Organic White Ceramic Kawa Vase #16, Leather-Cast Porcelain Flower Vessel

A large porcelain vessel with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. A multitude of small leather panels are sewn together to create the leather mold for the Kawa Series...

Tactile and organic porcelain vase with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Use individual...

Kawa Series Large Vessel 05 Oversized white ceramic vessel with textured porcelain exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, a...

Kawa Vase 20 Tall white ceramic vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Vases...

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in r...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

A group of seven organic ball shaped Studio Pottery vases in natural colours, were produced in the 1960s. The individual appearance is unique in their shape, glaze and texture resemb...

Outstanding bronze vase/vessel sculpture by listed artist Carol Alleman, circa 2001. Low production of only 75 made and this is number 9. Signed on the l...