Pablo Picasso 'Man's Face', Dish of White Earthenware by Madoura Factory, 1955

Gunnar Nylund, Stoneware vase /pitcher Rörstrand, Sweden, circa 1950 Description A stoneware vase/pitcher, finished with a beautiful white “eggshell” glaze. This object was designe...

Gunnar Nylund, Stoneware Sculpture of an Antilope, Rörstrand, Sweden, circa 1955 Description A large stoneware sculpture of an Antilope, finished in matte reddish brown and dark brown glazes on a satin-gloss black lacquered wooden base, made in a limited edition of 200 pieces. Gunnar Nyland was particular known for his animal figures with beautiful experimental glazes. The larger examples of exotic animals - like this antilope - are especially sought after. This sculpture was designed by Gunnar Nylund and executed by the Swedish ceramics factory Rörstrand in the 1950's. It is fully signed underneath: R (Rörstrand) Sweden with 3 crowns (after 1951 Rörstrand changed to the international spelling Sweden), GN (Gunnar Nylund) and 83/200. As it lacks the post 1960 VDN markings, this piece can be dated between 1951 and 1960. Artist Gunnar Nylund (1904-1997) was a Swedish artist, ceramist and sculptor most known for his work for the Swedish ceramic manufacturer Rörstrand. He was born in Paris to a Danish mother...

Gunnar Nylund, Stoneware vase /pitcher Rörstrand, Sweden, circa 1950 Description A stoneware vase / pitcher, model AUD, finished in a beautiful white “eggshell” glaze. This object ...

Gunvor Olin-Grönqvist – A unique stoneware sculpture of a snail shell on a glazed base – Arabia Finland ca. 1980 Description A unique unglazed incised stoneware sculpture of a spiral shell or snail shell on a glazed base. Sculpted by Gunvor Olin-Grönqvist for Arabia’s Art...

Gunvor Olin-Grönqvist – A stoneware sculpture of a garlic bulb – Arabia Finland ca. 1980 Description An unglazed, incised and painted stoneware figurine of a garlic bulb. Modelled ...

Louis Nallard, “Interior”, circa 1955 – Tempera on cardboard, professionally framed Original artwork by French painter Louis Nallard. In this abstracted Interior the artist blends grey and earthtones with strokes of vibrant blues, orange and green. Signed by the artist, right bottom corner. About the artist Louis Nallard (Algiers 1918 – Paris 2016) was a French non-figurative painter of the Nouvelle École de Paris. Born on June 17, 1918, in Algiers, French Algeria, had a life intertwined with art and creativity. Despite facing early hardships with the loss of his mother to the Spanish flu, Nallard found solace in his ancestral landscapes. Every summer, he returned to the Dombes region, his father’s birthplace, which became a wellspring of inspiration for his artistic endeavors. At the tender age of sixteen, in 1934, Nallard unveiled his debut exhibition featuring portraits and landscapes, showcasing his skills in watercolors and gouaches. The exhibition took place at the gallery owned by Thomas Rouault, the nephew of the renowned painter. In 1941, Nallard enrolled at the Beaux-arts in Algiers, where he encountered fellow artists such as Marcel Fiorini and Robert Lavergne. Lavergne later became his introducer at the prestigious Galerie Jeanne Bucher. During this time, Nallard also met Maria Manton...

Pablo Picasso tile 'Little bearded Face' created in 1968 December, 1969 January, red earthenware clay, square sized 17 cm x 17 cm. printed and numbe...

The engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). Several pieces in this new, classical style were purchased by Gertrude Stein (the art patron and writer) and her brother, Leo Stein. With his groundbreaking 1907 painting Les Demoiselles d’Avignon...

Pablo PICASSO (1881-1973) Quatre danseurs, 1956. Plaque murale convexe. Épreuve originale en faïence blanche à décor fond noir, tirée à 450 exemplaires Cachet "Empreinte Originale de...

Black face service plate, glazed white earthenware, painted in colors; white, orange, and deep greys. Made in 1948, from an edition of 100, inscribed 'EDITION PICASSO' and 'B', with ...

Pablo Picasso Taureau 1957. 22 janvier Plat rond tourné D. 38 cm R.A terre de faience rouge, décor à l'engobe, gravé au couteau, couverte partielle au pinceau Noir Tiré à 250 exemp...

Pablo Picasso Tormented face. Ceramic plate 1956. Large unglazed light earthenware charger with raised design from the “Tormented Face” series . Produced by Madoura in 1956. Numbered...