautiful a...

Loetz Rubin Matte Iris - 1898 (aka: rubin metall) Registered Model: PM I-7875 Ruby ground; metallic-bronze iridescent finish (iris) with purple highlights. Measures: Height 7.75 inches Width 4.25 inches Condition: Excellent AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The Historicist Period The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period – the Glory Years Loetz Paris-Expo1900Loetz Paris-Expo1900The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...