Japanese Sake Barrel

A pair of Japanese decorative ceramic plates, made in Arita for export market circa 17-18th century. The cabinet-display dishes feature lotus-petal gilt rim and a lavish tricolor ene...

Yunomi is the taller tea cup, compared to the Chawan ( that has a usage during the tea ceremony ), which has a more formal everyday tea-drinking use. The Japanese design is elegant a...

Yunomi is the taller tea cup, compared to the Chawan ( that has a usage during the tea ceremony ), which has a more formal everyday tea-drinking use. The Japanese design is elegant a...

Yunomi is the taller tea cup, compared to the Chawan ( that has a usage during the tea ceremony ), which has a more formal everyday tea-drinking use. The Japanese design is elegant a...

Japanese Meiji Period Satsuma large square bowl Antique early Meiji Period 15" square with scalloped rim Satsuma bowl. Highly unusual and finely painted. ...

A rare footed dish in the form of an open scroll painting with literati landscape from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu wa...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A large presentation plate with striking pictorial design from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916),...

On offer is a rare Ko-seto (old seto) stoneware ewer from Kamakura period (12-14th century) Japan. The exceptionally heavily potted ewer is made of stoneware. The main body was likely hand-coiled with individually built handle, sprout and wheel-made neck and mouth assembled. It takes the basic form from the contemporary Chinese ewer...

A Japanese Kutsu-gata (clog-shaped) chawan (tea bowl) circa 19th century possibly older. The stoneware bowl potted from buff clay has a slight irregular shape and an unusual depth for a tea bowl. Of Mino ware...