Tapio Wirkkala Paper Bag Vase

Who is ready for a mid-century modern tea party? This vintage set designed by Paul McCobb for Jackson China Ceramic Sugar Bowl, Milk Pitcher, and Bowl in rare vivid blue will make yo...

This striking octagonal enamel plate by Annamarie Davidson exemplifies the bold innovation and craftsmanship of mid-century modern design. Radiating with dynamic energy, the plate features a mesmerizing composition of raised circular forms in vibrant blues, soft lavenders, lemon yellows, and aquas. These biomorphic shapes pulse from the center outward, dramatically set against a richly textured field of radiating copper-brown lines over a vivid electric blue enamel ground. The plate’s dimensionality and meticulous surface treatment create a luminous, almost cosmic effect—an exceptional example of Davidson’s signature style. Annamarie Davidson was a pivotal figure in the American studio enamel movement during the mid-20th century. Working primarily in the 1950s and 60s, Davidson was part of a wave of California-based artists who elevated enameling from a craft tradition to a fine art form. Her work is celebrated for its rich color palettes, playful abstraction, and masterful command of vitreous enamel on copper. Each piece is not only a testament to her technical skill but also to her ability to harmonize modernist aesthetics with expressive, organic forms. As mid-century modern design sought to integrate art into everyday life, Davidson's enamelware—functional yet visually arresting—embodied that ethos perfectly. This plate is more than decorative; it is a radiant artifact from a revolutionary design era, and a fine addition to any collection of mid-century art, ceramics, or design. Add a rare and radiant piece of Mid-Century Modern art to your collection with this vintage enamel plate...

This exceptional and rare set of Scandinavian Modern iconic dining room chairs includes eight Model #78 side chairs and two Model #62 armchairs, all crafted from striking tiger maple...

Bill Curry Style Floor Lamp in a chrome finish with white frosted mushroom shade. The Stemlite (1962) was the first ‘total look’ lamp, a pioneering new typology conceived by American...