Glazed Ceramics

Berndt Friberg, Large stoneware bowl with geometric patterns in yellow haresfur glaze, Gustavsberg , Sweden 1967 Impressed "Friberg" "G (hand) " Incised "I" This is a large bowl pai...

Fat lava vase, vintage Scheurich W-Germany 239-41, dates from 1968, with a satin gloss glaze in 'tango' orange. With impressed number on base. 239-41, W-Germany. High relief trai...

A 19th century earthenware confit pot from the Southwest of France with traditional yellow glaze. Chips, cracks and losses to glaze. Large hole in bottom. These ordinary earthenware ...

A 19th century earthenware confit pot from the Southwest of France with traditional yellow glaze. Chips, cracks and losses to glaze. These ordinary earthenware vessels were once used...

A delightful novelty pair of Art Deco style ceramic cruets modelled as racing cars made by in Staffordshire by Regina Industries and dating from around 1970. The cruets are based on the art deco designs by James Sadler...

Berndt Friberg, Stoneware Vase with red brown haresfur glaze, Gustavsberg, Sweden 1963 Impressed "Friberg" "G (hand) " Incised "d" The entire vessel is covered with a pale ochre g...

Vase model “Dura” Manufactured by Willem Van Hooff. Exclusively for SIDE. Netherlands, 2023. Earthenware, glazed. Measurements 23 x 8 x 43h cm 9,1 x 3,1 x 16,9h in Proven...

Fabulous combination of orange and green French ceramic vase, circa 1930. Excellent condition (no crack, no repair). Size: Height 22 cm, 9.7 inc...

Vase model "Large Vido" Manufactured by Willem Van Hooff. Exclusively for SIDE. Netherlands, 2023. Earthenware, glazed. Measurements 27 x 8 x 65h cm 10,6 x 3,1 x 25,6h in ...

Vase model “Hara” Manufactured by Willem Van Hooff. Exclusively for SIDE. Netherlands, 2023. Earthenware, glazed. Measurements 34 x 10 x 58h cm 13,4 x 3,9 x 22,8h in Prov...

19th century majolica plates by Villeroy & Boch in unusual color combination of olive green and majolica pink with relief design on front. Nice addition to your table or just to disp...

A very stylish mid-century hand painted vase decorated in the rainbow pattern by Hornsea and dating from around 1960. This finely made ceramic vase stands on a narrow round unglazed ...

A stylish Art Deco orange lustre glazed art pottery pot-pourri lidded vase with pierced designs by Ruskin and dated 1915. The finely made vase is of round bulbous form standing on a narrow round foot with a recessed base and with a small round raised top...

A very stylish studio pottery soda glazed Yunomi with ribbed patterning by renowned potter Ruthanne Tudball (British, b.1948) dating from the 20th cen...

A very stylish Studio Pottery soda glazed Yunomi with ribbed patterning by renowned potter Ruthanne Tudball (British, b.1948) dating from the 20th cen...

Art Deco ceramic jug or pitcher designed by Nils Kähler and made by Herman A. Kählers ceramic workshop in the 1930s or 40s. The jug is decorated ...

A large and impressive mid-century Italian modernist art pottery vase formed in a retro ‘C’ shape and decorated in 'Scretziato Tobacco' glazes by...

Bitossi (Manufacturer) - Aldo Londi (Designer) - rare mid century studio pottery vase - hand made - featuring a color block palette of mustard and brown glazes with a white glazed in...

Inspired by Mid-Century Modern design, this bowl is wheel thrown and hand pierced stoneware. The satin glaze varies subtly from rhubarb to pale pink to eggshell to white. Controlled,...

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 24.5 cm (9.8") high including the stand. It´s in very good condition except fro...

This stunning sculpture of an Art Deco Pouncing Tiger is realized in a pale terra-cotta glaze ceramic .It features a stylized Tiger on a stepped geometric base echoing the design of ...

Svend Hammershøi for Kähler, Denmark. Large bowl / dish in glazed stoneware. Beautiful yellow uranium glaze. 1930s / 40s. Measures: 32.5 x 4 cm. S...

This elegant Mid-Century Modern vase was realized by Gunnar Nylund for Rorstrand in Sweden circa 1960. It features an hourglass form tapered body in glazed ceramic in a sophisticated...

Kähler, Denmark. Cream jug in glazed stoneware. Beautiful orange uranium glaze. 1940s. Measures: 9 x 5.5 cm. Stamped. In excellent condition.

Keith Simpson rather instinctively made ceramic cacti for the show. They were a last minute thought that evolved out of a daydream. Keith was musing about the possibility of moving t...

Eye-catching glazed ceramic trompe l'oeil seafood basket wall plate manufactured by Atelier Lamarche Monaco. This piece would be a nice addition as wall decoration in a kitchen or di...

Royal Copenhagen / aluminia confetti. Three salt/pepper shakers and three butter boards in glazed faience. Mid-20th century. Butter board diameter: 15 cm...

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

Set of three ceramics in a bright red/orange color with raised areas of un-glazed matte brown in bands/diamond pattern. With original sticker, 'Frank Keramik...

Glazed ceramic Excellent condition. "Portanier" signed.

A large vase designed by Gunnar Nylund at Rörstrand, the vase is 33 cm high and it is in very good condition except from some scratching marks below (see photo) therefore it is marke...

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

Lovely beige glazed terracotta soup tureen / kitchen pot with handles, France, 19th century. This French Provincial tureen will be a nice accent to any countryside house kitchen. Be...

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

Glazed ceramic Example 3/20 Perfect condition.    

A substantial coffee or cocoa mug with golden matte glaze.

Glazed in brilliant white, deep red, gold and black, this striking round plaque was made by Waylande Gregory, the renowned WPA sculptor and innovative ceramicist. Prodigious and inde...

A rare 1960s Ruscha large bull with the 'Vulkano' glaze, unmarked, West Germany. The glaze was devised by Otto Gerharz in 1959. A very appealing and tactile...

FAPG 20247D John Bennett (1840-1907), New York Plaque with pink and blue phlox, circa 1881-1882 Earthenware, painted and glazed Measures: 14 7/8 in. diameter, 1 13/16 in. high Signed and inscribed (on the back): J B[monogram] ENNETT / E 24 NY. / MC [or] CM If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics. A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally. Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background. Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years. Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...

Berndt Friberg, Stoneware jar with red brown haresfur glaze, Gustavsberg , Sweden 1949 Impressed "Friberg" "G (hand) " Incised "S" This is a red brown haresfur glazed jar by Berndt...