Danish Barware

Mid-Century Modern, sterling silver set of six (6) cordial glasses, Baldwin and Miller Co., Indianapolis, Indiana, circa 1950s. Each glass measures a little under 3 inches high x 1 1...

An exceptional, fine and impressive antique George V English sterling silver bottle coaster; an addition to our ornamental silverware collection. This exceptional antique George V sterling silver bottle coaster has a plain cylindrical form to a domed spreading base. The body of the coaster is embellished with two broad shaped bands of pierced decoration, in addition to an applied moulded border to the undulating upper rim. This solid silver bottle coaster is fitted with two handles ornamented with bead ornamentation incorporating a floral motif to the center of each hand piece. Note: The majority of such bottle coasters have a wooden base; it is a sign of quality when coasters have unlined, solid silver bases. Condition This antique silver bottle...

Original vintage silver plated Los Castillo Big Size Bottle Opener by famed Mexican silver artist Emilia Castillo. Unique hinged construction allow the fish t...

This is a good cut-glass or crystal decanter or wine carafe, hand blown with a waisted shape and dimple moulded decoration with its original mushroom stopper, made of heavy lead glass, and dating to Edwardian England, circa 1900. This hand blown decanter is heavy and made of clear lead glass...

This pair of antique silver plated bottle coasters was made by the well known Barker-Ellis Silver Co. of England in approximately 1920 in an Edwa...

This pair of crystal decanters date from circa 1900 from the Art Nouveau period, and have their origins from Europe, and most likely Austria....

Organically shaped pumpkin decanter in crystal. It is set with a bottle neck in 830/1000 silver designed and made by Carl F. Christensen in Copenhagen Denm...

Carlo Moretti Albali contemporary mouth blown Murano clear glass decanter, signed and dated. ...

A stunning crystal wine decanter with stopper from the renowned house of Baccarat, part of the exquisite 'Rohan' collection. Decorated in a wide band across its wide bowl with a recu...

Vintage circular silver plate galleried serving tray with handles and four square legs. The tray surface made of Formica with wood grain surface and provided to Crescent Silver for u...

Danish of Jacob E. Bang Kluk Kluk decanter, 1960s Pair of Jacob E. Bang kluk kluk decanters from the 1960s. The Danish architect designed mouth-blown decanter made glass for the gla...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...