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North American Centerpieces

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Place of Origin: North American
Waypoint Centerpiece, Antique Brass, by Force/Collide
By Force/Collide
Located in Seattle, WA
The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...
Category

21st Century and Contemporary Futurist North American Centerpieces

Materials

Metal, Brass, Steel, Sheet Metal

Wood-Fired Ceramic Vase by Paul Chaleff
By Paul Chaleff
Located in Atlanta, GA
A stoneware vase by Paul Chaleff (1947-) made in 1984. Chaleff is known for his wood fired ceramic vessel without glaze or sometimes natural ash glaze. The vase on offer is of a highly geometrical form with handcut multifaceted lower body that rises and morphs into a rounded upper body with two hand-molded ears above the shoulder. The surface shows nice firing color variations due to the iron oxidation in the kiln and also carved lines left intentionally by the artist. It is marked with the artist's incised signature and date 84. This piece has a very strong Japanese wabi-sabi appeal which is the aesthetic influence of the artist's work and makes a visually arresting center piece for any interior. "Paul Chaleff is known for his large-scale wood fired ceramic sculptures and vessels. He also created a large body of wheel thrown functional vessels. His vessels are strongly influenced by Japanese pottery, especially the work of one of Japan’s National Living Treasures, Takeshi Nakazato. Chaleff was one of the first American potters using a Japanese style Anagama kiln and became a leader in the introduction of this form of wood-burning kiln. In 1989, he began a regular collaboration with the British sculptor Sir Anthony Caro. Over a period of thirteen years, they created nearly 50 works, both figurative and abstract. Caro’s sculpture has had direct influence on Chaleff’s work as has the sculpture of Isamu Noguchi, and the ceramics of John Mason...
Category

1980s Modern Vintage North American Centerpieces

Materials

Ceramic

Trio of Asian Costumed Women Sculptures by Lee Menichetti
Located in Stamford, CT
Lee Menichetti, (1931 - 1997) New York & Palm Beach, well known mid-century artist known for his theatre related art.These sculptures are made of hand b...
Category

1970s Vintage North American Centerpieces

Materials

Brass

Antique "Roger Bros" Silver Floral Epergne Centerpiece & Candleholder Circa 1870
Located in New Orleans, LA
Antique American "Roger Bros." silver-plated floral epergne centerpiece & candelabra, circa 1870.
Category

Late 19th Century Antique North American Centerpieces

Materials

Silver Plate

Reed and Barton Sterling Handwork Wine Cooler/Centerpiece
By Reed & Barton
Located in Water Mill, NY
Reed and Barton 1920s sterling handwork wine cooler/ centrepiece with silver plate liner. Silver weight: 40 troy ounces....excellent condition...liner good  
Category

1920s Vintage North American Centerpieces

Materials

Sterling Silver

Victorian Figural Silver Plated Centerpiece
Located in Montreal, QC
This exuberant centerpiece is a playful addition to your dinner table. The central trilobed dish is hand-engraved with flowers and supported by three frolicing cherubs. The elaborate...
Category

Late 19th Century Victorian Antique North American Centerpieces

Materials

Silver Plate

Tiffany Japonesque Mixed Metal Beetle & Butterfly Centerpiece Bowl
By Tiffany & Co.
Located in New York, NY
Japonesque mixed metal sterling silver centerpiece bowl. Made by Tiffany & Co. in New York, ca 1879. Round and curved on domed foot; applied plain and wavy mouth rim. Engraved tendri...
Category

Late 19th Century Japonisme Antique North American Centerpieces

Materials

Metal, Sterling Silver

New York Classical Centerpiece Compote by John Wendt for Ball, Black
By John Wendt, Ball, Black & Company
Located in New York, NY
Classical sterling silver compote. Made by John Wendt for Ball, Black in New York, ca 1870. Round and curved bowl mounted to open support comprising three leafing oak shoots with acorns inset with cast figure of standing boy holding a ball in each hand with one arm raised. Domed foot. Reeding and beading. A fashionable centerpiece evocative of youth and growth. The figure suggests the influence of the Dancing Faun, the ancient statue...
Category

Late 19th Century American Classical Antique North American Centerpieces

Materials

Sterling Silver

Hawkes Candlesticks and Bowl
By Steuben Hawkes
Located in Brooklyn, NY
For those that seek-out the rare and unusual, this is for you: lovely crystal candlesticks with a sterling silver base and a matching bowl. This three-piece suite in mint condition i...
Category

1910s Vintage North American Centerpieces

Materials

Sterling Silver

Hawkes Candlesticks and Bowl
Hawkes Candlesticks and Bowl
$1,480 Sale Price / set
20% Off
Wood-Fired Ceramic Jar Paul Chaleff
By Paul Chaleff
Located in Atlanta, GA
A large stoneware jar by Paul Chaleff (1947-) made in 1987 and was purchased directly from the artist's studio in New York. Wood fired ceramic vessel with h...
Category

1980s Modern Vintage North American Centerpieces

Materials

Ceramic

Reliquia by Ehécatl Moreno
Located in Geneve, CH
Reliquia by Ehécatl Moreno Handmade Dimensions: D 45 x W 45 x H 12 cm. Materials: Glass, steel. A glass platter modeled from thermoforming, it is a masterpiece of transparency and l...
Category

2010s Post-Modern North American Centerpieces

Materials

Steel

60s French Monumental Clay Painted Vase
Located in Pasadena, CA
60s French Monumental Clay Painted Vase. Bamboo is removable for shipping. Twirl Design. vase measures 20diameter x 47.5 high longest bamboo sticks measure ...
Category

1960s Adirondack Vintage North American Centerpieces

Materials

Bronze

Usa Modern Centerpiece Bowl Mod. 8531 by Angelo Mangiarotti for Knoll, 1970s
By Angelo Mangiarotti, Knoll
Located in MIlano, IT
Usa modern Centerpiece bowl mod. 8531 by Angelo Mangiarotti for Knoll, 1970s. Centerpiece bowl mod. 8531 in the shape of a cup with a round base, in gray marble. Produced by Knoll ...
Category

1970s Modern Vintage North American Centerpieces

Materials

Marble

Copalera No. 5 Incense Burner by Acoocooro
Located in Geneve, CH
Copalera No. 4 Incense Burner by Acoocooro Dimensions: Ø 16 x H 9.5 cm. Materials: Crema maya (Yucatán peninsula marble) incense burner and lid. Veining and mineral composition ma...
Category

2010s Modern North American Centerpieces

Materials

Stone

Waypoint Centerpiece, Blackened Steel, by Force/Collide
By Force/Collide
Located in Seattle, WA
The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...
Category

21st Century and Contemporary Futurist North American Centerpieces

Materials

Metal, Brass, Steel, Sheet Metal

Bowl with Matching Candlesticks
Located in Brooklyn, NY
True to the arts-and-crafts school of design is this three-piece hand-wrought suite: bowl and matching candlesticks made of sterling silver and wood.
Category

Early 1900s Arts and Crafts Antique North American Centerpieces

Materials

Sterling Silver

Bowl with Matching Candlesticks
Bowl with Matching Candlesticks
$1,875 Sale Price / set
25% Off
American Silver Plate Tureen with Ladle
By dsignedby 1
Located in Alessandria, Piemonte
Vegetable or soup old tureen with ladle: a good idea for Christmas gift! Made and guaranteed by Meridien B.Company - USA - Ladle by: A.H.&F.H.L.5. ref. O/3564     
Category

1920s American Classical Vintage North American Centerpieces

Materials

Silver Plate

20th Century Brass Galleon Ship by Curtis Freiler & Jerry Fels, 1970s
By Curtis Freiler, Jerry Fels
Located in Royal Tunbridge Wells, Kent
Stunning 20th century brass Galleon ship, this large geometric ship was created by Curtis Freiler & Jerry Fels. The name of the artist and furniture designer Curtis Jeré was, in fact, the shared pseudonym of two individual American artists, Curtis Freiler and Jerry Fels using the signature C.Jeré. A similar model can be seen in Martin Scorcese's The Wolf of Wall Street...
Category

20th Century North American Centerpieces

Materials

Brass

Matthew Solomon, Glazed Stoneware Floral Centerpiece, USA, 2014
By Matthew Solomon
Located in New York, NY
Contemporary glazed stoneware centerpiece by Matthew Solomon. Signed: Solomon '14. Using fine porcelain and glazes he crafted himself, ...
Category

2010s North American Centerpieces

Materials

Stoneware

Vano Model 2 Pink Object by Eter Design
Located in Geneve, CH
Vano Model 2 Pink Object by Eter Design Unique Piece. Dimensions: Ø 25.4 x H 17.8 cm. Materials: Clay. Sustainable - Eco-friendly. Handmade. Each pie...
Category

2010s Post-Modern North American Centerpieces

Materials

Clay

USA Modern Black Marble Ashtray 8532 by Angelo Mangiarotti for Knoll, 1970s
By Angelo Mangiarotti, Knoll
Located in MIlano, IT
United States of America modern Black marble Ashtray mod. 8532 by Angelo Mangiarotti for Knoll, 1970s. Iconic Ashtray mod. 8532 with round base in black marble. The plate has a rise...
Category

1970s Modern Vintage North American Centerpieces

Materials

Marble

Glass Hurricane
Located in Los Angeles, CA
A custom designed and custom made large Hurricane after an original one. Base id cast in bronze with an Antique silver patina finish. The glass is hand cut and wheel carved. Large. T...
Category

Early 2000s American Classical North American Centerpieces

Materials

Glass

Greek Mythology Inspired Grey Marble Chaos Set of 4 by Andres Monnier
Located in Geneve, CH
Chaos set of 4 by Andres Monnier Dimensions: Height: 10 - 20 cm, width: 5 - 8cm Materials: Nero marquina Piece inspired by Khaos, from Greek mythology. The personification of the vo...
Category

2010s Modern North American Centerpieces

Materials

Other

Modernist Two-Tiered Circular Brass and Glass Sculptural Centerpiece Vintage
Located in North Miami, FL
This wonderful sculptural centerpiece serving or display piece for any dining table or buffet is two-tiered. The solid brass pegs or legs attach each piece of glass. Pieces of sculpt...
Category

1980s Modern Vintage North American Centerpieces

Materials

Brass

Vano Model 3 Green Object by Eter Design
Located in Geneve, CH
Vano Model 3 Green Object by Eter Design Unique Piece. Dimensions: Ø 15.2 x H 39.4 cm. Materials: Clay. Sustainable - Eco-friendly. Handmade. Each pie...
Category

2010s Post-Modern North American Centerpieces

Materials

Clay

Arrebol Tibor Diffuser by Studioroca
Located in Geneve, CH
Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...
Category

2010s Post-Modern North American Centerpieces

Materials

Stone

Pair of Brass/Copper Vases
Located in Palm Springs, CA
Pair of brass vases. They appear to be brass with a light copper wash. Measure: They are 9.5" high and 6" wide at top.
Category

1930s Vintage North American Centerpieces

Pair of Brass/Copper Vases
Pair of Brass/Copper Vases
$746 Sale Price / set
25% Off
Signed "Hawkes" Handblown Three-Piece Crystal Centerpiece Set, Sterling Silver
By T. G. Hawkes & Co.
Located in Great Barrington, MA
This is an elegant handblown crystal three-piece centerpiece set made by Hawkes. It features delicate copper-wheel engraved floral decoration, mo...
Category

Early 20th Century North American Centerpieces

Materials

Crystal

25th Anniversary Silver Overlay Glass Dishes
Located in Alessandria, Piemonte
Two American overlay silver glass dishes for "25th Anniversary", the most classic wedding anniversary dishes. They can also be for another anniversary: degree, acquaintance etc. Can ...
Category

1940s American Classical Vintage North American Centerpieces

Materials

Art Glass

Fine Repousse Patinated Metal Bowl
Located in Sheffield, MA
A fine large sise repousse patinated. Metal bowl. 20th century. Together with a group of nut and moss pomander balls. Height 10 in. Diameter 29 in. Provenance: Property from a Pr...
Category

20th Century North American Centerpieces

Canadian Silverplated Epergne
Located in Montreal, QC
Canadian silverplated epergne, the stem modelled as a cherub upholding a trumpet-shaped vase flanked by two scrolling arms supporting detachable bo...
Category

Early 20th Century Victorian North American Centerpieces

Materials

Silver Plate

Round Platinum Ceramic Centerpiece with Platinum by Cristina Salusti
By Cristina Salusti
Located in New York, NY
Beginning with a ball of clay, Cristina Salusti pinches it into vessels and textures them with stone fragments. After multiple firing it is finally lustered with platinum. Its vo...
Category

2010s North American Centerpieces

Materials

Platinum

Marbled Blown Glass Bud Vase
Located in Los Angeles, CA
Round bud vase in marbled glass. The vase features a marbled glass in a rich blue, burgundy and cream swirled effect. Dimensions: 4" diameter x 4" height Condition Excellent...
Category

Late 20th Century Modern North American Centerpieces

Materials

Art Glass, Glass

Contemporary Glass “Vortex" Sculptural Vase by, Kit Karbler & Michael David
By Kit Karbler
Located in Englewood, NJ
A contemporary American Studio art glass layered cut and polished handcrafted “Vortex” sculptural vessel by, Kit Karbler & Michael David of B...
Category

Late 20th Century Modern North American Centerpieces

Materials

Art Glass

International Sterling Silver Centerpiece Dish Mid-Century Modern Jensen Style
By Georg Jensen, International Sterling
Located in New York, NY
Sterling silver centerpiece bowl by International Sterling in Mid-Century Modern Georg Jensen style with exquisite floral and geometric-shaped designs. It measures 11 1/2'' in diameter by 4 1/2'' in height and weighs 30.1 troy ounces. The International Silver Company...
Category

20th Century Mid-Century Modern North American Centerpieces

Materials

Silver, Sterling Silver

Cesare Arduini, White Marble Centerpiece, United States, 2020
By Cesare Arduini
Located in New York, NY
Inscribed: CLF Unique piece. Forced by health reasons to walk away from his forty years of working in a marble facility, Cesare Arduini turned to design to recontextualize his l...
Category

2010s North American Centerpieces

Materials

Granite

Pair of Figural Sculptures in Traditional Austrian Costumes by Lee Menichetti
Located in Stamford, CT
Lee Menichetti, (1931-1997), New York & Palm Beach, well known mid-century artist known for his theatre related art. These sculptures are made of hand b...
Category

1970s Vintage North American Centerpieces

Materials

Brass

Pair of Costumed Turkish Sculptures by Lee Menichetti
Located in Stamford, CT
Lee Menichetti, (1931-1997) New York & Palm Beach, well known mid-century artist known for his theatre related art. These sculptures are made of hand be...
Category

1970s Vintage North American Centerpieces

Materials

Brass

'Echo Chamber' Ceramic Interactive Sculpture by Carlo Lorenzetti, 2019
By Carlo Lorenzetti
Located in Antwerp, BE
‘Echochamber’ by Carlo Lorenzetti, 2019 Turquoise and white milky glazed stoneware A vessel that you sit against and talk into, either by yourself or with another person. The te...
Category

2010s Futurist North American Centerpieces

Materials

Ceramic

Vano Model 2 Blue Object by Eter Design
Located in Geneve, CH
Vano Model 2 Blue Object by Eter Design Unique Piece. Dimensions: Ø 25.4 x H 17.8 cm. Materials: Clay. Sustainable - Eco-friendly. Handmade. Each pi...
Category

2010s Post-Modern North American Centerpieces

Materials

Clay

Vano Model 1 Blue Tray by Eter Design
Located in Geneve, CH
Vano Model 1 Blue Tray by Eter Design Unique Piece. Dimensions: Ø 6.8 x H 33 cm. Materials: Clay. Sustainable - Eco-friendly. Handmade. Each piece may var...
Category

2010s Post-Modern North American Centerpieces

Materials

Clay

Vano Model 1 Pink Tray by Eter Design
Located in Geneve, CH
Vano Model 1 Pink Tray by Eter Design Unique Piece. Dimensions: Ø 6.8 x H 33 cm. Materials: Clay. Sustainable - Eco-friendly. Handmade. Each piece may ...
Category

2010s Post-Modern North American Centerpieces

Materials

Clay

Vano Model 3 Pink Object by Eter Design
Located in Geneve, CH
Vano Model 3 Pink Object by Eter Design Unique Piece. Dimensions: Ø 15.2 x H 39.4 cm. Materials: Clay. Sustainable - Eco-friendly. Handmade. Each piece ...
Category

2010s Post-Modern North American Centerpieces

Materials

Clay

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