Pearlware Beige Shell Dish with Bird Attributed to Wedgwood, Regency, circa 1820

This is a superb coffee pot made in England between 1800 and 1825. The pot is made of pearlware and has a very charming blue transfer printed pattern of fallow deer in a snowy landscape with farm buildings. This transfer print looks like an early 19thC print; as we couldn't identify the maker it was impossible to date it exactly. A charming detail is that the rim of the cover and the footrim, which are printed with a row of houses, both are printed up side down; this was probably done by children, who often did the smaller transfer prints because their little fingers could handle the thin strips of paper better than adults. The coffeepot is unmarked. There is an old shop label on the underside stating it is "English, probably Spode" - however, although this pot is certainly English, it is certainly not Spode. CONDITION REPORT The coffee pot is in good antique and usable condition without any damage to the pot or the spout; there are just some chips off the lower rim of the cover, which are not visible when in position and are inconsequential for using the pot. As is normal for antique pearlware...

This is a spectacular pair of oval dishes made by Coalport between 1815 and 1820. The dishes bear the famous and very wonderful bird pattern with the number 759. Panels with stunning hand painted birds and flowers are set in a cobalt blue background with rich gilt decoration. We also have two plates available in this pattern; please see separate listings. This pattern is very desired and doesn't come to the market often, so this is a rare opportunity. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. The stunning thing about pattern 759 is that each bird is different, as well as each flower formation. All birds and flowers are painted carefully in their own colours; they are all different species. Each bird is an individual with its own expression; in fact I once had a large dinner service...

This is a gorgeous dessert serving dish, or "shell dish", made by Spode in about 1810, which was the Regency era. The dish has a beautiful Neoclassical pattern of gilt details on an ...

This is a stunning and extremely rare kidney shaped serving dish made by Derby between about 1813 and 1815. The dish is painted with bright red and blue flowers by William Quaker Peg...

Wedgwood pearlware pottery fox hunting jug, circa 1810. This ovoid jug has a cylindrical neck, a projecting lip, and a ribbed ear-shaped loop handle. Bat...

An ink well, mode according to Wedgwood's patent, which stopped the ink from evaporating. Made in black basalt, with a form of decoration known as 'Chinese Flowers...

A particularly fine example of a cup and saucer in the neoclassical style, simply decorated with a red line and a '"Leaf & Berry" motif. The "leaf and berry" motif is a design element that is often found in neoclassical architecture and decorative arts. It features stylized leaves and berries arranged in a symmetrical pattern. This motif is commonly found on friezes, cornices, and other architectural elements, as well as on furniture, ceramics, and other decorative objects. It is associated with the neoclassical period, which began in the late 18th century and was characterized by a renewed interest in the classical art and architecture of ancient Greece and Rome...

A broad, flat potpourri in cobalt jasper dip, with a tall pierced cover.