Robert Kvenild Ceramic Vase with Flowers

Immerse yourself in the beauty of contemporary artistry with our 21st-century Mandrill Mask, a hand-crafted masterpiece made from high-quality ceramic. This mask is in impeccable con...

Embrace the captivating beauty of our Glass Vase, a testament to skilled artisanship and graceful design. This vase, in good condition, is a marvel of glass craftsmanship, featuring ...

Step into the world of classical elegance with our exquisite pair of Early 19th-century French Urns, masterpieces of craftsmanship and historical beauty. These antique cassolettes, c...

Discover our limited-edition kinetic sculpture from 1994, individually signed by the artist and one of only 100 globally. This exclusive piece depicts a man on a bicycle, equipped with a fully functional propeller that comes to life in the wind, creating a captivating illusion of the man pedaling. Supported by a faux stone base...

This fabulous vintage Italian Murano art glass sculpture is handcrafted, features a green and clear color design, and is in great condition. This vintage hand-blown glass swan...

This extraordinary French antique urn is a striking piece, expertly crafted from a combination of bronze and marble and preserved in great condition...

A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...

A porcelain flower vase with an organic form and texture, made by casting liquid porcelain in sewn leather molds. Clear glaze applied on interior...

iTotem scultura portafiori e portacandela, con elementi in legno e ceramica ad incastro e componibili a piacere, provvisti di provette di vetro per fiori freschi. Smalto della cerami...

iTotem scultura portacandele e portafiori, con elementi in ceramica e sfera di legno ad incastro e componibili a piacere, provvisti di provette di vetro per fiori freschi. Smalto del...

French ceramic duck flower vase (1994) by Albert Thiry. A creamy-white glaze contrasts with a delicate green which progresses in intensity on the piece's ...