Tall Crumpled Form No 118, white ceramic vessel by Nicholas Arroyave-Portela

'Tall White Dehydrated Form No 69’ is a unique sculptural vessel by the British artist, Nicholas Arroyave-Portela. Nicholas Arroyave-Portela’s professional ceramic practice began in 1994. After 20 years based in London, he moved and set up his studio in Barcelona, Spain. Arroyave-Portela's creations are all thrown on the wheel using his own unique technique. Pulling up as much clay from the bottom mass as possible, the clay walls of each piece are created thin and even, maximising the artist’s ability to manipulate the form while the material is still soft and malleable. Additional porcelain slips are sometimes applied to create further surface textures and layering. After the first initial bisque firing (1080 degrees) glazes are applied by using various methods such as spraying and pouring, a process often repeated several times after each firing of 1260 degrees. The multi-firing process allows for the build-up of the glaze, creating a rich palette of tones and finishes. Arroyave-Portela's works can be found in various major museums and private collections worldwide including the Ashmolean Museum (Oxford UK...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Kawa Vase 20 Tall white ceramic vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Vases...

Kawa Vase 21 Organic white ceramic vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Va...