Vessel Vase Vintage Orange Grey Contemporary

Beautiful translucent figuring Cylindrical tapering form with rope border Egypt Provenance Drue Heink Collection sold christies lot 166, C jork/ corr Measures: diameter 15cm.,...

Alan Wallwork (1931-): Organic landscape sculptural vessel, 1960-1965 Exhibiting the articulated, inventive, organic qualities & tactility of Wallwork’s early oeuvre for which he is best known - This sculptural landscape vessel has been handmade by coiling, slabbing and shaping the clay. The totemic form and pitted and pierced surfaces draw on the abstract landscape and tactility of elements in nature. matte glazes and oxides have been skillfully used to enhance the rich textures of the surfaces and the organic aesthetic. - Wallwork is one of the great individualists in British pottery, developing an archetypal language that echoed some of the wider artistic obsessions of that period, what the art critic Herbert Read called the “postwar ferment” of sculptural activity. - This piece was made during 1960-1965, the time that Wallwork was sharing a studio in Greenwich with Bernard Rooke and comes from a private collection along with a waterscape vase by Rooke and a bottle by Robert Fournier...

Lusia Robinson: Infinity Vase This vase is characteristic of Robinson’s work emphasizing materiality within form integrating indigenous materials with modern technology and applicat...

A Cobridge stoneware vase, decorated with a repeat pattern of sea horses and foliage. Rare trial piece dated 8.8.2000, Cobridge impressed stamp on the underside which is marked trial with the initials PAS & ML and the date 8.8.2000. Measures: Height 29.5cm Diameter max 13cm Diameter (base of vase) 10.3cm A Cobridge stoneware cylindrical Cathedral pattern vase, designed by Samantha Johnson, copyright 2000 Cobridge Stoneware was a short-lived pottery company born out of the fascination of the head of one of the leading potteries for a process that died with its inventor early in the twentieth century. Cobridge Stoneware was in business 1998–2005. It was an Associate company of Moorcroft Pottery. The consequence of the business closing in down 2005. Is that the vases are now becoming very rare and demanding premium prices on the secondary market. Hugh Edwards, owner of Moorcroft, was keen to develop the ideas of William Howson Taylor, the man behind the closely guarded secrets of Ruskin Pottery. A new company and name was needed for the new range, Moorcroft is known and recognized universally by its distinctive appearance. Cobridge, an area of The Potteries, was featured in the Industrial Landscapes that were planned to furnish some of the designs for the new range. Its skyline was dominated in earlier years by bottle kilns, now mainly demolished, and Cobridge was chosen as the new name. The Cobridge Pottery was set up in a new imposing building a couple of hundred yards from the Moorcroft pottery and the official opening was in September 1998. The building was designed with future needs in mind. Only the outer walls are load-bearing, and the inner walls are built from blocks which can, if the need arises, be knocked down and re-built in another place. All the pieces were produced and hand painted here. The designs for Cobridge Stoneware Pottery vases were designed by well known ceramic designers. Many were also designing for Moorcroft Pottery. These designers include Philip Gibson, Kerry Goodwin, Nicola Slaney and Angela Davenport. Also Anita Harris...

- Unusual pair of Victorian-style brass boots - Beautifully cast - Shoes are steeped in custom, symbolic meaning and stories; Cinderella, Dorothy. Shoes were offered as gifts on special occasions in the 17th and 18th centuries often exchanged between lovers as a symbol of good luck in marriage. - These boots were either made as ornaments, gifts, or vases Originally, boots and shoes were made one at a time by hand, often by groups of shoemakers, or cobblers (also known as cordwainers). In the 18th century, dozens or even hundreds of masters, journeymen and apprentices (both men and women) would work together in a shop, dividing up the work into individual tasks. A customer could come into a shop, be individually measured, and return to pick up their new shoes in as little as a day. Everyone needed shoes, and the median price for a pair was about one day’s wages for an average journeyman. The shoemaking trade flourished in the 18th and early 19th centuries but began to be affected by industrialization in the later 19th century. Traditional handicraft shoemaking has now been largely superseded in volume of shoes produced by Industrial mass production of footwear, but not necessarily in quality, attention to detail, or craftsmanship. Today, most shoes are made on a volume basis, rather than a craft basis. A pair of "bespoke...

Christoph Zange : Black Raku, ceremonal tea bowl & cover or storage vessel Raku tea bowls are made by moulding pinching, sculpting by hand; glazing b...

Willem van Hooff Vase model "Tamu" From the series "Core Vessels" Manufactured by Willem van Hooff Holland, 2021 Earthenware, glazed Measurements: 23 cm width x 29 cm heig...

Contemporary Chinese handmade pin dotted vase. Dark olive with orange dots all applied using a fine quill paint brush.

Smurf vase is a decorative piece made with hundreds of iconic figures from the past. It is part of the ‘Cherished’ collection, Diederik Schneemann’s latest project revolving around t...

Orange stone and glass vase, contemporary design. Cochleae vases collection is inspired by the life cycle of the snails and captures their growth when the invertebrate's body (repres...

A contemporary vase made with small resin stones is a decorative piece of art. The surface of the vase is adorned with a mosaic pattern created by cubic stones that have been careful...

This graphic bullseye diamond pattern of this Italian Murano vase and or glass object stands alone as a great piece of glass. The white case glass is ...