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Japanese Ceramics

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Period: Early 1900s
Place of Origin: Japanese
Rare Japanese Porcelain Painted Footed Dish Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A rare footed dish in the form of an open scroll painting with literati landscape from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu wa...
Category

Early 1900s Meiji Antique Japanese Ceramics

Materials

Porcelain

Imari Charger, C. 1900
Located in High Point, NC
Circa 1900 Japanese hand painted Imari charger. The charger is hand painted in an array of spectacular colors and has a central lozenge with a potted pla...
Category

Early 1900s Antique Japanese Ceramics

Materials

Ceramic

Imari Charger, Circa 1900
Located in High Point, NC
Circa 1900 Imari charger from Japan with a central medallion, containing a hand painted picture of a potted plant, surrounded by three larger medallions ...
Category

Early 1900s Antique Japanese Ceramics

Materials

Ceramic

Japanese Ceramic Centerpiece Bowl Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...
Category

Early 1900s Japonisme Antique Japanese Ceramics

Materials

Ceramic

Small Satsuma Earthenware Bowl
Located in Lymington, Hampshire
A small Satsuma earthenware bowl, painted in overglaze enamels and gilt with three fans. Japanese, circa 1900. Measures: Height 2 inches Diamete...
Category

Early 1900s Antique Japanese Ceramics

Materials

Ceramic

Small Satsuma Earthenware Tea Bowl
Located in Lymington, Hampshire
A small Satsuma earthenware tea bowl, the speckled greyish body decorated with four panels of alternating bijinand flowers, painted in overglaze en...
Category

Early 1900s Antique Japanese Ceramics

Materials

Ceramic

Japanese Imari Charger, circa 1900
Located in Lincoln, GB
Japanese Imari charger plate, circa 1900 Measure: D 30cm Imari porcelain is the name for Japanese porcelain wares made in the town o...
Category

Early 1900s Antique Japanese Ceramics

Materials

Porcelain

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19th century Japanese Imari Petite Charger
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Category

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Chinese Stoneware Bowl or Dish Longquan Celadon Incised, Yuan Dynasty 1271-1368
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Japanese Meiji Period Satsuma Bowl Signed Suizan
Located in Newark, England
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Category

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Materials

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Japanese Meiji Period Satsuma Bowl Signed Suizan
Japanese Meiji Period Satsuma Bowl Signed Suizan
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H 2.56 in Dm 7.48 in
Meiji Period Large Japanese Imari Bowl Centerpiece
By Imari Porcelain
Located in Vero Beach, FL
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A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...
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