Pair of Royal Vienna Sevres Style Floral Trellis Vases, Artist Signed 'Nash'

Pair of Royal Worcester Transitional Neoclassical style vases, England, 1901. Date marked with green backs-tamp with five dots to the left and right. 'Leadless Glaze- English Registry Mark' Each vase shape #2129, with stylized plume top, fitted with twin gilt handles, hand-painted with delicate alternating vertical floral and laurels. Raised on circular acanthus pedestal...

Magnificent Bohemian Engraved Citrine Cut to Clear Floral Vase Bohemia, Czech Republic, Post WWII Circa 1950 A stunning example of craftsmanship from Bohemia, Czech Republic, circa ...

Chinese Peking Glass Bird and Floral Vase, Signed  China, 20th century  A magnificent 20th-century Chinese Peking Glass Vase is a true testament to exquisite craftsmanship. This stu...

Gustavsberg, Art Nouveau Iridescent vase, artist signed, 1904 Sweden, 1904 An exquisite Gustavsberg Art Nouveau iridescent vase from 1904,...

Large pair of antique Royal Vienna porcelain vases Austrian, Late 19th Century Height 102cm, diameter 28cm This remarkable pair of vases, notable for their substantial size, was ex...

Large near pair of painted porcelain vases by Royal Vienna Austrian, Late 19th Century Height 82cm, width 34cm, depth 34cm Crafted in the late 19th century, this near pair showcas...

"Royal Vienna" cobalt blue urn with museum quality paintings of Greek mythology of Paris and Helena artist-signed Wagner. The urn base has cobalt ground with raised gold decorations ...

Large Austrian Neoclassical style porcelain vases by Royal Vienna Austrian, Late 19th Century Height 98cm, diameter 32cm Crafted by the prestigious Royal Vienna Porcelain Manufactory, this exquisite pair of vases embodies the centuries-old tradition of European porcelain artistry. Designed in an elegant baluster form, each vase features a deep navy ground, providing a striking backdrop for the finely hand-painted historical tableaux. The slender necks are adorned with delicate gilded patterns, further enhanced by ribbon-tied accents and raised gilded jewels, a particularly coveted element in high-quality porcelain. Matching porcelain lids, crowned with a pinecone finial, complete the sophisticated design, while the spreading socle bases mirror the decorative motifs of the necks. The vases depict four significant historical events, masterfully reinterpreted from renowned artworks. One scene illustrates King Charles V liberating Christian slaves in Tunis, inspired by a 19th-century engraving by Nicaise de Keyser (Belgian, 1813-1887). Another portrays the Battle of Bouvines (1214), based on an 1827 painting by Horace Vernet (French, 1789-1863). A third panel brings to life Oliver Cromwell dissolving the Long Parliament, adapted from a 1782 print by Benjamin West (American, 1738-1820). The final scene, inspired by Jan Matejko’s (Polish, 1838-1893) 1866 painting ‘Rejtan’ (also known as ‘The Fall of Poland’), represents the first partition of Poland in 1773. The Austrian porcelain artists have reimagined these compositions with richer, more luminous colours, infusing the scenes with energy while softening their dramatic intensity. Supporting these vases are ornate porcelain plinths, decorated with oval cartouches featuring additional painted vignettes. The undersides of the lids are inscribed with the corresponding scene titles. These include: Der letzte Reichstag zu Warschau (The last parliament in Warsaw), Karl V als Befreier der christlichen Sklaven in Tunis (Charles V as liberator of the Christian slaves in Tunis), Cromwell verhindert die Verfolgung des Waldenser (Cromwell prevents the persecution of the Waldensians), Bataille de Bouvines (Battle of Bouvines). Each piece bears the blue ‘FD/ VIENNA / AUSTRIA’ mark for Franz Dörfl. With their grand proportions, historical depth, and remarkable artistic execution, this pair of vases is an extraordinary acquisition for any collector of fine European porcelain.