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Vase Ball French Ceramist J. Suzor geometric pattern, Craqueling Glaze
$1,800.83
£1,318.57
€1,500
CA$2,445.26
A$2,741.11
CHF 1,429.43
MX$33,599.37
NOK 18,113.27
SEK 17,220.85
DKK 11,415.78
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About the Item
Jacqueline SUZOR de PANAFIEU (1903 – 1981)
Longwy vase numeroted signed J. Suzor, circa 1970 geometric pattern, in Art Deco's style, cracked ceramic, creation Desert Occidental, collection "Rouge-Gorge" "Hand made in France, Faiencerie des Recollets". White craqueling glazed, very beautiful pattern and bright colors colors. Superbe vintage condition, no repairs.
Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter.
From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction.
Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president.
MAIN EXHIBITIONS :
1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP).
1961 - Salon Comparaisons.
1962 - Gallery Hoche, Paris.
1970 - Town hall of Montrouge. M.J.C., Montreuil.
Athanor Gallery, Pana Interior Museum, le Véşinet (EP).
1972 - Salon of the Union of Women Painters and Sculptors (UFPS), Musée du Luxembourg, Paris.
Vallombreuse Gallery, Biarritz (EP).
1973 - Salon of the UFPS, Musée du Luxembourg, Paris.
Grand prix des arts décoratifs. Salon d'Automne, Grand Palais, Paris.
Salon des Artistes Français (H. HérauIt group).
Salon de la Société Nationale des Beaux-arts (member), Grand Palais, Paris. Salon de l'imaginaire, ViIIeneuve-la-Garenne (EG).
Raspail Gallery, Amicale des Amateurs d'Art, Paris. Prize for excellence in drawing.
Crozier Gallery, International Contemporary Art Exhibition, Lyon.
Azuréenne Gallery, U.A.F.E. (Franco-European Artistic Union). Graphic Arts Prize.
1974 - UFPS Exhibition, Musée du Luxembourg, Paris.
VI ème Biennale du noir et Blanc, La Garenne- Colombe, member. Amicale des Amateurs d'art, Paris.
2nd Salon de I'Imaginaire, Villeneuve-la-Garenne.
2nd Salon of works on paper, Villeneuve-la-Garenne.
Crozier Gallery, International Contemporary Art Exhibition, Lyon. Gold medal.
1975 - Salon of the UFPS, Musée du Luxembourg, Paris.
Salon d'Automne, Grand Palais, Paris.
Salon de la Société Nationale des Beaux-arts, Grand Palais, Paris (then in Nice).
Salon des Artistes Indépendants, Grand Palais, Paris.
UNESCO, Féminie 75, dialogue group, Paris.
Blaise Saint-Maurice Gallery, Amicale des Amateurs d'Art, Paris.
IIIrd SaIon de l'Imaginaire, Villeneuve-la-Garenne.
Exhibition May, La Défense.
Exhibition, Bourges.
Exhibition at Saint Germain des prés, Paris. Belgian humanitarian prize.
1976 - Salon of the UFPS, Musée du Luxembourg, Paris.
Salon Sacré, Musée du Luxembourg, Paris.
IVth Salon de l'Imaginaire, Villeneuve-la-Garenne, works by J.S. Pana-Fieu in pivot.
Exhibition of abs-tractionnistibus, Centre français d'art et d'artisanat, Paris.
Exhibition, Anthony. Leonardo da Vinci Gallery, Paris.
Exhibition, Kuwait.
1977 - Salon de l'UFPS, Musée du Luxembourg, Paris.
Salon Sacré, Musée du Luxembourg, Paris.
Salon d'Automne, Grand Palais, Paris.
Salon de la Société Nationale des Beaux-arts, Grand Palais, Paris (then in Clermont-Ferrand).
Wagner Festival, Bayreuth City Hall, Germany. Salon d'Art Sacré, Musée du Luxembourg, Paris. Adac exhibition, Hôtel Méridien, Paris.
Expositign Images de lmaginaire, Paris.
Galerie Râ, Paris.
1978 - Salon de l'UFPS, Musée du Luxembourg, Paris. Salon d'Automne, Grand-Palais, Paris.
Salon, Tours.
Gallery Râ, Paris.
Salon of Sacred Art, Musée du Luxembourg, Paris.
1979 - Salon of the UFPS, Musée du Luxembourg, Paris.
Salon d'Automne, Grand-Palais, Paris.
Salon de la Société NationaIe des Beaux-arts, Grand Palais, Paris. Galerie de l'Hôtel Astra, Paris (EP).
1980 - Salon of the UFPS, Musée du Luxembourg, Paris. Salon des Artistes Français, Grand Palais, Paris. Salon d'Art Sacré, Musée du Luxembourg, Paris. Gallery of the Hotel Astra, Paris.
1981 - Grand Salon of the French Association,
Bilan de l'Art Contemporain, Quebec, Canada.
- Dimensions:Height: 2.96 in (7.5 cm)Diameter: 3.55 in (9 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970
- Condition:
- Seller Location:Paris, FR
- Reference Number:Seller: 778-LP1-VMillon1stDibs: LU4817215398612
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View AllVase Ball French Ceramist J. Suzor Geometric Pattern, Craqueling Glazelongwy
Located in Paris, France
Jacqueline SUZOR de PANAFIEU (1903 – 1981)
Numbered vase signed J. Suzor, circa 1970 geometric pattern, in Art Deco's style, cracked ceramic, creation Desert Occidental, collection "Rouge-Gorge" "Hand made in France, Faiencerie des Recollets". White craqueling glazed, very beautiful pattern and bright colors. Superb vintage condition, no repairs.
Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter.
From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction.
Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president.
MAIN EXHIBITIONS :
1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP).
1961 - Salon Comparaisons.
1962 - Gallery Hoche, Paris.
1970 - Town hall of Montrouge. M.J.C., Montreuil.
Athanor Gallery, Pana Interior Museum, le Véşinet...
Category
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Numbered Large vase signed J. Suzor, circa 1970 geometric pattern, cracked ceramic, creation Desert Occidental, collection "Santal" "Handmade in France, Faiencerie des Recollets". White-grey craqueling glazed, very beautiful pattern . Superb vintage condition, no repairs.
Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter.
From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction.
Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president.
MAIN EXHIBITIONS :
1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP).
1961 - Salon Comparaisons.
1962 - Gallery Hoche, Paris.
1970 - Town hall of Montrouge. M.J.C., Montreuil.
Athanor Gallery, Pana Interior Museum, le Véşinet...
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