Sèvres Porcelain Garniture, Mounted in Gilt Bronze by Picard

Henri Picard was a 19th-century gilder who is said to have graced Paris with his stunning furniture and decor from 1831 to 1864. His bronze pieces included exquisitely detailed candelabras, ornate clocks and sculptural table lamps.

Each item cast and gilded by the talented Picard represented the marriage of function and beauty and is a notable example of Napoleon III-style design. Developing from 1852–70, Napoleon III furniture was plush and ornate, matching the fashion for masked balls and socializing in salons.

Picard was particularly known for his artistry — his body of work includes expertly cast gilt bronze (ormolu) mounts for a range of porcelain vessels produced by Sèvres, a maker of exemplary European ceramics for hundreds of years. Picard collaborated with many designers of his day and worked for a firm called Defreville. And while Picard received numerous commissions, his most notable was designing decorative objects for Napoleon III. The pieces are still displayed at the Napoleon III Apartments in the Louvre Museum, Paris.

Picard also designed mantel clocks for the prestigious French clock-making company Raingo Frères. The manufacturer’s clocks are also on display in the Napoleon III Apartments.

On 1stDibs, find antique Henri Picard decorative objects, lighting, case pieces and more.

A maker of exemplary European ceramics for hundreds of years, Manufacture Nationale de Sèvres has produced porcelain of the highest quality since 1740.

The factory enjoyed royal patronage from its earliest days, and its most prominent patrons in the late 1700s — King Louis XV of France and his mistress, Madame de Pompadour — commissioned some of the period’s most elegant and striking pieces (only the truly wealthy could afford porcelain at this time). The company was originally established in Vincennes but was moved at the request of Madame de Pompadour, in 1756, to Sèvres, near Versailles, so that its operations would be closer to her château.

Sèvres became a mighty and much-revered factory working under a special grant from King Louis XV — the company’s owner as of 1759 and whose abundance of orders for special state gifts put financial strain on the company. Madame de Pompadour is said to have commissioned Sèvres to create an entire indoor garden of porcelain botanicals, for example.

While Sèvres gained a sterling reputation for its soft-paste porcelain wares, the company was late in entering into the production of hard-paste porcelain.

Hard-paste porcelain is the most common type of Chinese porcelain, then a widely exported and profitable product that was not made in Europe until the 18th century. The resources at Sèvres were largely relegated to meeting the demands of Louis XV, and secondly, it did not acquire the secret formula for hard-paste porcelain until 1761.

Until it obtained the coveted secrets behind hard-paste porcelain from a chemist named Pierre-Antoine Hannong — and, years later, gained access to the elusive raw materials to make hard-paste porcelain — Sèvres produced soft-paste porcelain for decades that was widely celebrated but is comparatively a far weaker type as opposed to the hard-paste productions of the company’s rival, Meissen, in Saxony, the first to produce true porcelain outside of Asia.

The artisans at Sèvres applied the rarest and most difficult-to-produce colors to their decorative objects and dinner services. One such color, the bright bleu de roi, became the manufacturer’s signature shade and is found on many of their objects. Sèvres also experimented with rarely glazed or unglazed works that bore no decoration at all — bisque porcelain, French for “biscuit,” refers to unadorned white porcelain sculptures made at Sèvres that resemble white marble after being kiln-fired.

Sèvres marks were applied over the glaze or rendered with cuts by a sharp tool — authentic Sèvres porcelain is most commonly marked with two interlaced Ls that are painted in blue and enclose a third letter. Painters and potters were tasked with affixing marks to record their role in the creation of a particular piece, and as a lot of these artisans’ names are recorded in archival factory materials — and there is also much to be learned at the Sèvres museum — it’s likely that you can accurately identify your Sèvres piece.

Find antique and vintage Manufacture Nationale de Sèvres vases, urns, sculptures and more on 1stDibs.